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Composition needs to pay attention to the following 1. Drop position. Beginners can start with the "three seven stop hand style", get the basic skill, and then break through this hand style, out of the new or dangerous situation. "Three-seven stop-up style" is that a piece of paper is divided into ten equal parts, with three-tenths or seven-tenths of the point as the focus, and the main one is placed on the three-stop or seven-stop, so as to develop to the other party, so that it is more stable. If it is a composition of branches extending from the outside to the inside of the paper, divide the paper edge into ten equal parts, extend the branches inward from the three stops or seven stops, be more symmetrical, do not avoid five branches, up and down or left and right equal, not good layout, do not start from one stop or nine stops, too much on one side and too little is too biased, more taboo from the corner to start diagonally, the three lines are equal to each other is very ugly. No matter what kind of format can be divided by "three seven stop".
2． Balanced and stable. A peanut or a peanut exists in nature, has endured wind and rain for a long time without falling, and has the following four to balance the body. That is, to want left first right, to want right first left, to want to go up first, to want to go down first. In the composition of the folded branches, we must also pay attention to these four natural growth stem laws, such as when the branches to the left of the folded branches are many, there must be a right branch to contrast so that they will not fall, then the left is the lord, and the right is from. In this way, the Fa wants to go up and down first, that is, the upward branch is the mainstay, and the downward branch is subordinate, and the master and the body can be balanced and stable. Even if you only draw one direction, you must draw the relationship between the two sides of the contradiction that is opposed and interdependent, so that the picture is balanced and stable.
3． Densely packed. Gathering and dispersing, sparse and dense are two opposites, which need to be properly applied in order to balance and stabilize and achieve uniform beauty. The difference between dense and scattered should not be too different. In the whole picture, the density is relative, not too absolute. Dense is formed due to multiple levels, can not be gathered too closely, branches should not be too scattered, too much emphasis will go to extremes. In a painting, as long as the "dense and dense" layers are clear.
4． Echo the opening and closing. There are more than two flowers in the painting, put together, can not be unrelated, to take care of the feelings, echo each other, in order to be vivid and lively. The flowers in the painting are the branches and leaves going in and out, the combination is to take back, too open is loose, too close is bound, opening and closing is to unify the two, the theme of the painting is concentrated in the paper. If you paint two or three flowers, of course, you can't be parallel, to make these two or three flowers interspersed properly, there are opening and closing, echoing each other, is a relatively complete composition.
5． Straight and thick. These are two opposites, if you paint woody flowers, there are more branches, there must be a change in thickness and a difference in curvature to look good. In a car, there are changes in the straight lines, thickness, old and smooth, which are in line with the actual natural life and have artistic conditions. The thickness and thickness of the painting should be in line with natural reality, and it should not be arbitrarily contrived, arbitrarily bent, and have an out-of-shape god.
6． The circle is missing a jagged. The flowers painted should not form a regular geometric shape in the painting, and they must be unified and changeable. To be vibrant, thriving, and highly vigorous flowers, so that the flower head changes more, do not choose the kind of flower that is broken and fallen petals. Too round no change is not beautiful, too many gaps are not plump, it is best to have the first blooming, blooming flowers, and a number of buds to be released, such flowers are both colorful, the inflorescence also has round, missing, jagged changes.
7． The composition should be complete. A complete painting should be like a play, with a prologue, a climax, an epilogue, and they are closely linked rhythmically to guide the audience to appreciate. Regardless of the standing, banner, hand-scrolled, or fan, in order to form a composition, in addition to having the various conditions mentioned above, it is also necessary to pay attention to completeness. A painting should highlight the subject matter, the most wonderful part, if it is laid out without a head and tail, and if it is painted truthfully without cutting, it will not be a complete composition.
8． blank. In addition to the part of a painting, the rest of the painting is blank, and the blank space is also very important, and it is also an important part of the painting, which must not be ignored. Blank to feel breathable. "There must be a painting in the blank", such as the blank space in which the flower echoes the flower, it is not only a blank paper, but the blank is occupied by the spirit of the flower, which is the blank painting. If the composition is improper, the blank is small and empty, and there is no painting in the feeling, of course, such a blank, the larger it is, the more empty it appears. In short, the composition needs to be carefully cut and laid out. We must respect real life and must not violate objective laws. "Even if there is a cut that does not deviate from the rules", the composition should be the law, and strive to achieve "more is not boring, less is not tired, and every flower and leaf is also a rule".
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