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Trees are one of the main components of Chinese landscape painting, and as far as one of his landscape painting works is concerned, the most expressive and most able to reflect the characteristics of landscape painting is the tree in addition to the mountain stone.
The method of tree and stone is the most basic expression method of landscape painting, for the painting of trees, like other techniques of landscape painting, when starting at the beginning, we should also start from the "transmission of mold writing", and learn and learn from good tree painting techniques in the tradition.
When you have a certain foundation, you should go to life to train your ability to observe and express life, so learning to paint trees is inseparable from tradition, and even more inseparable from life.
For traditional learning, it is mainly to copy the drawings, good models, excellent works, and observe online videos. Beginners should start by drawing a single tree and gradually start practicing bushing.
During this period, it is necessary to have a general understanding of how the predecessors arranged the combination of trees in the picture, and can consciously explore the level and space of the picture.
When we can use pen and ink to express some trees, it is a very pleasant thing, even if there is some progress in learning, it will stimulate our interest in learning, to master more expression techniques, enrich their own picture language.
The diversity of trees in nature is an inexhaustible source of our learning and creation. Learning to draw trees is most effective in observing and sketching.
When sketching, the preferred deciduous tree is better, the deciduous tree structure is clear, the form is clear, the front and back are clearly layered, and it is easy for beginners to understand and grasp the basic morphology and organization of various trees.
Of course, this requirement is not absolute, after all, most deciduous trees can only be seen in winter, we have to sketch as usual at other times, and more importantly, we must observe carefully, learn to make trade-offs, and be good at generalization.
Landscape painting can be said to be no tree and no painting, painting because of the tree to see the four times change, painting because of the tree and colorful, painting because of the tree and the artistic conception is timeless.
One tree, two trees, multiple trees, several trees, to let many trees reflect the sense of beauty in the picture does not violate the laws of nature, that is, people's appreciation habits, in addition to being able to draw the characteristics of the tree itself, but also need to work the layout of the tree, reflecting the level of the tree and the sense of space in the picture.
The level of the tree, even if you draw a single tree, there is a deep level of front and back, "the tree is divided into four branches" is an objective requirement for the physical level of the tree, so that the most beautiful posture of the tree can be expressed.
The sense of space of the expression tree, just like the black and white gray of Western paintings, can be used well to open the layers of the picture. The sense of layering is enriched, and people can feel the difference between the distances and distances of the trees in the picture, so that the picture has a sense of spatial depth.
The trees of Chinese landscape painting have a distinction between close-up and long-range view in our picture, and the distance of the trees should be viewed from the whole picture, and we must distinguish what is the difference between the three levels of trees in the near, middle and far. In fact, this difference is the relationship between near real and far away, which conforms to the law of perspective, black and white.
To express the level and sense of space of trees, whether we learn from tradition or from life, we must be good at thinking, dare to write, and paint without getting tired of changing.
In landscape painting, there is a saying that the tree is drawn first, and then the stone is drawn, which I agree with, because the roots of the tree are mostly rooted in the soil between the stones, if you draw the stone first, where will the tree take root? If you draw the tree first, the stone can be interspersed, and its contour line can be naturally combined with the root of the tree, which is in line with aesthetic habits.
When painting a tree, one tree should be divided into "four branches", two trees should be divided into front and back, there should be thick and light changes, three trees should be interspersed, and trees and trees should be cared for.
The trees in the close-up scenes of Chinese landscape paintings need to be carefully depicted, the pen and ink are clearly explained, the ink is thicker, and the layers should be staggered, and the layers should be pulled apart in groups to highlight the beauty of form.
Because of the proximity to the viewer, it should be clear and not cluttered, and win with less.
The trees in the middle scene are more than layered forests, the ink color is gradually faded from thick to faint, and the dense places are rendered with wet light ink to unify the picture.
The trees in the distance, the shadows are enough, do not distinguish their shape, and merge with the distant mountains, and use light ink to splash dots.
In short, the trees of landscape painting do not exist alone in a painting, but need to meet the requirements of the theme and rational layout, reflect the sense of hierarchy and space, and enhance their artistic appeal.
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