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Draw the tree up technique
The trunk is double hooked, branches are out on all sides, and the branches are left and right, paying attention to the complexity and simplicity, and the dense changes. This picture shows the trunk of a pine tree.
Huangshan pine sketching
The trunks of pine trees are coiled like a slug, the branches are like dragons flying in the air, and the pine needles are dense, layered and lush.
Peach tree painting method
This picture is selected from Qiu Ying's "Peach and Plum Garden Map", two peach trees have many knots of scars, slightly horizontal stripes, lightly dyed with light ink, and the branches are thin and powerful, and they are varied.
Banyan tree sketching
This figure is mainly a painting method of tree roots and tree bodies, and the characteristics of banyan tree roots and crisscrossing lines should be drawn.
Willow sketching
The willow tree is characterized by a hard and knotty scar of the tree body, the main trunk is upward, the willow is slender, the willow leaves are written with more realistic point leaves, the pen is smooth, the branches are not parallel, it should be jagged and natural, and the point leaves are dyed green after drying.
Cypress sketching
The cypress tree is drawn with a line to draw the coiled body and the scars at the roots, and the cypress leaf points are made of small dots, or they can be scattered and pointed leaves, and the leaves are dyed green.
Autumn tree sketching
Autumn trees paint the trunk, branches after the dotted leaves, in order to depict the autumn scenery, the dot leaves can be ochre, dark green, vermilion and other colors.
Coconut tree sketching
The coconut tree is tall and tall, the bark can be rubbed with horizontal stripes, each leaf has a stem in the middle, and many arrow-like leaves are irregularly arranged on both sides of the stem, and the leaves overlap and the leaves are dyed green.
The Technique of Painting Trees by Famous Artists of the Northern School
Fan Kuan sandwich tree painting method
The picture shows the Song Dynasty painter Fan Kuan's "Journey to Xishan".
First, use the center to double hook the trunk and twigs, draw the knot scars on the tree, dye the tree body with light ink, and then outline the sandwich leaves, which are chrysanthemum-shaped and decorative locust leaves.
Guo Xi pine tree painting method
The picture shows a part of the "Early Spring Map" by the Song Dynasty painter Guo Xi.
Two ancient pines are tall and vigorous, the needles are sparse, the pine needles are short and long, flexible and colorful, and the body of the dead tree in the close-up is curved, the shape is on the side, and the small branches are bent vigorously.
Guo Xi crab claw tree painting method
The picture shows a part of Guo Xi's "Valley Map".
Guo Xi painted the tree obliquely clumsy, the roots of the stone bank, taking a unique position, several dead trees growing on the body are interspersed with an old tree with a horizontal and downward fluttering branch, the form is vivid, the small branches are bent downwards, and the pen is vigorous.
Guo Xi's miscellaneous tree painting method
The picture shows a part of Guo Xi's "Pingyuan Map of The Stone", two straighter miscellaneous trees are interspersed with several curved dead trees, and the branches are mostly crab claw-shaped; some twigs are bent downwards, and some twigs are bent upwards, with different postures. Leafy trees either hook their leaves in small circles or lay their leaves with large patches of wet ink to contrast with dead trees.
Li Tang pine tree painting method
The picture shows the Song Dynasty painter Li Tang's "Wind Map of Ten Thousand Valleys and Pines".
Double hook five pine trees, solid lines, pine branches coiled, pine needles similar to masson pine needles, with a main needle in the middle, the main needle on both sides of the pine needle. Pine bark is written in circles of varying sizes, noting changes in size density. Pine needles dye juice green, pine dry dye ochre.
Mayuan pine tree painting method
The picture shows a part of the "Landscape Figure Picture Scroll" composed by the Song Dynasty painter Ma Yuan.
Ma Yuan paints pine characteristics of the first is thin as iron, with a pen rigidity, the second is "dragging branches" - painting pine branches or to the flat or downward stretch, small branches like sharp arrows, because of the dragging branches, pine tree posture like a dance.
Ma Yuan bamboo painting method
The picture shows a part of Ma Yuan's "Tapping Song Map".
Ma Yuan draws bamboo using a double hook method, using a pen like folding iron, and the pen is rigid and clumsy. He paints bamboo poles, clumsy and calm, painting bamboo leaves, but also using a slightly deformed technique, bamboo leaves are long triangles, and slightly stunned. The first stroke of the bamboo leaf is slightly drawn from the outside to the inside, and the stroke is slightly longer. The second stroke outlines the shape of the bamboo leaf, with a slightly shorter stroke so that each bamboo leaf is pointed.
Li Tang Willow Tree Painting Method
The picture shows a part of the "Village Doctor Diagram" composed by Li Tang.
In the picture, the willow stem is old and scarred, with a thick and clumsy pen, and the trunk grows upwards, but the branches drift with the wind to the horizontal place. The branches are light and flexible with a pen, and the willow leaves are finely pointed out, and the wind is paid attention to when pointing leaves, and the willow leaves can be dyed with juice green.
Fan Kuan Staghorn Tree Painting Method
This picture is part of Fan Kuan's "Snow Scene Cold Forest Map", several dead trees on the slope shore, the trunk is thick and ancient, the small branches are dense, shaped like antlers, growing upwards, the trunk is firm with a pen, and the branches are clumsy with a pen.
Ma Lin Willow Tree Painting Method
This picture is a part of Ma Lin's "Snow Peak Cold Boat Map". Near the previous ancient willow, the wicker should draw a soft posture, reflecting the artistic conception of the cold wind blowing.
Horse lin crab claw tree drawing method
This picture is a part of Ma Lin's "Hanjiang Solo Fishing Map", a typical crab claw tree method. After the snow, the trees on the slope are covered with snow, and a fisherman is still crouching in the grass shed waiting for the fish to come online. Nearly a dead tree, the branches are all written in the crab claw method. Use the pen clumsily and powerfully, with the twigs facing downwards.
Li Di Willow Painting Method
This picture is the Song Dynasty painter Li Di's "Wind and Rain Return to Pastoral Map", the willow tree in the wind and rain, the posture is moving, a shepherd boy's straw hat is blown off, and life is full of fun. This figure is dense with willow leaves, written with the point leaf method, the wind blows the leaves, the willow leaves fly, and the willow leaves are in the shape of the top wind, which increases the dynamic sense of the picture.
Liu Songnian willow tree painting method
This picture is a part of the Song Dynasty painter Liu Songnian's "Four Scenic Landscapes", Liu Songnian painted a thick willow trunk and more knot scars. The willow leaves adopt the point leaf method, fine point out, lush and dense, after pointing the willow leaves to dry, the local use of thick ink to point again, strengthen the sense of layering. Willow leaves are dyed with flower green or juice green, and dried willows are dyed with ochre.
Tang Yin pine tree painting method
This picture is a part of the Ming Dynasty painter Tang Yin's "Fengtian Xingli Map". Tang Yin This picture of the pine tree is a masson pine, the pine stem is like a flying dragon, and the vines are entangled. The largest feature of masson pine needles is that there is a main needle in the middle of each bundle of pine needles, and other Georgian distributions are distributed on both sides of the main needle, all of which grow from the main needle, and each bundle of pine needles is oblong.
Zhou Chen pine tree painting method
This picture is a part of the Ming Dynasty painter Zhou Chen's "Tinglin Summer Elimination Map". Two pine trees, one upright, one on the side, one of the two sandwich trees is a triangular leaf, one leaf resembles a weeping chrysanthemum leaf, two dotted leaves on the right, one is an upward point, and the other resembles a plum blossom spot.
Jiang Song broad-leaved tree method
This picture is a part of the Ming Dynasty painter Jiang Song's "Fishing Boat Reading Map". In the picture, a boulder stands, a leaf boat in the stream, a coat in the boat reads, and a child holds an oar, and the mood is quiet. On the side of the boulder, the branches of the trees are either upright or hanging, and the leaves are wide and fat. When painting, the pen is full of moisture, and the side pen points out, thick and light, in one go.
The picture shows the Ming Dynasty painter Zhou Chen's "White Pond Map".
Zhou Chen painted pine trees strong and soft, although the small branches of the pen are strong and sharp, but the trunk and large branches are more rounded with lines, and the brushwork has changed from the solemnity and fierceness of the Song people to the loose and smooth. Pine bark is drawn with small dots and circles, and the pine needle drawing method is slightly curved on the basis of the money pine. Pine dried stained ochre, pine leaves stained juice green or flower blue.
Qiu Ying sycamore tree painting method
The picture shows a part of the "Still Picture of the Tongyin Book" by the Ming Dynasty painter Qiu Ying.
The sycamore leaf painting method can be divided into two kinds: hook leaves and point leaves, the left picture is the hook leaf method, and the left picture is the point leaf method. The trunk of the plane tree is thick and straight, the bark is horizontal with a light ink pen, the leaves are wide and palm-shaped, and four or five small branches of leaves are produced, and when pointing leaves, pay attention to the ink fullness.
Yuan Yao peach tree painting method
The picture shows the Part of the Qing Dynasty painter Yuan Yao's "Taoyuan Picture Screen".
The willow trunk is thick and the bark is striated, and branches can emerge from close proximity to the roots, and the branches are interspersed with dense twigs. After painting the twigs, at the twigs, lay the bottom with light ink, let them dry, dye them with pink, and then light white flowers.
Chen Shaomei plum tree painting method
The picture shows the modern painter Chen Shaomei's "Plum Blossom Book House".
Plum tree trunk more curved knots, long twigs, strong like a sharp arrow, twigs should pay attention to interspersed, dense, treetops should avoid a variety of branches, another branch should be combined with length and short, after the whole picture is dyed, do not point white flowers. (Excerpt from "The Law of Landscape Painting trees of the Famous Masters of the Northern School", edited and painted by Zhang Kui, published by Tianjin Yangliuqing Painting Society)
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