The Hong Kong Jinmotang Calligraphy Research Foundation's "Shaoling Twenty-Five Absolute Sentence Volume", a biji jie geben, 22.5 centimeters high and 420 centimeters long, was written on November 21, 1530, the ninth year of Jiajing (1530), and is an important representative work of Wang Pet in his later years. After the recognition of the "Wang Lu Ji Yin" and "Taiyuan Wang Pet" Bai Wen Yin II, the first "Daya Tang" Zhu Wen Tiao Seal. In addition to this volume, there is Pan Boying's 1959 Erzhu, and the first book "Hengshan Houshu JiShou" was written by Huang Baoyi in 1960.
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In the lower right corner of the volume, "Dong Yiyang Book Seal" Bai Wen Fang Yin Yi, it can be seen that this volume was once a relic of Dong Yiyang in Songjiang. According to Zhu Chaqing's "Letter of Mr. Dong Ziyuan", Dong Yiyang ziyuan, studied under Xu Xianzhong in Fenghua. Try the two capitals, because of the arrogance of the ancient words, the name is borrowed from the Ru Lin. He was fond of collecting books and ancient and modern stone carvings, "smelling of strange records and famous posters, that is, unwinding and buying them." It cannot be bought, so that it can be written, and if the wrist is off, it will not be bitter." Wu Men literati have been under Wen Zhengming, and they do not want to travel with them. Dong Yiyang's greatest contribution to Wang Pet was to engrave the "Yayi Mountain People's Collection" with Zhu Junming, a protégé of Wang Pet, in the sixteenth year of Jiajing, which is an important material for us to reconstruct Wang Pet's deeds and circle of friends today. Dong and Wang Jiaoyou were no later than the beginning of Jiajing, in the second year of Jiajing (1532), Dong Yiyang's father, Dali Shaoqing Dong Tian, celebrated the seventieth birthday of Dong Tian and Wang Pet tasted shou poems. In the autumn of the tenth year of Jiajing (1531), after Wang's pet was ill, Dong Yiyang visited Shihu YuexiZhuang, "Shanghai Dong Ziyuan Night Visit to the Mountain Villa" Yun: "The first line of the yuan passenger boat, the pastoral chrysanthemum is opening." The ancient hall is set in autumn fog, and the night is mournful. Hua Yan burned candles, and the mountain sky quietly raised a glass. Cao Xuanwu dared not, and should be ashamed to ask Qilai. According to He Liangjun's "Four Friends Zai Cong", Wang Pet also sent a message to Zhang Zhixiang and Dong Yiyang, hoping that the He brothers would meet each other. The Book of The Twenty-Five Absolute Sentences of Shaoling was written in the winter of the ninth year of Jiajing, when Dong Yiyang may have also visited Wang Pet, and may also have been sent by Wang Pet.
The "Shaoling Twenty-Five Absolute Sentences Volume" book "Ten Absolute Sentences of the Song of Kuizhou", "Seven Absolute Sentences of The Riverside Alone in Search of Flowers", "Spring Water Life Two Absolute Sentences", "Drama for Three Absolute Sentences (Total Six Absolute Sentences)", "Three Absolute Sentences", counting twenty-five songs, is a rare giant in the works handed down by Wang's pet. In the Sayings, Wang Pet said: "Shaoling is stubborn and stubborn, and his attitude is outgoing, and the Tang people do not have this style, and they will have to walk alone for hundreds of generations." Recently, The North County Li Kong is the same as the energy efficiency, it can not be rushed, know that the qi and bone win, not at the end of the word. Gengyin Midwinter Twenty-first Day, Wang Pet Doll Book, Because of Knowledge. It is full of admiration for Du Fu's poems, and can also see the admiration of the Wumen literati for the first seven sons of that day.
Wang Pet Poetry, beginner cai yu. Cai Shigao' self-standard table, thinking that Du Fu was inadequate, and then wang favored between Bian Gong and Gu Xuan, so he changed his name to the north. Zhang Fengyi commented on the Seven Laws of Xin Wei's Shushi Poems composed in the last years of Zhengde's reign, which were already "Buwu Shaoling". Gu Xuan's preface to the "Collection of YayiShan People" says: "Seven words of ups and downs, the trumpet blows and misty spring clouds, cover Du Fu and Cen Shan; the near body is also step by step Du, Sam, and self-soothing, and the Sheng Tang family is long, can be described as a poet." "Clearly point out the origin of Wang's pet poetry with Du Fu and Cen Shan." Between Hongzhi and Jiajing, Li Mengyang, He Jingming and other former seven sons rose up, opposing the Taige style in terms of literary and artistic ideas, and Li Mengyang proposed that Wen bi Qin Han and Poetry Bi Sheng Tang, which received a positive response among the Wumen literati. Huang Shengzeng, Yuan Yuan, Huang Fufen, Wang Pet, etc. either directly interacted with Li Mengyang or admired the poetry of Li Mengyang and He Jingming. In a letter to Yuan Yuan, Wang Yu hoped that Yuan would send Li Mengyang's poems and said: "Jun Tianguangle, the blind man does not forget to listen, and my brother Bei Yun disdains it." An anecdote recorded by Zhu Yuefan, a protégé of Wang Pet, is also quite interesting: Wang Pet's usual obsession with He Jingming and Liuzi poetry is obsessed with scabs, and the wind and moon are clear on nights, and they often recite it. Later, once Wang Pet sent a poem to Zhu, he unconsciously directly copied He Jingming's poem "Idle Residence", but Wang did not know it. He also transcribed the Poems of He Dafu and the Six Sons and gave them to his protégé Jin. The book He Jingming's "Gift of Xue Hui's Poems" was given to the protégé Zhu Junming, and the second official wen cai was congratulated. This volume says that Du Fu's absolute sentence "walks alone for a hundred generations", and li Mengyang's recent effect on it, winning with qi and bone, is in line with Wang Pet's consistent evaluation of Du and Li.
Collection of The Near Ink Hall Calligraphy Research Foundation Wang Pet"He Jingming Presents Xue Hui's Poems
This volume uses boundary grid, which is quite cautious, so Pan Boying thought that "the biji boundary grid was already a fine product at that time". The calligraphy of this volume is large and inch-by-inch, between the lines of grass, the writing is easy and spontaneous, sometimes dense, sometimes naughty, Pan Boying commented on "the strokes are round, the meaning is through the seal, the qiaoli, the fun of rao shuxiu, it is particularly difficult to also", the seal means round or not necessarily, but there is a sparse show in qiaoli, but it is in one word.
In terms of materials, this volume is based on the ribbed paper of the Little Wolf Milli Book, because the paper and pen are hard, so the ink does not take the thick black all the way, which is quite moist than his work, because of the direction of the ribbed, the horizontal strokes see the flying white brought by the edges, which is completely consistent with Wang Pet's other books on the same material (such as the "Borrowing Coupon" of the Tibetan King's Pet of the University of Chinese, Hong Kong).
Hong Kong university of Chinese, "Borrowing Coupons"
In the use of the pen, Wang Pet not only shows a flexible side, especially at the round turn and adjustment gestures, such as "chick" and "cut", in one go, hook and lock continuously and can be sent and mid-section. However, long skimming, long strokes, and long vertical strokes are slow, and there are more sharp edges, and even re-exert efforts to seek solemnity, such as "in", "old", "bi", "near", "dao", "pity", "material" and so on. This change not only enhances the richness of the brushwork, but also causes a certain visual contrast. In terms of glyphs, Wang's pet is born in Wang Xianzhi, such as "wind", "long", "moon", "Ming", "Bao", etc. are all derived from the Xiaowang knot method in the Cabinet. The same is true of the frame structure, such as "is", "relic", "quite" and "smoke", often close to its left and comfortable to the right, which is also the characteristic of Xiao Wang. Some cursive writing interspersed with it can occasionally see traces of Zhu Yunming, such as "chaos". Wang Pet is particularly good at showing the gathering and dispersion of space in a single word, such as "flower", the upper left corner gives way to a blank space, the lower part is short and tight, and the word "warbler" forms three aggregations in the left and right circle. Some structures are obviously derived from the Jin people's calligraphy (also close to the structural method of the Han stele), such as the "mouth" part of the characters "cry" and "anger", and the "ren" part of the word "chuan" are hanging on the upper left, and the right part is the center of gravity falling. In dealing with the single words of the lower two points, such as "horizontal", "un", "east", "gorge", "summon" and "shi", Wang Pet always widens the distance of two points, thereby lowering the center of gravity of the word, which makes the glyph clumsy and interesting. Some words such as "I", "Spring" and "Song" are quite different from the usual methods, which should be broken continuously, should not be broken but broken, this change is easy to bring visual novelty. From the perspective of the overall chapter, because there is a bounded grid, many vertical lines, and there are sometimes gu pans between the lines, and in the local treatment, Wang Pet is well versed in the relationship between complex and simple aggregation, such as "driving", "flying", "Qi", "du", "Ming" and other clumsy and mellow, scattered in those relaxed and bright fragments, forming a spatial relationship similar to a single word.
Compared with the famous Wumen masters, if Wen Zhengming's knotted word Zhonggong is tight and relaxed, Wang Pet is just the opposite, his character is tightly bound, and the Middle Palace is often empty, making people feel the flow of breath. Compared with Zhu Yunming, Wang Pet strengthened Zhu's clumsy and loose side, and discarded his strength and momentum. All this enabled Wang Pet to not be imprisoned by the Er clan in the era of Wen and Zhu, and to occupy a place in the hands of Wu Menming with distinctive characteristics.
Original title "Interpretation of Wang Pet Xing Cursive Writing"
The content has been derogated
The original text was published in Calligraphy Magazine, No. 7, 2021