As we all know, good calligraphy is inseparable from tradition, whether it is the formal technique of expressing calligraphy itself or the cultural content of carrying calligraphy. If calligraphy itself is concerned, Shigu is a necessary way to learn calligraphy. On the road of Shigu, there are two major schools of Thesis and Epigraphy, of which Theology can be said to have occupied the mainstream position for a long time. Speaking of theology, it is natural to be inseparable from the "two kings", from ancient times to the present, whether it is ordinary writers or celebrities, it can be said that there are countless people who learn the "two kings".
Among the many calligraphers in modern times, Pan Boying, Shen Yinmo, and Bai Shuo are representatives of the study of the "Second King" Thesis, and they are known as the "Three Masters of the Book World". Shen Yinmo and Bai Banana Will not be repeated in this article, we will mainly introduce the calligraphy of Pan Boying in this issue.
Pan Boying's calligraphy is good in all forms, especially in calligraphy and calligraphy. His calligraphy is the master of Chu Suiliang, the knot is wide and loose, and occasionally mixed with some calligraphy in it, making the seemingly neat calligraphy much more ethereal and flexible. In particular, the Yin Rune Sutra that he wrote can be described as both form and god in the use of pens.
Of course, Pan Boying is best at his book. In particular, his small characters in the writing are methodical, meticulous, and the lines are easy and energetic, and although the upper and lower characters are less picked up, they are indeed broken. The overall chapter is flat in the strange, and the danger is stable. When it comes to Pan Shu, it is said that he is "an active admirer of the Erwang Calligraphy".
In addition to the relatively formal works, the handwriting of Pan Boying's letters can be described as particularly wonderful. As a member of the Thessalonian school, he often communicated with other calligraphers with long notes and short notes, and his writing was less restrained and more fluent and natural. As he said, "never rhyme out of the truth, the common theory is leisurely and how to take", which shows that calligraphy is expensive in having "true qi" rather than form, and true qi is full of charm!
Back to the main topic, let's enjoy Pan Boying's calligraphy together——
Pan Boying (1904-1966), a native of Huaining, Anhui, was originally named In style, the character Boying, the number of Gong Gong, you fa Weng, but Qu Weng, do not sign Gu Yun. The "two kings" of modern and contemporary books have many calligraphy works. He was the vice chairman of the Shanghai Chinese Calligraphy and Seal Engraving Research Association, a professor of Zhejiang University, a professor of Tongji University, and the deputy director of the Central Museum of Culture and History.
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