Zonghe
As one of the active admirers of the "Two Kings" style of modern books, Pan Boying, Bai Shuo and Shen Yinmo can be represented, and have a great influence.
The Surging News learned that the "Talented And Dancing -- Pan Boying and Xu Baotao Teachers and Students Calligraphy Art Exhibition" was recently exhibited at the Shanghai Pen and Ink Museum (No. 429 Fuzhou Road), exhibiting many calligraphy works, unpublished manuscripts, books, etc., including pan Boying's "Poems for Giving Gull Neighbors and Rendi" and Xie Zhiliu's "Poems of the Late Pan Boying Giving Treasures to Comrades", and others such as Pan Boying's book "Chu Qu Weng Pen Ride", "Guan Gu Ji Yu" manuscripts, "Mr. Chen Zhonggong's Poetry Manuscript True Manuscript Long Trek" album, etc., as well as the xiaokai mirror of the "Shanghai Cultural Relics Preservation Society". Zhang Shizhao to Yin Dezhen Letter, Pan Boying to Cao Juren, Lü Zhenbai Letter, etc., are rare to see.
Pang Bo Ying (1904-1966)
Exhibition site
Pan Boying (1904-1966), a native of Huaining, Anhui (now part of Anqing), lived in Shanghai for a long time. The original name is formula, baby, in the line of words. The number of gong, there is a hair, a lonely entertainment scholar, do not sign the lone cloud. Famous scholar, calligrapher, poet, novelist, and expert.
In his early years, he studied history and literature from Wu Minsheng and graduated from Beijing Jiaotong University. He studied in Japan, and after returning to China, he studied logic from Zhang Shizhao and re-studied ancient chinese. Later, he served as the secretary of the Bac Ninh Railway Bureau and a professor at the Sino-French University of Beiping. In 1933, he taught Chinese at Jinan University and Middle School. After 1949, he worked in the Shanghai Library, and was also a professor at Tongji University and shanghai conservatory of music, and a special consultant of the Shanghai Municipal Commission of Cultural Relics Management. In 1961, he served as the deputy chairman and the first secretary-general of the newly established Shanghai Chinese Calligraphy and Seal Engraving Research Association (the predecessor of the Shanghai Book Association).
"Guan Gu Ji Yu" Pan Boying manuscript
Pan Boying sent a letter to Cao Juren and Lü Zhenbai
Pan Boying remembers the "Shanghai Cultural Relics Preservation Association" small Kai lens
Pan Boying is erudite, artistically exquisite, poetic and highly renowned, and in his twenties he wrote the novel "Renhai Weilan" (later adapted into the movie "Spring Water Love Wave") and the poetry collection "Xuan Yin Lu Poems". Some people have commented on it: one calligraphy, two poems, three texts, four novels, five appreciations. Later generations edited the "Pan Boying Wencun", including "The Record of Small Vicissitudes", "Taste of Yihai Xi", "Northern Parallel", "The Lone Language of the Meditator" and the famous book "A Brief Treatise on Chinese Calligraphy".
Pan Boying has a wide range of friends, the older generation such as Zhang Shizhao, Mao Heting, Ye Gongqiu, and peers such as Wu Hufan and Zhang Boju, etc., so they have a broad vision and profound learning. His calligraphy is good at italics, lines, and grass, and advocates "the simultaneous advancement of positive grass, and the study of inscriptions and posters". The second king of the first school, after the special efforts of Chu Suiliang, after middle age, there are six dynasties of the grass, Qing Jin, pen and ink, with the atmosphere of Northern Wei, Xiao Kai is also Qing Wan grand. He is the author of "Chinese Calligraphy" and "Miscellaneous Treatises on Calligraphy", and later editors and publications include "Collection of Works of Representative Calligraphers of the Hai School: Pan Boying" and so on.
"Poetry of the Neighbor Rendi of the Gull" Pan Boying
Pangber Eagle Handwriting
Pan Boying calligraphy fan
According to Pan Boying's own recollection, when he was a child, there were at least two or three hundred pieces of calligraphy and paintings from the past in his family, and his childhood was spent in this environment full of books and ink, which laid the foundation for his future artistic achievements. Young and good at writing, working in Xiao Kai, when he became an adult, he once engaged in politics, but he was not keen on this.
According to relevant literature, Pan Boying's reputation is relatively heavy, for the general literati indispensable writing utensils, Pan Boying is extremely careful, in addition to the commonly used pipe, but also repeatedly use bamboo pen as a writing, in order to seek different interests; ink is never used, in his later years especially fond of Hu Kaiwen; the paper is mostly used in self-printed "Xuan YinLu", "Drinking River Society" pattern paper and Duo Yunxuan fine print of the famous watermark ink notes; as for the seal, those who are not from the hands of famous masters do not use, the most favorite and most commonly used is Qiao Dazhuang, Jiang Weisong two engraved seals, Pan Boying believes that only Qiao, The seal ruled by Chiang Kai-shek can match his own calligraphy. After 1949, Pan Boying created a private study room in Shanghai, named "Sui Jingtang", it is rumored that in order to avoid the interference of outside idle people, he once wrote a picture here: "Those who do not read five thousand books are not allowed to enter this room", so that later "Sui Jingtang" became a meeting place for people who were full of learning, which was synonymous with the "cultural salon" and the gathering place of celebrities at that time. Pan Boying's interaction with Shen Yinmo was particularly close. Shen Yin silently learned Chu Suiliang, and Shen Yin defaulted that Chu Shu was between "inward" and "outward". Pan Boying was very appreciative of this and deeply influenced by it, studied Chu Shu, and had a high evaluation of Chu Shu, believing that Chu Suiliang himself was a great integrator of the "Two Kings" lineage, so in the later period, he took Chu Suiliang calligraphy as his ancestor.
Pan Bo Ying Pro book post cover
Shen Yinmo calligraphy
"The Poem of the Late Man Pan Boying Gifting Treasure Taming Comrade" Xie Zhiliu
After 1949, he worked in the Shanghai Library. In the 1960s, Pan Boying and Shen Yinmo jointly initiated the establishment of the first calligraphy association in New China - Shanghai Chinese Calligraphy seal engraving research association, Shen and Pan served as the chairman and vice chairman of the committee, Pan Boying under the influence of Shen Yinmo, there were constantly new works of calligraphy and papers came out, such as the "Book Review" imitating Yuan Ang's "Ancient and Modern Book Review", Mr. Shen Yinmo once wrote a hundred sentences of praise, authored "Miscellaneous Treatises on Calligraphy", "Chinese Calligraphy", "A Brief Treatise on Chinese Calligraphy", from the late 1950s, his calligraphy reached the peak of his life. He also co-published calligraphy posters with Shen Yinmo. Recently on CCTV's "Jian Bao" program, Jin Yunchang, a researcher at the Palace Museum, also repeated the theory that "Shen Yinmo, Pan Boying, and Bai Shao are the top three figures of the Erwang Shufeng, and it has been difficult to reach since the Republic of China!" ”
Pan Boying's only disciple, Xu Baotao, was born in Shanghai in 1930. Born in Qiantang Wang, he graduated from the Department of Civil Engineering of Tongji University in 1953. In 1961, he worked in the Shanghai Calligraphy Association, and two years later he changed his career to calligraphy. He taught calligraphy at Shanghai Commercial Accounting School for two years, and then taught at Shanghai Pharmaceutical Company Technical School. In 1977, he was transferred to the Shanghai Calligraphy and Painting (Publishing) Society to write the "Thirty-Nine Poems of Chairman Mao", a woodblock line-bound book, and later served as a calligraphy editor and deputy editor. Since his retirement in 1991, he has been old and full of spirits. He gave calligraphy lectures for Shanghai Television, colleges and universities, Beijing Capital Normal University, and the Japan Snow Heart Society. He was a member of the Presidium of the Shanghai Calligraphers Association, and in recent years, he has served as an advisor to the Hong Kong Calligraphers Association and the Xiling Academy. He has published nearly 20 kinds of "National Anthem of the People's Republic of China Dakai Posters", "7000 Universal Character Three-Body Character Posters", "Xu Bao Tamao's Teaching Calligraphy Willow Body VCD", "Xu Bao Taming True Cursive Writing Posters", "Xu Bao Taming True Grass Thousand Character Texts Five Kinds", etc., and has written "Cursive Teaching Materials" and "Calligraphy Art", co-authored "Chinese Calligraphy Dictionary", "Practical Dictionary of Calligraphy seal engraving", etc., about 20 inscriptions, held personal calligraphy exhibitions and published calligraphy collections.
The album section of "Jiehan Ink Edge" Xu Bao tamed and collected
Xu Yuanlai calligraphy
Hu asked for calligraphy
Calligraphy couplet Xu Baotao
Xu Bao's eight methods, gong poetry, peking opera, tong tai chi, good appraisal, more than 70 years have not quit and have their own extremes, the most praised by the world is the first to promote calligraphy. In the early years, he studied Wang Shengjiao and Ouyang Inquiry, and later Yu Shinan, Song Sijia, etc., and wrote books and lines that were energetic and peaceful, elegant and elegant. His treatise is based on "mind enlightenment", the book is "natural and natural", agrees with Su Dongpo's "book has no intention of being jia nai jia", and advocates that the person who can be called a law book can "not be skilled and both xin xin". He took the name "Gull Neighbor", the original meaning of "Linou (Yang Inquiry)" to start, in-depth development is like a bird, free and casual, with you as a neighbor to get along, xing to wave, happy to stop.
It is reported that Elder Xu also provided the album "Jiehan Ink Edge", which has inscriptions by three teachers such as Qu Yuanzhi, Zhang Liangyu, Xu Yuanlai, Xu Jichuan and other cultural celebrities, all of which are on public display for the first time.
The exhibition will run from October 30 to December 13.
Editor-in-Charge: Li Mei