OURDREAM
Painter Profile
Han Hongyu, the word is far away. Born in 1980 in Jinan, Shandong Province, he studied landscape painting at the Department of Landscape Painting of china Academy of Art. He is currently a member of the Chinese Peasants' and Workers' Democratic Party, a member of the Shandong Youth Federation, a member of the Shandong Artists Association, a vice chairman of the Shandong Young Artists Association, and the executive director of the Dayun Art Museum.
WINTER
Han Hongyu: The pen goes to the right vein, thick And thick
Text/ Chen Wenjing
Occasionally reading the book at hand, Song Renzong sometimes had a minister play a song: "If you make a policy first, then the writer pays attention to the control of chaos; the simple program, then the Hong Bo can gallop; when asking the great righteousness, the practitioner of the scripture is not dedicated to sending recitation." Yu thought that today's painting should also be viewed in the same way, and took Mr. Han Hongyu's painting art as an example.
Hongyu is a typical Shandong person, hospitable and warm, straightforward and loyal, and most importantly, loves traditional culture. Therefore, when he was studying Daxing in the West, as a student of the China Academy of Fine Arts, he had a strong enough belief to learn traditional Chinese painting and improve his practice of traditional culture. At that time, the national painting circle was heavily composed of forms, the sketch color space was popular, the painters opened their mouths, that is, Picasso Van Gogh, and the collectors were also upside down, so the traditional painting science can be described as endless. In between, talents like Hongyu can continue. They have good opinions, firm convictions, and enough spare time.
Learning from the ancients and perfecting oneself is not a process of taking it for granted, it also takes time to temper the technique, and it takes life to precipitate to increase the thickness, which is obviously contrary to the desire of many painters to become a master "more, faster, better, and more provincial", but Hongyu firmly believes that this is the right way, the right way has been vicissitudes since ancient times, many people are overwhelmed, but he has relied on a witty mentality to choose, has not regretted, and has not stopped his steps, so he really succeeded. He has received great benefits from many famous artists in Shandong, especially likes Mr. Hei Bolong's landscape style, so as to exert his temperament and express his heart. This school of landscape painting style can be described as the right vein of landscape painting, passed down from the same Shandong painting Saint Li Cheng, Daxing in the Song, Yuan, Ming and Qing dynasties, and then learn taixing in the West, the world style shifts, as Mr. Fu Baoshi said, the times are different, the pen and ink are different, so in modern times only Mr. Hei and a few other people insist on inheriting the context.
Nowadays, I think Hongyu's paintings are also three of them! The painting style is thick, free and cheerful, freehand lyrical, not seeing the slightest shyness, looking at the painting like a face, that kind of straightforward and cheerful feeling is filled with thousands of thousands of people in an instant, it is really a wind of paranoia in the world, and it is really paying attention to the chaos. The so-called attention to control chaos, for the painter, is to insist on painting to carry the Tao. This master 'paints the aftermath' original meaning. Unfortunately, future generations are drowning in fame and fortune, oblivious, upside down dreams, and the painting world is a qi liang withered and pickled atmosphere, who can be like Mr. Hongyu, not forgetting the original heart, knowing that "there is also a happy place in the famous religion"?
The simple program, the road to the jane, Shi Tao has the so-called one-painting theorist, that is, "hundreds of millions of pens and inks, there is no beginning here, but finally this.". This new cultural movement also means Hu Shizhi's "Chen Yan Wu Go". Mr. Black paints, if the wind sweeps, in an instant the picture becomes a world, and the other world is also this world, dot dyeing and smearing, left and right, there are rules. Because the rules are not chaotic, thousands of strokes, their ability to be one, their intentions can be from the heart. This is the avenue of painting creation, which not only gives the painter a free time and space to play, but also provides a way for the viewer to think for thousands of years and see the wise and think together.
Since Hongyu sincerely inherits painting, he is naturally familiar with such a concept, although the pen and ink are free and free, but insist on the intention to be the first to write, and the composition is of course to have ups and downs, but to ensure that there is a staggered, otherwise the free reins are wild horses, and the abdomen is intentionally inferior. Hongyu's pen and ink are simple, the composition is in line with the program, and it is not possible to fill the paper, which is really disdainful. Painting is not hard work, and the more sacks you carry, the better. Time and space are staggered, or can they be born out of nothing, otherwise the heart is stuffed with all kinds of black monsters and ugliness, and where can we find a paradise? Therefore, looking at the Hongyu landscape, the mountains are thick, the forest is Huazi, it seems simple and rough, but in fact, there is a qiankun inside, it is really a master of painting, at least I can't hope to reach it. Even so, such a painting style should conform to the spirit of the times and be the true meaning of Chinese culture. It is impossible to describe what zhuangzi said, just as Zhuangzi said, wandering in the land of nothingness, or like a wild horse galloping in the wilderness of the vast desert. The nature of the human heart, in fact, a thought, clear this sincerity, painting the Tao can not show it!
As for asking the great righteousness to understand the nature, it is actually the master's true intention of "learning and learning from time to time". From ancient times to apply what they have learned, he takes art as an artist, and all summer worms cannot speak of ice. In the past, Zou Yigui talked about Lang Shining's paintings, known as "although the workers are still craftsmen", Chen Duxiu commented on Shen Yin's silent words, and said that "its customs are in the bones", all of which focused on spiritual practice. If every word and deed of a man is sufficient for the law of the world, how can a gentleman be careless in his words and deeds, as if he were walking on thin ice? Specific to individuals, walking and sitting, even if it cannot achieve the national atmosphere, at least it will affect the family relatives, children and grandchildren.
Therefore, it is valuable to have a high intention and a correct entry, but without practicing it, it is tantamount to Zhao Kuo's discussion of soldiers, only to deceive people with big words. Han Hongyu's paintings take the ancient meaning, the pen takes the right pulse, and the person is more affectionate, loyal and filial piety, and the accumulation of Shandong culture.
Or some people say that the previous painting market bubble, the contribution of Shandong people in ten places, more complaining: what kind of painters are popular! Is it not sinful to confuse people's minds and confuse my roots? Guan Zi said, Cangmiao is solid and then knows the etiquette, how can the painting market not experience such a prosperity and guide the public to pay attention to Chinese painting? It's always easier said than done, and hindsight is always more correct than a real practitioner, but what can be done? Learn and know, know and then act, act and learn again, learn and know again, and then act again. The practice of the avenue, such as cutting like a discussion, such as grinding, solidifying Rome is not a day's work, and the revival of traditional culture is bound to be a long-term process. We don't have to worry, we do and accumulate, thick and thin.
At least from Han Hongyu, I can feel the vitality of the traditional context, understand the journey of the Dao in his pen and ink landscape, and understand the order of etiquette in his life. Although the world uses it every day and does not know it, those who can read the painting can smile with their hearts.
After Emperor Renzong, the Confucian culture was greatly enhanced, and the theory of science appeared, which determined the righteous tradition of Confucian culture, and a large number of brilliant figures emerged, such as Li Cheng, Guo Xi, and the Four Families of the Southern Song Dynasty among the painters, all of whom were models for future generations. History is always repeating. If this is the case, I hope to see the world of Ru Lin's revival, and I hope that Han Hongyu's art world will be more perfect and free.
Works Appreciated
Han Hongyu "Youshan Visitor" is colored on paper
68cm x 34cm 2018年
Han Hongyu's "The Colors of the Mountains Outside the Rivers and The Heavens and the Earth" are colored on paper
Han Hongyu "Xiangyun Yong Taidai" is colored on paper
90cm x 180cm 2020年
Han Hongyu's "So Many Delicate Rivers and Mountains" is colored on paper
90cm x 367cm 2021年
Han Hongyu's "Xishan Clouds" is colored on paper
Han Hongyu's "Mountain Tranquility Map" is colored on paper
68cm x 34cm 2018年
Han Hongyu's "Quiet Landscape and Water" is colored on paper
Han Hongyu's "Picture of the Scene in the Mountains" is colored on paper
68cm x 68cm 2020年
Han Hongyu's "Pine Shade Waterfall" is colored on paper
Han Hongyu's "Ten Thousand Mountains Red All Over the Forest" is colored on paper
144cm x 367cm 2021年
Han Hongyu's "Streams and Mountains Quiet" is colored on paper
Zheng Weibin, editor-in-chief of Chinese Painting Weekly
This article is from the T02-T03 edition of Culture and Art Newspaper on February 12, 2022