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Good drama, Hanzhong fire!

For days to come

It's a wonderful one

Chinese excellent traditional culture performance

In Hanzhong Tianhanlou Square, they took turns to appear

For the general public tourists

Send a cultural feast

Intangible Cultural Heritage Projects Were Exhibited and Performed on the Festival Stage

At this year's Hanzhong New Year Customs Event, an intangible cultural heritage art from the depths of the mountains, wu opera, is particularly eye-catching. Also known as "Jumping Duan Gong", it is one of the oldest han rituals of worshiping gods and jumping ghosts, driving away plagues and avoiding epidemics, and sacrificing and eliminating disasters, which originated in the Shang and Zhou Dynasties and has a history of thousands of years.

Good drama, Hanzhong fire!
Good drama, Hanzhong fire!

At the scene of the performance, the artist wore the crown of the five Buddhas, dressed in a legal dress, held a magic instrument such as the divine list and the flag, and then created a mysterious atmosphere by burning incense, applying for a table, playing a gua, making spells, and issuing spells.

Good drama, Hanzhong fire!
Good drama, Hanzhong fire!

Everything was ready, and the artist sang leisurely while barefoot, performing the thrilling "crossing the knife bridge" and "going up the knife ladder". Subsequently, the artist lit a fire trough and then walked barefoot through the roaring charcoal fire, using this breathtaking form of artistic expression to pray for the audience to eliminate disasters.

Good drama, Hanzhong fire!
Good drama, Hanzhong fire!
Good drama, Hanzhong fire!

Guo Jinkui, a master of the art, said that he began to worship and learn puppetry at the age of 15, and before he could only go to the countryside in the mountains to do things for the local villagers and show his unique skills. With the progress of society and the revival of traditional culture, Wu Opera has gone out of the mountains and stepped onto the stage, and after the successful application for heritage, this ancient and mysterious and almost lost traditional Chinese art has gradually been understood by the public and recognized by people.

Guo Jinkui, Master of The Art and Inheritor of Intangible Cultural Heritage:

"We mainly use this performance to promote our excellent traditional culture. This time the New Year exhibition of this activity, the main thing is to bring blessings and auspiciousness to everyone. ”

"Tianhan Baya" tastes traditional culture

In the past two days, the "Tianhan Baya" performance staged in Hanzhong Tianhanlou Square has attracted many citizens and tourists to stop and appreciate it with its infinite charm.

Good drama, Hanzhong fire!
Good drama, Hanzhong fire!

Baya, that is, the traditional culture of the piano, chess, books, paintings, poetry, wine, flowers, tea, that is, the so-called "melodious piano rhyme, chess set the world, books break ten thousand volumes, brush gods, poetry heirlooms, wine confidants, flowers blossom, tea rhymes and fragrance", they represent a way of life of ancient literati, but also a symbol of Chinese culture.

Good drama, Hanzhong fire!
Good drama, Hanzhong fire!
Good drama, Hanzhong fire!
Good drama, Hanzhong fire!

At the performance scene, the actors dressed in Hanfu either sat idly and played the piano, or held a scroll and chanted, or danced and danced, or walked in the clouds, and the poetry and song were staged in turn; touching the cup, playing against each other, serving flowers, tasting tea, one after another quaint realm was presented, making people feel as if they had traveled through time and space, and also let more people understand and taste the essence and charm of this traditional Chinese culture.

Bow Ziyu, head of the Tianhan Guofeng Hanfu Cultural Group:

"We also want to move it from the textbook to our realistic situation life through this way, through the interpretation of this scene, so that more citizens and friends can also like our traditional culture."

More content is welcome to follow

Hanzhong audiovisual video number

Reporters: Wang Di, Wang Boyang, Wu Tao, Wang Gan

Editor: Dang Gang Qin Wei

Editor-in-charge: Chen Wei

Review: Peng Jian Yang Liu

Director system: Cheng Jianjun

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