In the fourth year of Emperor Xining of the Song Dynasty (1071 AD), Su Shi offended Wang Anshi because he opposed the change of law, so he asked for an external transfer and was appointed as the general judge of Hangzhou, until the seventh year of Xi Ning, Su Shi was an official in Hangzhou, this period of time, it can be said that Su Shi was a very happy period of life, not only with his superior Chen Xiang (Zi Shu Gu) harmonious relationship, but also met a lot of friends and scholars, but also did a lot of useful things for the local people.
In November of the sixth year of Xining, Changzhou, Runzhou and other places were affected, and Su Shi was ordered to go to inspect, but soon after, Su Shi was transferred by the imperial court to Mizhou as Zhizhou. However, the friendship between Su Shi and Shu Gu did not end because of the transfer, they have always maintained a good relationship, in Su Shi's existing poems, many of them are written to Shu Gu's works, the following "Xingxiangzi Danyang Shu Gu" is a very charming masterpiece.
This poem is the work of Su Shi in his early years, the words are touching and excited, through nostalgia for the past, lamenting today's reality, using contrast, interspersing and other techniques, in a short poem, showing the lyricist's nostalgia for friends and Hangzhou. The whole word is sincere and poetic, and the writing scene and romance are all distinctive, which makes people feel very aftertaste when reading, and the form of three or five short sentences is even more catchy, and the teeth and cheeks are fragrant when read.
Xingxiangzi Danyang sent a description of the ancient
Su shi
Hand in hand with Jiangcun, Plum Snow Fluttering Skirt. There is no limit to the soul everywhere. The old man is gone, and the old song is heard again. Xiangwanghu Tower, Gushan Temple, Yongjin Gate.
Ordinary lines, inscriptions of a thousand poems, embroidered shirts and whisking red dust. Don't come and remember each other, know who it is. There are moons in the lake, willows by the river, and clouds in Longtou.
The film begins with a memory, "Hand in hand with Jiangcun, Plum Snow Skirt", which is a visit by the lyricist to reminisce with friends near Jiangcun, when the spring cold has not yet dissipated, and the plum blossom pieces are like snow, falling on the clothes, these scenes are as if they were in the present, as if they had just happened yesterday. Undoubtedly, this is Su Shi's current touch on the scene, which has aroused the feeling of missing his friends. I think the two of them must have enjoyed this tour, because Su Shi composed a poem at that time, stating that Gu Yi sang and sang, and there were good sentences such as "darkly frightening plum calyx and ten thousand branches new", so Su Shi at this time faced the beautiful scenery like the past, and issued a sigh of "what is the limit of love, everywhere is the soul".
However, now the lyricist is alone, and the friend states that Gu is not around, so even if he sees the beauty of previous years, he still has infinite emotions in his heart, "The old man is not seen, the old song is heard again", the old man is not there, and the old song is reheard, which is really a pity. Although these two sentences of the lyricist are emotional, they undoubtedly show the deep friendship between the two people, which is a wonderful sentence with affection in the pen.
So Su Shi was stated by friends about the ancient, and thought of other beautiful scenery in Hangzhou, "Xiangwanghu Tower, Gushan Temple, Yongjinmen", Wanghu Tower, Gushan Temple, Yongjinmen, these scenic spots, naturally are the places where the poets often travel with Shugu when they are officials in Hangzhou, and now Su Shi is alone in the field, and can no longer travel with friends. Although the lyricist only lists the three scenic spots and monuments in Hangzhou, because of the foreshadowing, it is not difficult to see the lyricist's love for Hangzhou and his nostalgia for the past scene, which is very sincere and strong.
At the beginning of the next film, it is caused by memories, "ordinary lines, inscription poems", the lyricist and Shugu are not only superior and subordinate relations, but also poet friends, so even if they go to visit very ordinary places, they often chant poems, leaving a lot of poems, for Su Shi, this time is undoubtedly very memorable, but Su Shi did not directly point out this joy, but through an allusion to hint, "embroidery and red dust", the latter "blowing red dust" is to use a story in the "Green Box Miscellaneous": Legend has it that Wei Ye tasted from Lai Gong to the monks' house in Shaanxi Province, each with a title. After returning to the same tour, I saw that the poems of Lai Gong had been protected by a green sarong, while the wild poems were alone, and the dust was full of walls. From time to time, there are quite wise prostitutes from the line of officials, that is, they whisk it away with the song. Ye Xu said: "If you have to brush your red sleeves often, you should also be better than a blue sarong." Lai Gong laughed. The former's so-called "embroidered robes" can also refer to a custom in the Song Dynasty, that is, officials go out to play, often carrying singers and prostitutes. Su Shi wrote this, in fact, mainly to highlight the happy situation when he went out to play.
Then the writer took a turn and returned to reality, "Don't come to remember each other, know who it is", which is expressed in the form of a question, as if to say, since the separation, who is now with you to do these happy things? Originally, the lyricist wrote nostalgia and should write directly, but Su Shi was worthy of being a clever hand in the word, changing an angle, although it looked like a bend, but it was more poetic and charming.
And the word to this point, and point to the end, with a group of scenery to end the whole word, "there is the lake in the moon, riverside willow, Longtou cloud", the lake in the moon, the riverside willow, Longtou cloud, seems to be everywhere the scene, but from the corresponding point of view of the film, in fact, there is a special tendency, this is the lyricist's praise and thoughts of the West Lake, Qiantang River and other Hangzhou scenery, as if these scenes, are waiting for Su Shi to go back day and night, so the nostalgia is also overflowing with words.
Although Su Shi's poem is sung and sung between friends, the lyricist, through a variety of contrasts and foils such as the past and the present, scenes, etc., appropriately and skillfully expresses his nostalgia for his friends and Hangzhou, which has a strong artistic appeal, and the ending is full of scenery, full of infinite poetry, subtle and subtle, making people feel infinite afterglow and beauty.