An old song, melodious, let people never get tired of listening; a masterpiece, full of deep meaning, people feel deeply. Life is like a symphony, full of joy and sorrow; life is like a poem, composing confusion and expectation.
There was a poet in the Qing Dynasty who used to constantly wander at the crossroads, and the breeze was intentional, but it was difficult to leave his footprints; Mingyue was heartless, but often made him pay attention. The poet often stays at home, but his mind can travel between the vast and the vast world. The following is a sharing of Wang Fuzhi and the high monk Bing Candle Night Talk, created a seven laws, after reading people benefit a lot.
Su Xue Zhu Shan talked with Master Ru Tiller at night
Author: Wang Fuzhi
Unknowingly and ruthlessly, the chamber picked up the lights and startled himself.
The sea splashed clouds and broke, and the smoke cage snow pressed a light branch.
Broken ship carrying the moon floating cold water, other ways to find fang to stay in the evening sun.
Self-protection Yang grave stem grass green, spring return idle singing tasha line.
Wang Fuzhi was a famous thinker and writer in the late Ming and early Qing dynasties, who actively participated in the anti-Qing restoration in his youth, and after the defeat of the struggle, he lived in seclusion in the mountains. After that, while receiving apprentices, he sneaked in to create, gradually forgetting the troubles in the dust, and the pain in his heart slowly healed.
The poet was very knowledgeable and traveled extensively, and his friends deeply appreciated his talents and virtues. But the poet has never been complacent, often feeling that there is no end to learning, and he should learn for life. He often said that when man is born, he dies if he does not eat; if he is naïve, he is foolish if he does not learn. Once he heard that a senior monk had returned from a journey, he immediately went to visit, hoping to get some guidance.
Located in western Hunan Province, Master Ru Tiller was a local monk and a good friend of the poet, who was rich in five cars and had profound experience, often went out to give lectures, and recited Buddhist Zen scriptures backwards. The poet admired his extraordinary understanding and insight, and he benefited greatly from his candle-to-night conversations with the master.
The poet talked to each other in the abbot's meditation room, and as the night grew darker, the two of them worked tirelessly. An oil lamp reflects two thin figures on the wall, and with the shaking of the wick, you can feel outside the window that the two guests in the house are enthusiastically chatting and talking. "Love and ruthlessness" expresses the poet's mood and sorrow. Therefore, when the monk "picked up the lamp" for an instant, his heart seemed to be suddenly alarmed.
The poet can't help but recall those sad pasts, and the author uses "the sea splashes and clouds to fly a thousand mountains", comparing the vicissitudes of life, both spectacular and intense, and like a cloud of smoke, thousands of things, but do not know where to start. "Smoke cage snow presses a light branch", a metaphor for the danger of the poet's environment, like a dead branch that is about to break at any time, but it is covered with thick snow.
The author uses a rich imagination to express a feeling of emptiness, confusion and helplessness. At the same time, the vast atmosphere of the Jaw Union is also in stark contrast with the narrow and dim bucket rooms and lonely lights of the First League, which makes people feel the change of the poet's state of mind strongly.
When the poet wrote this, his mood was also very excited, he put down his pen and ink, stood up straight, slowly breathed a sigh of relief, and remembered the process of his visit to the master on the mountain. The sentence "Broken ship carrying the moon floating cold water" not only means that the poet travels alone in the cold night under the illumination of the bright moon, but also expresses his sadness that he often has no place to live.
"Don't look for fangs to stay in the evening sun", this sentence is to say that the author saw the light and felt the hope here, and more euphemistically expressed the poet's admiration for the master and the yearning for the Zen realm.
They talked for a long, long time, until it was late at night, and then they rested. The ending is full of reverie, the master will move to Yang Tomb Mountain in the spring of the next year, and the poet imagines that it must be spring when the flowers are warm and the grass is green.
The master may take a friend to the green and passionately recite the "TaSha Xing", which is comfortable and comfortable, which is really exciting. The poet writes here, unconsciously exuding praise and envy for the leisurely life of zeners.
Wang Fuzhi's Seven Laws are full of romantic imaginations, which are full of figurative techniques. The poet compares his past and present environment to "smoke and snow pressure, another way to find the fang", the image is vivid and empathetic, and the author's vision of spring also symbolizes that the poet gets rid of the shackles of melancholy and re-releases the passion of life.
The poet once said: A gentleman chooses to make friends, and he is not evil than easy to reconcile, and he is good at overcoming himself. The psalmist wishes to warn everyone not to choose friends who are mediocre, but to make friends who are superior to themselves in all respects. A conversation between the poet and the master shows that the poet is also practicing his own point of view, and indeed gains a lot. Friends, what do you think you think after reading this seven laws, welcome to share your views!