Wuzhun Shifan Zen Master (1177-1249) was the heir of the ancestor of the Lingyin Temple. After his visit to various temples, the abbot of the Xingsheng Wanshou Zen Temple on Jingshan Mountain, which is the head of the Five Mountains, was given the title of "Zen Master of Buddha" by Emperor Lizong of the Southern Song Dynasty.
Pen and ink on paper 71.7 × 36.5 cm
Japan's Tokiyoyama Bunko Collection
There were many Japanese monks who studied in the Song Dynasty under the quasi-Zen master, among whom the Zen master Yuan'er (Shengyiguoshi, 1202-1280), the founder of Tofuku-ji Temple in Kyoto, was one of the best. Because of this kind of master-apprentice karma, so the quasi-quasi master often gives ink treasures to the Yuan'er Zen master, and there are many ink treasures given to the Yuan'er Zen master by the non-quasi master in Japan, and this ink treasure is stamped with two Zhu seals of "Pumen Temple", indicating that it is also from The Dongfu Temple.
Ink and ink on paper "Shakya Treasure Hall"
One word on a piece of paper, a total of four words, framed into a straight frame
130.4 × 37.0 cm
It came from Kyoto's Tofuku-ji Temple in the 13th century
Ryuzaburo Umehara donated tokyo national treasure cultural relics
"The Great Circle"
A total of two papers and three words, framed into banners
101.2 × 35.4 cm
Hidden in Tofuku-ji Temple
Zen Hall plaque "Choosing a Buddhist Field"
Width 133.3 × 34.5 cm
It is now in the collection of the Izumitsu Museum of Art, Tokyo
"Chaoyin Hall"
Width 103.6 × 34.5 cm
It is now in the collection of the Yamagata Prefectural Zhidao Museum
This is a plaque hanging in the hodome, from Tofuku-ji Temple, which was once hidden by the tea man Kototsu, and later transferred to sakai Tadatsukatsu, the lord of the Yamagata Shonai domain.
Pai character "Shangtang"
Width 74.2 × 37.0 cm
It is now in the collection of Tofuku-ji Temple Pumen-in Temple in Kyoto
National treasure level cultural relics
The word "Pu Says"
Width 75.5 × 36.7 cm
It is now in the Pumen Courtyard of Dongfu Temple
"Return to the Clouds"
Width 86.7 × 31.8 cm
MOA Museum of Fine Arts Collection Important Cultural Heritage
This painting was once part of the Tokugawa family's collection
No quasi-Zen master wrote the name of Zen master Yuan'er
52.1 × 32.1 cm
The two words of the banners written differently are stamped with the small square seal of Zhu Wen, a "teacher". After Zen Master Yuan'er brought it back to Japan, like the other inkblots of the non-quasi-Zen master, he stamped a "Pumenyuan" script rectangular Zhu Wen collection seal, and the Zen master's inkblots obviously bore the style of Huang Tingjian's writing. There is no quasi-Zen master to write a number for Zen Master Yuan'er, which shows that the Friendship between Master and Disciple is indeed extraordinary.
There is no quasi-teacher Zen master top phase
Silk 124.5 × 55.2 cm
This top picture, no quasi-teacher praises himself:
The Great Song Dynasty, the Country of Japan, the Boundless Heavens, the Infinite Earth, a sentence is fixed in a thousand differences, who has the value of the song? Startling the Nanshan white-fronted insect, Haohao Qingfeng gave birth to wings. The Japanese elder Gyunoer wrote to the phantom quality to praise, Jiaxi Peng shu in the middle of the summer, living in the Great Song Strange Mountain no quasi-old monk (painting abduction).
From the text, we can know the origin and latitude of this top phase. The self-praise ink of the quasi-Zen master is written with rigidity and softness, quite calm, with a heavy and thick pen, meticulous, fully demonstrating the strong spiritual temperament of this great Zen master.
The Non-Quasi-Teacher Zen Master's Self-Praise Top Phase in Dongfu Temple is a typical Southern Song Dynasty top phase painting, which should be from the hands of a famous artist in the Lin'an (Hangzhou) area of the capital at that time. It and the seal that was awarded to the Yuan'er Zen master in October of the previous year, the first year of the Southern Song Dynasty (1237), is a strong proof of the teacher's inheritance between the non-quasi Zen master and the Yuan'er Zen master. This is not only of great significance in the history of Sino-Japanese cultural exchanges, but also of great value to the history of Japanese Zen culture and even the history of Japanese art.