Cursive writing is a more popular book type today, more and more people want to learn cursive writing, so do you understand the pen used in cursive writing?
The most important thing in the art of Chinese calligraphy is the use of pens. Zhao Ziang of the Yuan Dynasty said that "it is not easy to use the pen for thousands of years", which means that it is not easy to use the law of the pen for thousands of years, which is a high emphasis on the importance of the penmanship. We understand that this rule is to write high-quality, aesthetically expressive dot paintings with a brush. This is an indisputable rule of the art of calligraphy. In the calligraphy method technique, the penmanship is the first, without the penmanship, there is no way to talk about the calligraphy, chapter method, ink method.
It can be said that in the study of calligraphy techniques, the study of brushwork should be a long-term topic. In view of this, we use today's perspective to study and explore the problems in the brushwork.
Here are the 12 pen details of the line:
1, cursive does not see horizontal painting. Cursive writing has horizontal lines as short as possible, and it should have a longitudinal sense. Can be replaced by dashed and thin lines.
2, avoid the phenomenon of flat dragging, dry pen, thickness and thinness that are produced by the fast, and stay everywhere and stay everywhere.
3, ink is light and godless. Start again with thick ink, and the strokes of thick ink characters should be explained clearly.
4, avoid the "eye" in the word, to prevent too many "eyes".
5. The middle line is the focus of the work. In a work, there must be several prominent, wonderful, and individual words. This is also called "book eyes".
6, long line words are very important, be cautious when closing the pen, generally use a dry pen at the end of the gesture.
7. The weight of the pen and ink cannot be equal in area, and the weight of the word should be transitioned, and the group should be avoided.
8, the thin pen should be tough, the thick pen should be strong. There must be a thick pen that draws iron and silver ditches, and there must be a thin pen that flows through the clouds.
9. The speed is slightly slower when the ink is dry, slightly faster when wet, slightly slower when coarse, and slightly faster when thin. The line of grass has a meaning, and the letter should be written.
10. When handing over the pen, the beginning is clear, and each stroke should be clearly explained.
11, pay attention to the press: qi but not uniform, straight but not straight, straight in the song, straight in the song. To "hold the pen and press down".
12. Use both the middle side, eight sides out of the front, fine use in the middle, thick use the side.
Let's talk about the pen
With the same brush, different people write the same word, and the result is one person and one side, which is the difference between the pen. The reason for this is because everyone's pen power method is different.
When writing, the pen will undergo various variations due to the force of the arm, so there is a saying that "only the pen is soft and strange". When the pen is not in use, the shape is cone-shaped, and once the ink falls on the pen, the sharp edge changes, and the writing changes. When writing, the pen is always in a state of change, which requires the writer to exert force to control the front and adjust the front in writing, and to write in the control and adjustment of the front.
The study of cursive pens must also focus on these three specific skill links.
Here are 19 small details of the cursive pen:
1. The pen is reversed, the front is extended in the painting, and the beginning of the dot painting is solid and clear.
2. The pen tip runs, the virtual lifting rod is traveled, the wire is pulled out, and the line is strong.
3, the pen should not be fast, the pen is heavy and empty, the opening stretch is stretched, and the grass is more surrounded.
4, the line of pen pushed forward, the stroke is complete, evenly forced on the paper, grass line view.
5, the clumsy pen has fast and slow, change the edge between the whiskers, fast clumsy and weak, slow and clumsy to avoid rigidity.
6, squat pen out of the light press, solid sense of no jump, like a person's squat, heavy steps.
7, the pen is joint, deep to press, cursive characters are vigorous, force through the back of the paper to see.
8. Stationed pen floating paper line, roundabout looking forward to each other, pragmatic anti-slip pen, ink injection gathering sharp edge.
9, the pen is lost, there is no trace to see, after the god stays behind, the pen is not painted first.
10, leave the pen abruptly stopped, the pen intention temperament, anti-slip and delayed pen failure, sharp to the air.
11, grab the pen semi-virtual reality, the air potential is at the horizontal end, the straight side is empty and real, the grab method can be studied, the circle squat out of the straight grab, the side grab bias crouch, the pen is wet when the air grabs, the real grab value ink dry.
12, the side pen as a point posture, writing point is not general, flying to increase momentum, Yizhong can seek danger.
13, the pen is repeated, not like the return of the front view, in order to make the stroke firm, the reverse pen except fluttering.
14, astringent pen stagnation and silky, flattering in the clumsy ginseng, astringent should not be more, adding a sense of rhythm.
15, the urgent pen is like lightning, the mood surges instantly, the rigidity is rigid, and the grass is breathing,
16. The pen shakes the spirit, the pen hangs in the air, like falling stone sand, and the brush strokes are glorious.
17, longitudinal pen to write, the temperament is extraordinary, let go of the stroke to write, stretch the gesture.
18. The vibrating pen must be solid, the center breaks its difficulties, the condensation is eliminated, and the flying posture is vibrant.
19. The realm of brush strokes, the ups and downs of ink waves, the perfect preparation of the five combinations, the short meaning of the pen and the long meaning.