There are many works describing love in ancient poems, and poets sing the sincere feelings between men and women, and express the most beautiful lovesickness in the world, even if the belt is getting wider, there is no complaint or regret. Love is not young or old, many infatuated lovers have thousands of knots in their hearts, and countless amorous winds are exposed to the middle of the night, which makes readers feel moved.
However, there is always no perfect thing between heaven and earth, some beauties sink fish and fall geese, but they are red and thin-faced; some couples are made in heaven and earth, but in the end it is difficult to become dependents. There are also a large number of tragedies in the red dust, which are not only unforgettable, but also resentful. The following introduces Li Yi's two "Over the Horse Ridge", the words are sad, the feelings are inexhaustible, and life is only difficult to die.
Two Songs of The Horse Ridge (Part 1)
Tang Dynasty: Li Yi
The road to the wall asked the woodcutter, Gu Yuyun was the Taizhen Palace.
Tai Zhen's blood stained the horse's hooves, and Zhu Ge's shadow followed the sky.
Dan Gu does not hear the song blowing in the night, and the jade steps only have the wind of Xue Luo.
The world is not heavy in the neon song, and it has been in this way.
Li Yi was one of the ten talents of the Tang Dynasty, he served as a county lieutenant and a staff member, but because he was frustrated, he went to Biansai, and in his later years he was honored with the Rebbe Shangshu. His poetic works are bright and simple, but also more bold. The author once passed by Ma Songpo, and suddenly thought of the love story of Tang Xuanzong and Yang Guifei, which was quite touching, so he gave poetry lyrics.
Ma Songpo was in the west of present-day Xingping County, Shaanxi, and the poet came here and saw the ruins and broken walls, a desolate place. He was stopping to watch, when he suddenly found a woodcutter passing by here, so he asked him about the situation, and only then did he learn that Yang Guifei had died here.
Taizhen Palace refers to the Buddhist temple where Yang Guifei was located before her death, and she was hanged by Gaolishi on the pear tree in front of the Buddhist hall. When the author wrote this poem, it had been relocated to Taizhen Palace. The poet imagines that the smoke once rose here, and now the blood has long disappeared under the hooves of the horses of the past. In the Taizhen Palace, people also went to the empty building, which was lamentable.
The poet looked around again, and there was only the sound of the wind blowing in the palace, and he could no longer hear the orchestra playing and the chanting of the singers. The jade steps, which originally refer to the stone steps in the palace, here refer to the imperial palace. The two plants of coix, coix and nymph, allude to a desolate atmosphere. Dan Gu, refers to the place where the sun falls.
The last two sentences warn the world that "Mo Zhongni's Song" was precisely because of this court dance song that led to the Anshi Rebellion. The Nie Qiao Qu, fully known as the "Ni Pei Yu Yi Song", was renamed after Yang Jingshu presented the "Brahman Song" by Yang Jingshu in the Kaiyuan Zhongxi Liang Festival, which was later polished by Tang Xuanzong.
In fact, there is no right or wrong in a dance song, it is the emperor who faints and is used by An Lushan and others, so that the Tang Dynasty began to decline. The author expresses it euphemistically, but it is intriguing.
Two Songs of the Horse Ridge (Part 2)
The gold armor and silver have returned, and the sleeves of the sky are separated from the wind.
The incense is still with the luan, and the hatred is for no reason to leave the horse ridge.
Nannai Zhenren Sorrowful Tent Hall, DongMing Fangshi asked Penglai.
Only the slope bends around the moon, and the time is sent to the night platform.
Li Yi lived in the Middle Tang Dynasty, and could neither feel the prosperity and prosperity of the Tang Dynasty, nor did he experience the decline and sadness of the Late Tang Dynasty. However, the poet traveled south and north, rich in experience, he knew that the rise and fall of change could not be avoided, but he did not want to see the era he was in immediately began to decline, so he used the ancient irony to express his extreme worry.
After the anshi rebellion, Tang Xuanzong returned to Beijing from Shu, showing a long and confused journey along the way, and Yang Guifei, who was once much favored, had long since become a ghost. Jinjia Yinjing, the emperor's honor guard; Luo Gui, referring to Yang Guifei; and FengFeng' ai, refers to isolation from the world.
The emperor's car was driving slowly on the main road, and Tang Xuanzong seemed to be able to smell a strong fragrance around him. And the noble concubine died with hatred, and the soul did not want to leave Ma Songpo. Bending, refers to the emperor's car; the poet believes that Yang Guifei died of hatred, calling her soul a hateful spirit.
Tang Xuanzong fidgeted in the tent hall, and he recalled his little bits and pieces with Yang Guifei, and his heart was full of grief. He also sent alchemists from the East China Sea to PenglaiXian Island to inquire about Yang Guifei's soul. Because Tang Xuanzong advocated Taoism, the poet called the heartbroken emperor a real person. Ask Penglai, using the verses in Bai Juyi's "Long Hate Song" to express his mourning for Aifei.
The last two sentences end with a jingyu, which shows an inexhaustible aftertaste. The slope of The Horse Ridge was desolate, only a bend of the moon on the slope, clear and transparent, constantly sprinkling light, silently accompanying her tomb. The whole text is incomparably bleak, moving, and even more touching. Just as the modern word Humanistic Court style clouds, life is only difficult to die!