Li Yi (746–829), courtesy name Junyu ,楊虞), was a native of Guzang,Longxi (present-day Wuwei, Gansu), who later moved to Luoyang, Henan, and was a poet of the Tang Dynasty. Born in Gansu Li Clan Guzang Fang, in the fourth year of the Great Calendar (769), he was first appointed as a lieutenant of Zheng County, and could not be promoted for a long time, and in the fourth year of Jianzhong (783), he was sentenced to the rank of Bacui. Initially frustrated by his career, he abandoned his official and roamed around Yanzhao. Later, the official went to Youzhou Yingtian deputy envoy, inspector of the school staff wailang, moved to the inspection school examination Gong Langzhong, added Yushi Zhongcheng, for the right scattered riding regular attendant. Taihe Chu ,以礼部尚書之志之之世. Li Yi is famous for his poems, and is good at absolute sentences, especially seven sentences. His works include: Jiangnan Qu, North Conscription and so on. ——Baidu Encyclopedia
Listen to the corner
Li Yi (Tang Dynasty)
Bian Frost fell to Guan Yu last night, blowing horns when the city Han Yue lonely.
Infinite Sai Hongfei is not measured, and the autumn wind is involved in small single Yu.
The Middle Tang Dynasty poet Li Yi spent most of his life outside the military, conquering the south and fighting the north, having personal experience of military life and deep feelings for the hometown of the recruiters, so he had a famous passage on the border plug, of which "Listening to the Corner" wrote about border passsickness and wrote the voice of the military, which is exemplary.
This poem is published in Quan Tang Poems, vol. 283. The whole poem is written about the nostalgia of the recruiter, and through the side description of the image such as the horn sound and the saihong, there is no direct description of the parting of the person and the homesickness of the recruiter, and even the conscript does not appear at all. Instead, it adopts the method of taking pictures in the mirror, refracting the situation and mood of the conscripts from the horn sound and saihong. It does not write directly about people, but about people in poetry; it does not write about love directly, but about love outside the story.
The voice of the military is the most distinctive with the sound of horns, which can most arouse people's thoughts. The sound of the horns is clear, the high-pitched sadness is cold, and the blowing is nostalgic. The three words in the title "Listening to the Dawn" convey a touching and desolate meaning. Border pass desert, late autumn, breaking dawn, a few trumpets, breaking the air, reverberating in the cold autumn sky for a long time, but also lingering in the hearts of the people for a long time. The poet particularly emphasizes a "listening" word, soliciting people to listen, dawn to listen, late autumn to listen, border to listen, the sound into the ear, thrilling, the whole poem around this "listening" shows the complex mood of the recruiter in a specific situation.
The first and second sentences of the poem depict the environment, dot the atmosphere, and set off the sound of the horns. The place is the border pass, the desert is a poor place, thousands of miles away from home, the season is late autumn, the grass and trees are withered, adding sorrow and hatred; the time is the dawn of the square, the west wind is suffocating, and the autumn frost is full of land. Elm leaves wither, stars fall, the moon is in the sky, the sound of horns echoes in the cold and empty dawn, and people are immersed in the dawn of sorrow and sorrow. The poet throws out "Last Night", indicating that the recruiter pays attention to the festival, stays up all night, must be very worried, tossing and turning.
The word "fall" was loud and clear, withered the flowers and trees, and was miserable at the border pass, this thick autumn frost, cold forest, white expanse, not like sprinkled on the border pass, not like the sky, but like draped on the body of the recruiter, falling on the heart of the recruiter, cold and miserable, unbearable. Moreover, this "fallen" word, the voice is loud, sudden, rapid and abnormal, people are caught off guard, which shows how much psychological stimulation such a seasonal climate change has on the recruitment.
Autumn is coming, the year is approaching, and it is the time of reunion of thousands of families, and the recruiters are still stationed at the border pass, and they can't go home, so why not be upset?" When the city", which means condescending, facing the whole city, you can see the sound of the horn echoing, pervading the whole city, you can also see that the people are sleepless, a night of homesickness.
Writing the moon with the word "lonely" has a unique rhyme, the moon is only one round, it does not matter whether it is lonely or not lonely, but in the eyes of the recruiter who has been away from home for a long time and is homesick, lonely, hanging in the sky, miserable, and helpless, just like his own expedition to the east and west, wandering outside, just like his twilight and uncertainty, life and death are uncertain, it is not difficult to understand the sadness and sadness, loneliness and loneliness in the meantime, "lonely moon" actually reflects the tragic situation of the expeditionees who have a hard time returning home and cannot be reunited with their relatives.
Writing "moon" also uses a qualifier "Han", which is the habit of Tang Dynasty poets, taking the Han Dynasty Tang Dynasty, crossing time and space, adding desolation. Didn't Wang Changling have the chant of "Qin Shi Mingyue Han Shi Guan, Long March People Have Not Returned"? With Qin and Han inlaid poems, guan yue is limited, conveying a sense of time and space that is majestic and ancient.
The use of "Han Yue" in Li Yi's poem naturally also shows that from ancient times to the present, the lonely moon at the border pass, the sound of the battlefield horn, never sad, never lonely, put the sadness of the horn sound under the historical background of a long time and space, more and more people feel the solemn and deep voice of the sound, the sadness and bitterness, the more let the human body feel the homesickness conveyed by the sound is long and deep. The first two sentences of the poem focus on the sadness and lamentation of the horned voice with the cold and cold of the environment, suggesting that people are homesick and restless.
The poems three and four are conceived in a situational manner, blending into the scene and borrowing lyricism from the scene. Autumn sky Liao Kuo, Hongyan flying south, the weather turned cold, should have flown farther and farther, flying faster and faster, but the sign people feel that they are low back and lingering, circling and not going, why?
The poet imagines that they may also be because they listened to the mournful and sad "Little Shan Yu" tune played by the trumpet, so they were so moved, they could not bear to leave, writing geese but not people, geese are like this, why can people be embarrassed? The nostalgia of the people is conveyed through the wild geese without twists and turns, which makes people think deeply and evocatively.
Hongyan has always been a messenger who carries letters and conveys feelings in classical Chinese poetry, and its appearance is often closely related to homesickness and nostalgia for friends, and the poet writes that Hongyan does not fly, is good at observing the sound of music, and seems to understand people's feelings, which subtly shows the mood of homesickness and nostalgia for the homeland.
"Involved" has a sound and form, accompanied by the hunting autumn wind, in the clear autumn sky, Hongyan has long been deeply moved by the moving "Little Single Yu" tune. Replacing it with "Flying Man" does not match the "Autumn Wind", nor can it show this deep and deep artistic effect.
The third and fourth sentences of the poem are not written in the first and second sentences of the poem, but to change the angle, to imitate the feelings, through the wild geese do not fly, the autumn wind, immersion in the xiaojiao, implicitly and euphemistically show the deep homesickness and infinite side sorrows of the recruiters, which is the brushwork of knocking on the side and dotting the dyeing.
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