Light fat
Bai Juyi
Arrogance fills the road, and kurama shines dust.
By asking what it is, it is said that he is an internal minister.
Zhu Fu is a doctor and a general of Zi ShuXi.
Boasting of the feast in the army, the horse went like a cloud.
The bottle overflows with nine sauces, and the water and land Luo Bazhen.
Fruit cut Dongting orange, tangery cut Tianchi scales.
Eat and drink.
It is a drought in the south of the Jiangsu River, and the people of Quzhou cannibalism.
The poem title "Light Fat", taken from the "Analects of Yongye", "Ride on a Fat Horse, Dress Lightly", to summarize the luxurious life. The poem uses the method of contrast, juxtaposing two diametrically opposed social phenomena, without the poet making any explanations, without uttering a word of discussion, but allowing the reader to draw the conclusions he deserves through sharp contrasts. This is more acceptable to the ideas that the poet wants to articulate than to make a direct argument, and is therefore more convincing. The last two sentences directly give it a thing, and the strange peak protrudes, making the whole poem suddenly waver, making the reader thrilled, which is indeed a very wonderful stroke.
Eight to
Li Ye
To near to far east and west, to deep to shallow clear stream.
From the highest to the moon and the sun, to the closest to the estranged husband and wife.
The word "to" at the beginning of the poem appears eight times in the poem, hence the title "Eight to". In terms of content, the four sentences of the whole poem are all simple and true truths, with profound dialectics and philosophical significance. Structurally, the author has set up a cascade of clouds, and the first three sentences are just a cutscene, mainly to elicit the last sentence, "Closest relatives to estranged couples", which is dedicated to the world, extremely cold.
Spring grudges
Kim Chang-seok
Pick up the yellow warbler, Mo Jiao branch on the cry.
When crying, the concubine dreams, and does not get Liaoxi.
The poem uses layers of flashbacks. Originally for fear of frightening dreams and not to teach the warbler to cry, to teach the warbler to cry and to fight the warbler, but the poet wrote it backwards, and finally unveiled the mystery and said the answer. However, this final answer still does not mean much. Here, there are also a series of question marks, such as: Why did a girl in a boudoir achieve the dream of Liaoxi? What relatives does she have in Western Liaoning? Why did this person leave his hometown and go far away to Liaoxi? The title of this poem is "Spring Grievance", what exactly do people complain about in the poem? Was it only the yellow warbler who complained, and only the warbler who cried and shattered her dreams? These do not need to be broken one by one, but can be self-evident, may wish to leave it to the reader to imagine and ponder. In this way, this little poem not only sees twists and turns in the part, but also sees depth outside the article.
Mrs. Shi
Wang wei
Don't be favored by the present, but forget the grace of the past.
Look at the flowers full of tears, do not share the words of the king.
In the rich and gorgeous Chu Palace, Madame Xi looked at the flowers that were originally pleasing to people, but she was full of tears, and she never said a word to the King of Chu who followed her." See the flowers full of tears", only pointing out the extreme pain of the spirit, and in the silence of the self-restraint, but did not explain the reason for the tears, and prepared for the latter sentence ." Don't share the words of the King of Chu", it seems particularly deep. This silence contains a defilement of the personality, a trampling of love, and perhaps a resentful and hatred that accumulates in the heart. The poet portrays a woman who suffers humiliation but rebels in silence.
Even books
Liu Fork
The sunrise is as tall as a thorn in the sky, and everything in the world is as fine as a hair.
The wild man was furious and saw the uneven place, and wore the ancient knife in his chest.
This is a lyric poem with a rough poetic style and a sense of surprise. Qi Is strange in the last sentence: "Wear the ancient knife in the chest." Using the ordinary and common thing of "wearing a knife", comparing the suppressed sense of justice in the chest, and clearly expressing the complex emotions in his heart and the chivalrous and fierce personality, the artistic technique can be described as exquisite. In the works of tang dynasty poets, it has not yet been seen that the "knife" is used as a metaphor for people's thoughts and feelings. This novel idea and alarming metaphor show Liu Chashi's unique style.
Over zero Ding Yang
Wen Tianxiang
After a hard encounter, the stars fell around.
The mountains and rivers are broken and the wind is fluttering, and the life is floating and raining.
The panicked beachhead said trepidation, and Zero Ding Yang sighed Zero Ding.
Life since ancient times who has not died, leave Dan heart to sweat and green. ，
The first six sentences are just a foreshadowing, and the powerful aura is hidden in the last two sentences, and a drum bursts out. The last two sentences completely changed the style of the whole poem, with a clear, generous soul, and a sharply sublimated ideological mood.
Chang'an met Feng
Wei Yingwu
The guest came from the east, dressed in the rain. Ask the guest what is coming, and the mountain is bought for the axe.
The flowers are blooming, and the new milk is fluttering. Yesterday is spring, how many strands of sideburns are born?
In the first half of the poem, it is written that Feng came to Chang'an from the east, and his clothes were still stained with the spring rain of Baling, and Wei Ying thought about why he came, and also asked himself in the poem to quip About Feng. After the joke, the second half turned to comfort Feng Zhu, the creation was speechless and the flowers were blooming, and the swallows flew so cheerfully, because they had just fed the chicks, so don't be lost for the sake of a short-term frustration.
In the last two sentences, Wei Yingwu cheered Feng Zhao up with a smile: You see, we seem to have separated yesterday, and now it is spring, and your sideburns are not white, and you are not old! In this way, we encourage Feng Zhu not to worry and worry, the golden age is not over, and there is much to be done.
Happy to see my brother and said goodbye
Li Yi
After ten years of separation, we grew up and met. Ask the surname surprised at first sight, call the name reminiscence of the old appearance.
Don't come to the sea, stop the twilight clock. Tomorrow Baling Road, Akiyama is several times heavier.
In the first six sentences, Li Yi has been writing "Happy to see my brother", from the reunion after a long absence ten years later, to knowing each other's names, remembering that this person was originally a brother who often played together when he was a child, and then the two reminisced about the past, pouring out thousands of things about the past, unconsciously chatting from day to dusk.
All the way here, Li Yi is writing the "joy" of the encounter, the last two sentences, the words turn sharply, just reunited, the brother will leave tomorrow, immersed in the sadness of the imminent parting, and then will be difficult to regret the mood, overflowing with words.
Poor women
[Tang] Qin Taoyu
Pengmen did not recognize Qi Luoxiang, and intended to help the good media to harm himself. Who loves to be high-style, and pity the frugal grooming of the times.
Dare to exaggerate the ten fingers of the needle, do not draw the double eyebrow bucket long. He hates pressing gold threads every year and making wedding clothes for others.
This poem, Qin Taoyu, describes the monologue of an unmarried poor woman, pouring out the depressed and sad mood of the unmarried poor woman, and at the same time expressing her feelings of not meeting talents and sending people under the fence. From the family situation of the poor girl, to her relatives, and from the social atmosphere at that time to her personal interests, she has always been talking about the pain and depression in her heart, and her feelings are getting stronger and stronger.
In the last sentence, the emotion that the poet wants to express reaches the highest point, and the previously suppressed emotions suddenly explode. And this last sigh, with its broad and profound connotation and strong philosophy of life, makes the whole poem no longer limited to personal talk, but contains greater social significance.
Long Xixing Four Songs · Two
Chen Tao
Swearing to sweep away the Xiongnu, five thousand minks mourned the dust.
Poor indeterminate river bones, like people in the dream of spring girls!
The front is nothing more than an ordinary border plug attack operation, and the history books that are like ink and gold are nothing more than a few words: in a certain year and a certain month, someone lost five thousand people in a certain place. This level of fighting has been of little importance in our long history. Until the last sentence, this is not only five thousand people, but also five thousand families behind it.
Brigade
Liu Soap
The guest house and the state have been ten frosts, and the heart remembers Xianyang day and night.
For no reason, it crosses the mulberry dry water, but looks forward to the state is the hometown.
The previous ones are writing how to live in and miss Xianyang in a guest house, but the last sentence turns: it turns out that the original heart has long regarded the state as a hometown. Suddenly, I understood the state of mind of a stranger a thousand years ago.
Drunken boy barking outside the door
Tang Dynasty: Anon
Outside the door barked, knowing that it was Xiao Langzhi. Socks under the incense steps, the wrongdoers drunk tonight.
He was able to help him into Luo Wei and refused to take off his robe. Drunkenness is better than when he is drunk, and it is better than when he sleeps alone.
This poem was written by a folk author, with very little carving, but it is written with great interest. The phrase "when you are still better than sleeping alone" is especially swaying. This girl of a thousand years ago has since surpassed Yang Guifei, Wang Zhaojun, Zhao Feiyan, lute players, hoop players, and so on.
From:: Chinese Poetry Study