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Divine | Wanton and wild: Wang Duo's vigor is different from Xu Wei's roughness, and it is also different from Zhu Zhishan's rawness
Wang Duo's book "Five Words and Verses of the Old Folks of Fengdian Cang", Ming Chongzhen Thirteen years (1640) Wang Duo was 49 years old, on paper, 530.7x29.6 cm, beijing, the Palace Museum, Beijing.
【Interpretation】
Shu hua
Whoever is very different, Zhu Hua is growing day by day.
The fragrance does not sow at the beginning, and it is not time to open and fall.
I have felt that I have fallen, and I have not moved my words.
Torgen should be trampled, and Huifeng should be two.
He Kan was scorching, and the curtain was forever beautiful.
Zhu Zi can win, and the height is also the same.
Who's in the shape of a dew, weak and impotent.
Still a pine no, cold winter old stone bushes.
Recently, he was given the taste of the old folks, and Wang Duo was wrong with tongli, so he was called Pro-Yun. Gengchen july.
Wang Duo, a famous calligrapher in the late Ming and early Qing dynasties. Word sense, word sense. Song Qiao (嵩樵), Shiqiao (十樵), Shiqiao (石樵), Dementian (Idiotian), Donggao Chang (東皋長), Dementian Daoist (痴庵道人), Yantan Yushu (洞潭Yushuo), Yutang Yuyin (白雪仙道人), Lantai Waishi (蘭台外史), Xueshan Daoist (雪山道人), Ermushan (二室山人), Baixue Daoist (白道人), Yunyan Manshi (云岩漫士), etc. Henan Mengjin people, known as "Wang Mengjin", has the reputation of "Shenbi Wang Duo".
In the second year of the Ming Dynasty (1622), the thirty-year-old Wang Duoju jinshi and the first, successively served as the Shu Jishi of the Hanlin Academy, the editor, and the shao zhan shi. In the first year of Hongguang (1644), the Hongguang Emperor of the Southern Ming Dynasty appointed Wang Duo as a scholar and second assistant (deputy chancellor) of Dongge University. The following year, he entered the Qing Dynasty and was conferred the Ministry of Shangshu. In the ninth year of Shunzhi (1652), he died of illness in Mengjin at the age of sixty-one.
Wang Duo is erudite and good at ancient times, and works poetry. Wang Duo's calligraphy is strong and strong, long in cloth and white, kai, xing, li, grass, all exquisite, mainly thanks to Zhong Xuan, Wang Xizhi, Wang Xianzhi, Yan Zhenqing, Mi Fu and other families, learning Mi Fu has the reputation of chaos, showing his solid "learning the ancient" foundation, learning the ancient and being able to make his own chest.
Liang Wei commented that he "had to write the book, learn the old and energetic health of the Minang Palace, and win with all his strength.". Wang Duo's calligraphy belongs to the Xionghun Road. Wang Duo made up sentences for the text, strived to be ancient, and used words that were quite strange and strange, seeking danger, curiosity, and strangeness. After the Jin and Tang Dynasties, Wang Duo only studied Mi Fu alone, also because Mi Shu had a strong and powerful wind of wanton danger, sharp penmanship, and sharp edges.
Jiang Shaoshu's "History of Silent Poetry" states that he "wrote cursive zongshanyin father and son (Wang Xizhi, Wang Xianzhi), the main book out of Zhong Yuanchang, although exemplary Zhong Wang, can also come out of his chest." His heirloom works mainly include "Quasi-Mountain Garden Thesis" and "Langhuaguan Thesis", etc., all of which are well-prepared, and the name is contemporary, and the scholar Zongzhi.
In the history of Chinese calligraphy, the rigorous and elegant style of Dong Qichang's school was prevalent in the late Ming and early Qing dynasties, and Wang Duo took the fa gaogu to compete with the restrained and boring, slippery and powerless style of writing, boldly innovated, and created a generation of calligraphy.
He was an outstanding innovator in the history of calligraphy. Influenced by the ideological trend of the times in his youth, Wang Duo had a strange stubborn mind of the reflective trend very early on, and in the "Wen Dan" in his "Anthology of Quasi-Mountain Garden", he concentrated on his shocking aesthetics. His greatest achievement was his superb cursive writing.
His cursive writing, wild and wild, free wielding, with the pen calm and painful, vertical and horizontal ups and downs, natural surprise, showing a shocking majestic momentum, very infectious.
Ma Zonghuo said, "Ming rencao, all of them are vertical pens to take the momentum, and Juesi is intended and able to be captured, so it is not extremely powerful and the momentum is not endless, and those who are not more than powerful have not been easy to say this." ”
Lin Sanzhi called his cursive "the first person since Tang Huaisu." "Not too much.
Some people compare his lines with Xu Wei and Zhu Zhishan, two other cursive calligraphers of the Ming Dynasty: then his vigor is different from Xu Wei's roughness, and it is also different from Zhu Zhishan's rawness, and Wen Zhengming and Dong Qichang are even more important.
In addition, his sense of composition in the structural treatment is also unprecedented. The cutting of space is entirely orderly, with a powerful rational disposition effect—the calm, methodical effect of tempering such a wild and changeable cursive is really unexpected and at the same time makes people admire his ability. If it is said that from Zhang Zhi, Zhang Xu, Huai Su, Huang Gu to Xu Wei, the development of cursive writing is based on the richness and frustration of the pen, and in the structural treatment, it is put back and forth, and the lyrics are exhaustive, then Wang Duo has successfully blocked this uncontrollable torrent, and he has used calm rationality to cage this wild horse that has lost its reins, taking the momentum vertically and horizontally, changing in many ways, not falling into the clichés, coming up with new ideas in the law, and achieving miraculous results beyond the imagination.
His innovation in pen and ink is also pioneering, his lines are vigorous and old, subtle and changeable, showing a special personality in the inadvertent soaring and jumping, and sometimes boldly creating a strong contrast between lines and blocks with thick, light and even su ink, forming a strong rhythm, can not but say that his intentional or unintentional innovation is a major achievement in the exaggerated contrast of calligraphy forms. Before him, no one could actively pursue the "ink increase" effect as he did.
Wang Duo was extensively involved in the wei, Jin, Tang, and Song dynasties, and his research on the Chunhua Ge Ti was the most in-depth, and Shi Gu Lin Ti was his secret. He is known as the "Divine Pen King Duo". His calligraphy is on a par with Dong Qichang, and at the end of the Ming Dynasty, he was known as the "King of the South Dong and the North", and his calligraphy used a pen, out of the rules, and was relaxed, but full of the power of flowing freely and with thousands of strengths. Wang Duo is good at walking grass, with atmospheric brushwork, vigorous and free, and dripping with pain.
Wang Duo's calligraphy had a great influence on the later development of Chinese calligraphy, and even spread to the overseas book circles, especially to Dongying calligraphy.
Wang Duoxing's book "Fengdian Cang Lao Folk Five Words and Verses Volume" decomposition version of Chaoqing appreciation
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Wang Duoxing's book "Fengdian Cang Lao Folk Five Words and Verses Volume" cross-sectional version of Chaoqing appreciation
Wang Duoxing's book "Fengdian Cang Lao Folk Five Words and Verses Volume" horizontal screen version of Chaoqing appreciation
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