"Crane Ming" is really a legend. The crane went and the owner buried it with a solemn ceremony, and recorded it, aiming at the stone. This is probably just a matter of fiction
"The mountain is not high, there are immortals and spirits."
Jiaoshan mountain is located in the north Yangtze River in Zhenjiang City, Jiangsu Province, with an elevation of 71.0 meters. At the end of the Eastern Han Dynasty, Jiao Guang lived here in seclusion, hence the name. There is a Dinghui Temple, and the temple pavilion is hidden in the mountain forest, so it is said that "Jiaoshan Mountain Wrap Temple". In the east of Dinghui Temple, there is Bao MoXuan, also known as jiaoshan stele forest, which hides more than 400 inscriptions from all generations, and the number is as large as that of Jiangnan. On the north side of the forest of steles, a pavilion backs the mountain and faces the water, and the carved stone "Crane Inscription" known as "the king of the stele" and "the ancestor of the big characters" is collected here.
The original stone of "Crane Ming" is located on the cliff wall of the western foothills of Jiaoshan Mountain. According to scholars, the "Crane Ming" was not mutilated until the Jingde period of the Northern Song Dynasty, and soon after that, part of it collapsed into the water, and later the upper part of the cliff wall was gradually submerged. In the eighth year of the Northern Song Dynasty, the local county shou Qianyan obtained an inscription fragment in the river at the foot of Jiaoshan Mountain, and the "Crane Inscription" was reproduced in the world.
From the Yuan Dynasty to the Shun Dynasty, the remnants of the Crane Ming once again fell into the river. Until the Kangxi dynasty of the Qing Dynasty, Chen Pengnian, the prefect of Suzhou, salvaged the remnants of the stone and divided one of them into three pieces (one of which was engraved by the Song people), preserving ninety-three characters. The Qing people followed the original stone carvings and built a pavilion next to the Dinghui Temple in the form of a cliff to protect it, which is the "Crane Ming" that we see today.
"Crane Shou does not know his jiye, Nongchen is old in Huating, and Jia Wu is in Zhu Fang. Heaven for its attempt, I xiang lonely Koye? Xi snatched yu xianhe no 遽也. Wrapped in a scarf of Xuan Huang, hidden under the Zi Mountain, the Immortal Family has no hidden aspirations, and I wait for the immortal words of the ancient Standing Stone Seal: Xiang this fetal bird, the truth of the floating hill, the descent of the mountain yin, the sound of the Hua table. Nishitake Jurisprudence, Yukidan's birthday. It's as if things are also subtle. Mingyu dissolves, Xianhe goes to Xin, left to take Cao Guo, right to cut Jingmen, after the torrent, before the solid heavy situation, Yu wants to be speechless, Er also He Ming? It is advisable to show it directly, but it will enter the ning, gather the true couple, and make the name of the fistula. ”
"Crane Ming" is really a legend. The crane went and the owner buried it with a solemn ceremony, and recorded it, aiming at the stone. This is probably just a matter in the novel, such as The Dai Yu funeral flower in "Dream of the Red Chamber", "I am a laughing fool who buries the flower now, who do I know when he buries it every year?" "Although it is a little more desolate, it is a proposition that can enlighten people's hearts."
Compared with the helplessness and helplessness of Daiyu's burial flower, although the crane owner's burial crane has sadness about the death of the crane, it has a taste of wandering the world, from its inscriptions, "transformed into", "Liao Kuo", "Xianhe", "Xuan Huang", "Under the Hidden Zi Mountain", "Immortal Inscription of the Ancient Stone Ceremony", "The Truth of the Immortal Family", "The Descent of the Mountain Yin", "The True Couple", etc., it can be seen that the crane master's state of mind encompasses the world and the earth, there is no delay, and the burial of the crane inadvertently leaves a method for future generations to understand the truth.
The "Crane Ming" as a calligraphy suddenly lit up after meeting Huang Tingjian. The story of a stele and a person is also a legend in "Crane Ming" and Huang Tingjian. "The big characters are no better than the "Crane Ming", Huang Tingjian believes that it is a relic of the Right Army, and it is determined by the calligraphic atmosphere of the "Crane Ming". It was the true taste of the Wei and Jin dynasties, the supreme true realm of mu mu, roundness, and detachment.
Huang Tingjian studied the "Crane Ming", immersed himself in it, and gained a lot from his character pattern. His large-character calligraphy, such as the Seven Buddhas and the Seven Ancestral Mountains Inscription Poems, are very similar to the Crane Ming. The "Seven Buddhas" is simple and simple, and it is as thick as the "Crane Inscription"; the "Seven Ancestral Mountain Inscription Poems" is opened, and the "Fist crane inscription" is unfolded. It can be said that the "Crane Ming" is the foundation of Huang's calligraphy, laying the style of his calligraphy, and flushing out the problems of his learning from Yan Zhenqing and slightly losing the board, enhancing the "living" component and Confucian characteristics of his calligraphy. However, Huang Tingjian's income from the super-leisure of the "Fistula Crane Ming" is small, except for the reason that his pen is slightly urgent, mainly because his personality is partial to integrity and fortitude, and less of the xiao idleness of the author of the "Fistula Crane Ming".
The "Crane Inscription" is considered to be the most representative stele in the Jiaoshan Stele Forest, and the "Shimen Ming" of the Hanzhong Museum is one south and one north, each leading the way.
Nowadays, for more than a thousand years, a stele, several people, inheriting a spirit, a kind of charm, is not an elegant thing as calligraphy! Touching the word and chasing after it, its things, its people, and its things, as in front of the eyes, leads people to think infinitely.
The takumi of the Crane Ming is divided into the pre-water version and the water-after-water text. The number of words in front of the water is rare and extremely rare. The Water Queen Ben is divided into five stone books and a flattened version. There are many kinds of "Crane Ming" expanded, and the Shanghai Library alone has no less than 500 copies of the "Crane Ming" in the collection. There are whole rubbings, there are also five-stone rubbings, as well as framed books and scrolls. The editions include the Water Front Book, the Water Back Book, the Don't Engrave Book, the Reverse Engraving Book, the Graffiti Book, and so on. In addition, there are many folk collections, but most of them are post-water extensions and imitations and pseudo-engravings, which are extremely difficult to identify.
There are several types of water front-of-the-water takumoto that have been known for a few days:
The National Library of China has a collection of He Shaoji's old water front book, 29 characters, cut frame, and now in the National Library of China. Before the expansion of the book, there is a shoki and other inscriptions. This tuoben also has "Seal of the Golden Stone of The Song Dynasty", "Bottle Zhai Zengguan", "Multi-age Examination", "Wang Jiyin", "Bingwen Clan", "Baixin Caotang" and other seals.
The Palace Museum collects the qing king Wenzhi's old tibetan water front book, the three cross books, which are the fine extension books before the water. There are Pan Ning inscriptions, Wang Wenzhi, Pan Ning, Tie Bao and so on. There are "you like" seals, Fei Zhaokun and Chongsi private seals, and Tie Bao private seals. Shi Bin, Shi Wu Zhai Treasure Collection and other printing 23 parties.
Shanghai Library Hidden Water Front Book, Li Guosong Hidden Water Front Small Flutter Small Paper Extension, Stored In the Upper Stone, Middle and Lower Stone, All Full Characters Forty-Two, Half Word Four, Light Ink Extension, is a national first-class cultural relic.
There are many versions of the Shuihou Ben, with Zeng Xi Zang Shui Hou Ben, Shen Jun Chu Shui Hou Ben, and Liang Qichao Storing Shui Hou Ben the most famous.
In addition, there are some very distinctive extensions, such as:
Zhang Daqian's collection of books, the entire copy is scribbled by the Ming Dynasty, with a total of seventy-two characters, and most of the half-characters are cut and discarded. However, Zhang Daqian said that the second line of the stone on the upper left of the "Crane Inscription" did not have this word in all the books that have been passed down from generation to generation.
Yang Li double hook book, the text is a total of two lines, the right line "Huayang Zhenyi writing" left behavior "Shou does not know its Ji Ye Ren" six and a half words. These two lines of text are the first and second lines of the original text of the Crane Ming, located in the upper left corner of the cliff. This script of the original stele has been written for a long time, and it is said that only ancient texts can see such residual characters, and the current surviving water front takumoto does not have the above words, so this double hook has a high value.
The series of "Fashu Supreme Ten Chinese Letters" series of posts is a set of large-scale series posts carefully created by the company after the "Famous Works of Chinese Tablets" that has been widely praised by readers and has been sold well. The ten major calligraphies selected in this series of posts span more than a thousand years from the Eastern Han Dynasty, the Jin Dynasty, the Southern and Northern Dynasties, the Sui and Tang Dynasties, and even the Yuan Dynasty; the ten legal books begin with the quaint elegance of Zhong Xuan and are strict in the end of Zhao Mengfu, which can not only see the fashion of each era, but also see the flow of the style of the calligraphy, which is actually a summary of the history of the Kaishu for more than a thousand years. Each of the prints of this set of series is divided into original and supplementary copies.
The original edition of "Crane Ming" is printed with one each of the water front and water post- and post-water extensions, and the water front version selects the Qing Li Guosong old Tibetan Ming Tuoben, and the water post-water version selects the Qing ShenYun Chu Old Collection Qing Dynasty Qing Dynasty After the Water Refined Expansion, all of which are in the collection of the Shanghai Library, with inscriptions and inscriptions by Zhang Yun, Miao Quansun, Wu Yusheng, Yang Shoujing, Li Jian, Xu Kang and others. The pre-water and post-water texts are cross-referenced, providing a good model for calligraphy and calligraphy research. The Fa Ti album envelope, from photography to color grading to printing, has a professional vision, accurately restores the charm of the Fa Ti, maintains the integrity of the true information of the original Fa Ti, and is almost the same as the real handwriting. The original is followed by the "Crane Ming" to enlarge the whole picture. The attached edition is an introduction, interpretation, commentary and commentary on the "Crane Inscription", which provides an important reference for readers to read the original post in depth.
"Top Ten Chinese Books" series of "Crane Ming"
Shanghai Calligraphy and Painting Publishing House
Price: 198 yuan