Preface
The Chinese Pastoral Landscape School belongs to the category of postmodernism, which is a pure lyrical realism landscape painting school. What is thought and painted is only related to art, and does not exclude any other artistic pursuit and art group, nor does it conflict with any other art group; advocating a wide range of absorption and pluralistic artistic methods in creation is both a continuation of ancient art and modernist art and their development. Adhere to the principle of "painting different is a painter", and firmly believe that "art is the destination of the soul".
Li Nanshu, male, born in March 1958, from Xichong County, Sichuan Province. Former deputy inspector of Chengdu Municipal Bureau of Culture and Guangdong, deputy research librarian of Wenbo, curator of "Yindao • Chinese Seal Engraving Art Biennale", visiting professor of Ginkgo College of Xihua University. He is a member of the Chinese Cultural Relics Society, the Chinese Museum Society, and the Chinese Chinese Painting Society, the vice president of the Jinshi Calligraphy and Painting Research Association of the Sichuan Provincial Museum of Culture and History, and the member of the Sichuan Calligraphers Association and the Sichuan Musicians Association. In the early 1980s, mr. Xu Wuwen was enlightened to learn seal carving; in 2011, he continued to learn the art of seal carving calligraphy and painting under Mr. Han Tianheng; in 2018, he learned landscape oil painting from teacher Jian Chongmin. President of Chengdu Mingyue Landscape Oil Painting Society, Executive Vice President of Chengdu Modern Landscape Oil Painting Institute, Representative Painter of China Pastoral Landscape Painting School.
Xie Xiaobin, male, born in March 1958. A native of Xichong County, Nanchong City, Sichuan Province, he is currently a member of the Chinese Oil Painting Sketch club, a member of the Sichuan Artists Association, a member of the Nanchong City Beauty Association, a researcher of the Leshan Sanjiang Painting Institute, a special painter of the Chengdu Mingyue Landscape Oil Painting Society, a representative painter of the Chinese Pastoral Landscape Painting School, and a vice chairman of the Xichong County Artists Association, and now lives in Nanchong. In September 2017, the oil paintings (courtyards) were selected for the BRICS Cultural and Art Exchange Exhibition. (Contemporary Art) South Africa Pavilion. Many of his works have participated in national, provincial and municipal art exhibitions and won awards, and many oil paintings have been collected by art museums inside and outside the province. Dozens of oil paintings have been collected by collectors at home and abroad, and several works have been published in literary journals inside and outside the province. He takes oil painting figures and landscapes as the subject of study and research, and is now a professional oil painter.
Li Chongshu, born in Nanchong in 1958, has loved art since childhood. In his early years, he studied at the School of Fine Arts of Southwest University, and in 1998, he established the Heavy Book Oil Painting Studio. He joined the Nanchong Artists Association, Xichong County Artists Association, Leshan Sanjiang Painting Institute, Chengdu Mingyue Landscape Oil Painting Society, and representative painter of China Pastoral Landscape Painting School. His works have participated in many exhibitions inside and outside the province. Representative works: "Morning Market", "Traces", "Jinkou Cloud Smoke", "Early Spring", "Homeland", "Lower River Street" and so on.
Zhu Mingsong graduated from the Department of Art design of Sichuan Academy of Fine Arts, a member of Sichuan Artists Association, a member of Nanchong Artists Association, a representative painter of China Pastoral Landscape Painting School, and a member of Langzhong Artists Association. In November 2014, the oil painting (Gucheng Old Street) was selected for the 7th Sichuan New Artists New Works Exhibition, in November 2016, the oil painting "Harbor" was selected for the 8th Sichuan New Artists New Works Exhibition, and in 2016, the gouache painting "Ancient City Street" was selected for the Sichuan Provincial Watercolor Exhibition. In 2016, the oil painting "Old Market" was selected for the Sketch chinese Oil Painting Exhibition. In 2019, the oil painting "Old Market" won the Excellent Works Exhibition Award of the Second Wenhua Award of Sichuan Province.
Liao Lin, born in 1978, is a member of the China Artists Association, a director of the Nanchong Artists Association, a representative painter of the China Pastoral Landscape School, an associate professor of the School of Fine Arts of China West Normal University, and a master tutor. His works have been selected for the 11th and 13th National Art Exhibitions.
Liu Zhijun, born in 1980, is a teacher at the Academy of Fine Arts of Xihua Normal University and a representative painter of the Chinese Pastoral Landscape School.
Li Bing, born in 1986 in Yongzhou, Hunan Province, graduated from the School of Fine Arts of China West Normal University, and is now an art cadre of nanchong cultural center, a member of the Nanchong Municipal Committee of the Chinese People's Political Consultative Conference, a member of the China Artists Association, a member of the Sichuan Provincial Artists Association, a director of the Sichuan Oil Painting Society, the secretary general of the Nanchong Artists Association, a member of the Yongzhou Beauty Association, a member of the 678 Art Alliance, and a representative painter of the China Pastoral Landscape School.
Chen Song, male, born in 1986 in Yingshan County, Nanchong, Sichuan, is a member of the Sichuan Artists Association, a member of the Sichuan Oil Painting Society, the executive deputy secretary general of the Nanchong Artists Association, and a representative painter of the Chinese Pastoral Landscape School. In 2013, he graduated from the School of Fine Arts of China West Normal University. Since 2014, he has worked in Jialingjiang Art Museum, and many works have been selected for exhibitions at or above the provincial level.
Li Qingping, female, born in Xichong in 1981, likes to paint since childhood, and is good at oil painting landscapes. He is currently a member of the Sichuan Artists Association, a member of the Nanchong Beauty Association, a member of the Xichong County Beauty Association, and a representative painter of the Chinese Pastoral Landscape School. Representative works include "Winter Memory" series, "High Noon", "A Touch of Sunshine" and so on.
He Wenbo, male, born in 1984, from Peng'an, Sichuan. Executive Chairman of the Chuanbei Branch of the Sketching Chinese Oil Painting Club, Member of Nanchong Calligraphers Association, Director of Peng'an Calligraphers Association, Representative Painter of China Pastoral Landscape Painting School, Member of Nanchong Artists Association, Deputy Secretary-General of Peng'an Artists Association.
Zhang Kai, born in 1983, graduated from the College of Fine Arts of China West Normal University in 2006, majoring in oil painting, and is a representative painter of the Chinese Pastoral Landscape School.
Chen Bin, General Manager of Peng'an Daily Communication Equipment Co., Ltd., Principal of Peng'an Sanqian Painting Training Center, Member of Nanchong Artists Association, Member of the 11th CPPCC Peng'an, Member of Peng'an CPPCC Calligraphy and Painting Institute, Representative Painter of China Pastoral Landscape Painting School.
Zhou Wenming, born in July 1976 in Nanchong, Sichuan, now lives in Nanchong, Sichuan. He graduated from Sichuan Kangding Normal College (now Sichuan Nationalities College) in 1998 and graduated from China West Normal University in 2007. Executive Vice Chairman of the North Sichuan Branch of Sketching China, representative painter of the Chinese Pastoral Landscape School.
Xiong Shengyong, male, born in March 1966 in Dongba Town, Nanfang County, Nanchong City, Sichuan Province, now settled in Guang'an City, Sichuan Province, a member of the Sichuan Artists Association, a director of the Sino-Russian Oil Painting Association, a director of the China-Hungary Oil Painting Association, the chairman of the Huayingshan Branch of Sketching China, the vice chairman and secretary general of the Guang'an Artists Association of Sichuan Province, a representative painter of the Chinese Pastoral Landscape School, good at oil painting landscape creation, and his works have participated in many exhibitions inside and outside the province and received praise. The oil painting "Border City" won the 2015 Sichuan School Oil Painting New Coordinates 50 Nomination Exhibition; the oil painting "Tianchi Autumn Color" won the Silver Medal of the 8th Sichuan Provincial Teachers' Biennale in 2016; the oil painting "Corner of the Ancient Town" won the Silver Medal of the 9th Sichuan Provincial Teachers' Biennale in 2018; the oil painting work "Bashan Yun" was selected for the 4th "Jiangshan Duojiao" National Oil Painting Sketch Exhibition; the oil painting work "The Cottage by the Pond" won the 2015 Sichuan Provincial First Poetry, Calligraphy and Painting Art Exhibition; the oil painting work "Old Street Memory" It is in the permanent collection of Sichuan Provincial Art Museum; the oil painting "Suburbs" won the gold medal of the 2nd Guang'an Biennale of Calligraphy, Film and Painting..........
Li Zexun, a member of the Sichuan Artists Association, deputy director of the Sketching Committee of the Chengdu Artists Association, consultant of the Chengdu Chenghua District Artists Association, researcher of the China International Center for Modern Art Research, graduated from the Tianjin Academy of Arts and Crafts, and is a representative painter of the China Pastoral Landscape Painting School.
Aoyama, male, through Nanchong, born in 1956. He graduated from the first Russian Landscape Oil Painting Advanced Study Class, a member of the Sichuan Oil Painting Society, a member of the Chengdu Artists Association, a member of the Chengdu High-tech Zone Artists Association, a deputy director of the Oil Painting Art Committee, a member of the Sketching China, a representative painter of the Chinese Pastoral Landscape Painting School, a painter of the Wujin Calligraphy and Painting Institute of the CppcC Xinjin District, an expert member of the Art Committee of the Sichuan National Culture and Image Art Association, a member of the Chengdu Photographic Artists Association, and a member of the Xinjin District Photographers Association. In 2008, the oil painting "Ginkgo Biloba" participated in the "Fifth Sichuan Provincial Newcomer New Works Exhibition" of Sichuan Provincial Art Museum, the "Qingshan Solo Oil Painting Exhibition" held in 2009, the Chengdu International Nongyuan Art Village from 2006 to 2009, and the oil paintings "Mountain Wall", "Boat" and "Years" in 2009 participated in the "Chengdu International Nongyuan Art Annual Exhibition"...
Lü Zhongyi, born in 1958 in Nanchong, Sichuan, is a member of the Sichuan Artists Association, a member of the Sichuan Oil Painting Society, a standing director of the Nanchong Artists Association, the director of the Nanchong Artists Association Sketching Club, and a representative painter of the Chinese Pastoral Landscape School.
Kang Zhongyuan, male, Han ethnicity, born on October 30, 1966, born in Fuyang, Anhui, a member of the Jiusan Society, a member of the China Petroleum Artists Association, a member of the Nanchong Artists Association, a member of the Sketching China, a representative painter of the Chinese Pastoral Landscape School, a member of the Chinese Oil Painting Elite, a calligrapher and painter of the Nanchong Poetry and Painting Institute, since 1990, it has trained more than 3,000 artistic talents for various art academies at home and abroad.
Yang Qian, a member of The Sichuan Provincial Artists Association, a member of the China Pen Painting Alliance, a member of the Nanchong Artists Association, a member of the Nanchong Women Painters Association, a special calligrapher and painter of the Nanchong Municipal CPPCC Calligraphy and Painting Institute, a representative painter of the China Pastoral Landscape Painting School, a member of the China BinglingHua Sketching Association, and a member of sketching China.
Zhang Guozhong is a member of the China Artists Association, a director of the China Oil Painting Society, and a member and researcher of the Beijing Contemporary Chinese Freehand Oil Painting Research Institute. He is a national first-class artist and the director of the Oil Painting Art Committee of the Sichuan Artists Association. Expert of the National Endowment for the Arts Jury. Representative painter and art consultant of the Chinese Pastoral Landscape School.
Wu Jianguo, male, born in 1953, from Nanjing, Jiangsu Province. He graduated from the Department of Arts and Crafts of Sichuan Academy of Fine Arts in 1982. In 1995, he was named a senior arts and crafts artist. He is a member of the Sichuan Beauty Association. Member of Chengdu City Beauty Association. Member of the Design Committee of Sichuan Provincial Artists Association. Judge of the Intermediate Title Evaluation Committee of Sichuan Provincial Commission of Economy and Information Technology. He is a member of the Provincial Staff Committee of the Jiusan Society of Sichuan Province. In 1992, his oil painting "Alarm" was selected for the Sichuan Provincial Civil Air Defense Art Exhibition organized by the Sichuan Provincial Artists Association. In 2012, he graduated from the oil painting creation class held by the Sichuan Artists Association. In 2013, his oil painting "Quiet Jialing River" was selected for the nomination exhibition of famous artists in Sichuan Province. In 2015, he won the first prize of the "Great Beauty Nanchong Law is Around" Rule of Law Calligraphy and Painting Photography Competition (Painting Category) in 2016, and the oil painting "Mountain Path" participated in the second (brilliant stars) Sichuan Provincial Qunwen Fine Arts Excellent Works Exhibition in Sichuan Province. He is currently a teacher (associate professor) of Chengdu Vocational College of Art, a full-time painter of Nongyuan International Art Village, a representative painter and art consultant of the Chinese Pastoral Landscape School.
Xiao Hua graduated from Neijiang Normal University and the Oil Painting Department of the Academy of Fine Arts of Southwest Normal University. He is currently a director of the World Chinese Artists Association, vice chairman of the Zigong Artists Association, president of the Zigong Oil Painting Society, vice chairman of the 813 Original Art Base, vice chairman of zigong sketching China, and representative painter of the China Pastoral Landscape School. I. International Exhibition: In 2010, his works (Yellow River Soul) and (Jiuzhai Xueyun) participated in the Sino-Swiss joint exhibition and were collected. In 2012, his work (Hua Dan) participated in the 40th Anniversary Exhibition of the Normalization of Diplomatic Relations between China and Japan in Tokyo and was collected by the Organizing Committee. In 2013 and 2015, his works (Red Dust Easy to Cold Series) participated in the New York Art Fair twice. All works are collected by collectors and the Center for the Educational Arts of America. In 2017, his works (landscape series) participated in the Sino-Russian joint sketching and his works were exhibited at the Kremlin Art Museum. 2. Major domestic works won awards and participated in the exhibition: In 2019, oil paintings (ShengShihua Lantern) and printmaking works (Zhu Meng) participated in the 13th National Art Exhibition Sichuan Excellent Works Exhibition. (Building Dreams) was selected for the 13th National Art Exhibition. In 2017, the oil painting (Nanguo Lantern City) participated in the Great Beauty Sichuan and won the Excellence Award, and was collected by the Sichuan Art Museum...
Zhao Fei, born in 1987, graduated from the School of Art of Sichuan University in 13 years with a master's degree in literature, studied under Cheng Jungle and Yang Hanmei, a student of Li Meng's oil painting training class, and a representative painter of the Chinese Pastoral Landscape School. Sichuan Artists Association Member Exhibition: Sichuan Province Sichuan Endless Flow of Fine Arts Exhibition Sichuan Province Third Seven Cities Fine Arts Exhibition Sichuan Province Second "Great Beauty Sichuan" Fine Arts ExhibitionThe Second "Youth Glory Chinese Beauty Education" National College Aesthetic Education ExhibitionThe Second "National Youth Cup" National College Art and Design Works ExhibitionThe Seventh Youth Art Works Exhibition Of Sichuan ProvinceThe Fifth Youth Art Works Exhibition of Sichuan ProvinceThe Fifth Youth Art Works Exhibition "Comma" Sichuan University 2010 Class Oil Paintings Joint Exhibition Chengdu Spring Art Salon Exhibition Chengdu "Qingshu Creative Imagination" Eastern Suburbs Art Exhibition.
▲"Shuicun Shanguo" Zhao Fei. 2021.
Jiang Hongbing was born in 1975 in Xichong, Sichuan. He is a member of the Contemporary Chinese Freehand Oil Painting Research Association, a special painter of the Mingyue Landscape Oil Painting Society, a member of the Leshan Sanjiang Calligraphy and Painting Institute, a member of the Chengdu Modern Landscape Oil Painting Institute, the vice chairman of the Xichong County Artists Association, a member of the Nanchong City Beauty Association, the founder of the China Pastoral Landscape Painting School, and graduated from the Academy of Fine Arts of Southwest University. He is obsessed with the study and practice of landscape oil painting, and is particularly fond of depicting the idyllic scenery of the Sichuan Basin. The consciousness of thought rushes out of the basin, and the artistic mind returns to the basin. Adhere to the original, there is a specialty of on-site sketching and landscape oil painting, and the works are collected by many domestic institutions and individuals.
Ma Zhenghai, Vice Chairman and Secretary General of Xichong County Artists Association, member of Chengdu Branch of Sketching, one of the founders of China Pastoral Landscape School, and member of Sichuan Provincial Beauty Association. Graduated from the Fine Arts Department of Sichuan Institute of Education. He has participated in many national fine art exhibitions and provincial exhibitions, and his works have been collected by many collectors in China. Special painter of Chengdu Mingyue Landscape Oil Painting Society, painter of Leshan Sanjiang Painting Institute.
Luo Jin, Sichuan Xichongren, professor, is currently a member of Sichuan Artists Association, a member of Sichuan Oil Painting Society, deputy director of Chengdu Artists Association Pen Painting Art Committee, a special invited painter of Sichuan Minjian Painting Institute, Chengdu Minjian Painting Institute, Chengdu Minjin Enlightened Painting Academy, one of the founders of China Pastoral Landscape Painting School, an external tutor of oil painting master's degree students in the School of Fine Arts and Film and Television of Chengdu University, a visiting professor of Sichuan Media College and Sichuan Culture and Media College, and a winner of the Fifth, Sixth and Seventh Literary and Art Awards of Dujiangyan City, working in the Design art Department of Sichuan Industrial and Commercial College.
Yin Liang, a native of Kaixian County, Chongqing, is a freelance painter who graduated from the Oil Painting Department of Sichuan Academy of Fine Arts in 1993, a member of the Dujiangyan Artists Association and oil painting art committee, and a representative painter of the Chinese Pastoral Landscape School.
▲"Ancient Town Sketch" Zhao Fei. 2021.
▲"Jialing Riverside" Zhao Fei. 2021.
Chinese Pastoral Landscape School
Abbreviation: Chinese pastoral painting school, pastoral school
Full name: Chinese pastoral freehand landscape painting school
The Chinese Pastoral Landscape School belongs to the category of postmodernism, which is a pure lyrical realism freehand landscape painting school, the first national landscape school with postmodernist characteristics that occurred in China from the Sichuan Basin in southwest China in the first half of the 21st century. The friends of the Chinese Pastoral Landscape School are deeply aware that the social trend and artistic thinking of the mainland will experience a long era of the return of artistic rationality of beauty. Strive to change the so-called many "strange" phenomena in the contemporary art period, to depict natural scenery, rural scenery and comfortable and idyllic rural life as artistic pursuits; take the landscape and pastoral as the aesthetic object, re-excavate the aesthetic preferences of the Chinese's heart, continue to carry forward the artistic characteristics that are not interfered with by non-artistic factors, and let the artistic development return to the refreshing, fresh and simple pure artistic road; the delicate brushstrokes are thrown into the quiet mountains and forests, leisurely fields, creating an idyllic pastoral life with oriental atmosphere. In order to express the praise and yearning for a quiet and peaceful life, while announcing the end of the so-called "ugly art" era in contemporary art.
Expression:
Figurative, imagery, abstraction, mental imagery, casual.
Artistic Concept:
What is thought and painted is only related to art. It does not exclude or conflict with any other artistic pursuit and art group; the promotion of a widely absorbed and pluralistic artistic approach in creation is both a continuation of ancient and modernist art and a development of them. Based on the traditional European realism method and combined with the Chinese freehand spirit, it mainly shows the social changes and pastoral scenery of China and some European and American countries in the first half of the 21st century, especially the pastoral scenery of the Sichuan Basin, lakes and swamps, mountain stone trees, rural village residences, ancient village old shops, celebrity relics, etc. Deeply in love with this land and people, expressing the beauty of social progress and natural beauty, as well as the beauty of secular life. The beauty of art cannot be expressed entirely in words, but can only be expressed by art. "Inclusion and Coexistence", "Inheritance and Innovation". Everyone respects each other's artistic pursuits, "seeking commonality in individuality, pursuing individuality in commonality"; "everyone has beautiful songs in their hearts, and their favorite paintings in their pens"; "no one restricts anyone, no one changes anyone". The pursuit of art is one's own business, and the path of art is chosen by oneself. Go your own way, walk well or not, all depend on your own efforts.
Direction of development:
The roots are in the West, also in China, the development direction is in China, but also in the world; that is, adhere to the ontology of oil painting, limited absorption of Chinese freehand techniques, visual feelings are still oil paintings rather than Chinese paintings; adhere to the nationalization of oil paintings, painting Chinese landscapes with Chinese aesthetic preferences. Here we should emphasize that Chinese landscapes are mainly painting the real mountains and rivers of the motherland and landscape oil paintings with Chinese flavor. Study hard and seriously study the thick world and the history of the development of Chinese landscape oil painting, especially the Dutch Small Painting School in the 17th century, the French Barbizon School in the 19th century, the Impressionism and Chinese vernacular painting in the 1980s, the Sichuan-Western style painting, the freehand oil painting in the early 21st century, the southern Chinese oil painting landscape painting school and so on. Strive to learn from Monet, Pissarro, Sisley, Corot, Dubini, Leviathan, Cézanne, Van Gogh, Gauguin, Restal, Vermeer, Wu Guanzhong, Shen Xinggong, Jian Chongmin, Ma Yiping, Wang Jialing, Weng Kaixuan, Zhang Dongfeng, Bai Yuping, Luo Xiaohang, Zhang Guozhong, Qu Xiangjian and other Chinese and foreign landscape painters, the consciousness of thinking rushed out of the basin, and the artistic soul returned to the basin. Drawing on Jingguan Dongju, Li LiuMaxia, Ni Zhan, Shen Zhou, Zhao Lingyong and other ancient Chinese landscape paintings, everyone's treatment of mountain stone trees, smoke and mist, waterfront Tingzhou, and village residence Yedu, living in modern times, chasing the ancients. "Sightseeing in the mountains and rivers, looking for the past". Learn from the predecessors and strive to break through the predecessors; have the roots of art, and strive to find the direction of development. Do not be a blind admirer of Western art, nor will you be an arrogant xenophobic of Yelang; in this continuous development, the Chinese pastoral landscape painting school occurred in this era and grew up in this era. The Taihang Mountains are the cultural home of Chinese landscape painting, and the Sichuan Basin is the spiritual home of Chinese pastoral landscape oil painting. Trace the artistic conception of the ancient Chinese pastoral school, and strive to continue to carry forward the Chinese nation's feelings of "loving the countryside and good landscapes". The works reflect more leisurely thoughts and emotions, with elegant colors and quiet artistic conceptions. Taking poetry and painting as the pursuit direction of Chinese landscapes and Sichuan-style landscapes, he mostly uses realistic and freehand expression techniques to express his inner feelings. In terms of discovering natural beauty, it not only describes the majestic and magnificent scenery in a general way, but also depicts the microscopic dynamics of the small bridge and the flowing water people in detail. Behold, but not avoid the world; nostalgic, but not old-fashioned. In the era of the great rejuvenation of the Chinese nation, the influence of the Su, Fa, German and American schools on Chinese oil painting has gradually drifted away, and the Chinese pastoral landscape painting school should be born from time to time. The Chinese Pastoral Landscape School has typical characteristics of the times and Chinese characteristics, and the painter pursues the beauty of the original hometown from the perspective of world art and modernity. There is a state of art returning to innocence, without the meaning of retro, and strives to push forward the interest of Chinese landscape oil painting.
Content Topic:
The diversity of content themes does not break through the concept of landscape oil painting for the time being; put an end to artistic stylization and uniformity, adhere to the main creation of sketching, and in the case of insufficient conditions, also reference materials or use network sketching to create. Big themes, small incisions; one painting and one scene, each painting different. "Mountains and rivers are ruthless and woody, and people have feelings." The subject matter is diverse, and the landscapes, flowers, characters, and themes are all good, but they are mainly landscape oil paintings.
Artistic Thinking:
Never meet the existing level, do not be arrogant, study hard, meditate and specialize, and constantly improve. There is no need to look at problems and look at art with fixed thinking, believing that "uncertainty is a kind of beauty" and that art is the eternal spiritual sustenance of human beings. The theory of art evolution and the theory of the single-line development of art are incorrect, art is a pluralistic development and dendritic multilinear development. Firmly believe that as long as there are human beings, art will not die...
The name of the Chinese Pastoral Landscape School is standard:
On January 21, 2021, Mr. Liu Guoshu, the "father of Sichuan-American oil painting" and a highly respected person, wrote an inscription at the new campus of the Sichuan Academy of Fine Arts in Chongqing University Town at the age of 101.
Conclusion:
All members voluntarily contribute to the development of the school and enrich the works, theories and ideas of the school. The growth and development of this school is the result of the joint efforts of all members, the result of the attention and support of all sectors of society, and the crystallization of collective wisdom. Everyone voluntarily invited high-level painters and teachers in the Sichuan Basin who are very passionate about the creation of pastoral landscape oil paintings. Invite as much as possible not to have selfish intentions, to look at the picture, to know the preferences; "on the painting, regardless of the person; on the long, no matter the short" . Geographical proximity, closeness of people, landscape oil painting sketches in the Sichuan Basin have x like-minded painters, teachers, voluntary contact members to apply for participation (x = from 2017 to increase 5 pieces per year, in 2022 new members to participate in at least 30 of their own or everyone recognized good sketching works, in the art world has a certain influence and high level of artists The number and region of works are not absolutely strict requirements, I hope that everyone will abide by this rule. The number of regulations are tentative, and the number of works required for participation in the future will only increase, please be cautious). Annual exhibition planning and editing time: December 1-20, 30 final draft. Voluntary principle: WeChat forwards 5 pictures of works of that year or pictures of old works that have not been exhibited to the editors; editors are voluntary and willing to be responsible for promoting the group, and each member voluntarily promotes themselves with the Chinese Pastoral Landscape School xxx; we adhere to the principle of "publicity group is to publicize themselves, to help everyone is to help themselves". The most important purpose of the establishment of this school is to let friends who like pastoral landscape oil painting have a more in-depth exchange group, enhance friendship and common progress, promote the continuous benign development of mainland landscape oil painting, and also allow themselves and all sectors of society to enjoy more excellent original pastoral landscape oil paintings.
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