Artist Profile
Jia Yiming (formerly known as Jia Haihan), who used the name Haihan,
Born in 1979, he now lives in Zhengzhou.
Member of Henan Artists Association,
He is a member of Zhengzhou Artists Association.
Many works have been collected by collectors at home and abroad such as Beijing, Shanghai, and Canada.
Lushan Love 4
80×80 cm
"March"
90×120 cm
"Winter Poplar"
40×60 cm
Jia Yiming oil painting: simple and sincere landscape language
"Simplicity" is the first impression of Jia Yiming's landscape oil painting, but also the summary after in-depth reading, in the complex world of sound and color and light, in the face of a white wall and Jia Yiming's works, for the tired eyes, tired heart, it is indeed a rare rest.
"Spring at the Mouth of the Creek"
100×100 cm
Begonia
60×60 cm
His works do not make people quiet with "emptiness", in fact, he takes rich colors, does not shy away from the visual collision of high brightness, will not give up the color of inner yearning in order to create clean, the courtyard is sunny, the begonias are colorful, the mountains are beautiful, he falls one by one at the end of the pen, life may not always be neat and orderly, the flow of human desire, the change of the objective world, the life that comes and goes, but there is always a moment when we leave a memory and sincerely write it down. The quiet quality of Jia Yiming's landscape works comes from the calmness of the observation angle, and also from the sincerity of the painter to take off his mannerisms.
Autumn on the Greens
80×80 cm
Autumn on the Greens
60×60 cm
Jia Yiming's works often emphasize the extension of the long-range, but not deliberately, he knows the complicated acrobatic techniques of shaping space and selectively chooses them. Sometimes, as long as the river is sparkling, flowing from east to west, this is space, and he leaves the viewer's heart on the river, as if to say: "How pleasant it is to see the flow of water and the reflection of light", thus getting rid of complexity. His work is a revival of memory– different from previous real-life memories and joined the creator's spiritual selection after BoGuan.
"Memories of Jiangnan"
50×60 cm
Similarly, Jia Yiming replaces our habitual "camera-style" landscape with the contrasting expression and flowing brushstrokes of color blocks, achieving the effect of defamiliarization, which undoubtedly forms a vocabulary different from traditional landscape oil painting, and indirectly broadens the feeling margins of contemporary art viewers.
《Mt. Yaoshan》
60×60 cm
In the name of "scenery", he presents the leisurely beauty of the world and the world in front of us, provides us with a new observation angle and feeling way, and in the new structure composed by western oil paint, there is also a kind of Oriental charm of Wang Wei's "there is no one in the stream, opening and falling".
"Recovery"
50×60 cm
We can appreciate the abundant vitality of the earth in Jia Yiming's works, as well as the vast and silent humanistic landscape that exists independently in his paintings, and there is a gentle emotion that fills the paintings, with a faint cold emotion.
The wind blows, time flows, we are accustomed to the fast-paced noisy life, and perhaps what is needed is this kind of Jia Yiming-style simplicity and frankness.
"Bear Riverside"
40×60 cm
《First Snow》
40×61 cm
Jalu River
50×60 cm