Naked-eye 3D pastel open light four seasons landscape map turn neck bottle. Courtesy of Tencent
Shenzhen, December 18 (Reporter Zheng Xiaohong) The largest naked-eye 3D cultural relics of the Forbidden City were first exhibited at the Shenzhen Maritime World Culture and Art Center on the 18th. The "pattern" opened to the public on the same day was carried by the Forbidden City Tencent Immersive Digital Experience Exhibition, which also included the first offline digital restoration exhibition of the Forbidden City's "Tired Qinzhai", etc., to digitally help the protection and inheritance of traditional culture.
At the experience exhibition site, the 5.3-meter-high naked-eye 3D cultural relics were magnified with 22 times high-definition, and the precious achievements of the digital Forbidden City were presented, and the details that could not be felt by the physical exhibition could not be experienced.
According to reports, in July 2016, the Palace Museum and Tencent joined hands to cooperate. The two sides jointly promote the in-depth combination of traditional culture and digital creativity, and help excellent traditional culture "come alive" through games, animation, music, short videos and other methods. In September 2019, as the Forbidden City is about to celebrate its 600th anniversary, the two sides officially announced that they will continue to deepen cooperation in the next three years, focus on scientific and technological academic innovation, and help build a digital Forbidden City for the next 600 years through "digitalization + cloudification + AI".
Founded in 1925, the Palace Museum is a national comprehensive museum established on the basis of the palace architecture and collections of the Ming and Qing dynasties. It is the largest and best-preserved ancient wooden palace complex in the world, and it also houses more than 1.86 million sets of cultural relics.
Located at the northernmost end of the Garden of Ningshou Palace in the Forbidden City, Ti QinZhai was a residence specially built by the Qianlong Emperor of the Qing Dynasty after his return to power. At the scene of the first offline digital restoration exhibition of "Tired Qinzhai", the giant screen perspective through the general scenery painting, super close experience of Qianlong's "Jiangnan Dream", through ar to see the centennial stage, there are hidden mysterious three-dimensional space Easter eggs.
Glitter exhibition area. Courtesy of Tencent
Experience the exhibition site, 37 meters ring screen HD large screen, immersive interactive space on all sides, through Tencent QQ music panoramic sound technology, Youtu laboratory image search technology, multimedia laboratory immersive rendering technology, from visual to auditory experience theater-level audio-visual enjoyment.
The experience exhibition also carefully created 10 annual time-limited punch points: approaching the red wall of the Forbidden City and feeling the beauty of the four seasons of the Forbidden City, and leaving exclusive streamer images through the pattern of the Forbidden City window.
The pattern embodies the wisdom and aesthetics of the ancient country of oriental civilization and hides the code for interpreting China's excellent traditional culture. At the experience exhibition site, the audience selected their favorite cultural relics and felt the gorgeous pattern changes presented through digital technology.
The experience exhibition is divided into splendid world, glittering colors, "pattern" method of nature, ingenious "pattern", window shadow, dream Jiangnan, Ruiyi xiang pattern and other parts.
Among them, in the "pattern" exhibition area, high-precision three-dimensional data three-dimensional presentation of pattern details and artifacts, bringing a richer visual experience. Using the pattern as a clue, nearly 600 precious cultural relics in the Forbidden City are connected, showing the rich creativity and infinite ingenuity of ancient craftsmen in the vein.
The Ruiyi Xiang pattern exhibition area reveals that the ancients conveyed the craftsman's interest and beautiful hope with seasonal characteristics through the four-hour pattern. (End)