Yesterday said that I turned over a lot of valuable information, and today I casually drew a folder and opened it to see that it was "Chinese Dynasty Decoration Pattern".
Fortunately, it is something that I like, I can nag a little, I originally wanted to share the grotto temple, after all, the May Day holiday is coming, the epidemic is at the moment, I dare not go to a distant place, I can only look at the Internet from afar, where my heart is.
I really want to go to Dunhuang
Chinese aesthetics have been well reflected in some objects unearthed very early, linearizing the creatures that are urgent in life, giving them to the utensils in life, so that the original unremarkable objects can shine in the future thousands of years.
Guobo Yangshao culture fish pattern pottery pot photographed in 2019
In Yangshao culture, the human face reticulate, the fish pattern of the human head, the geometric pattern; the gorgeous geometric pattern in the Majia kiln... The sun, the moon, the starlight; plants, animals, people... They appear in various pottery vessels, allowing us to see the imprint of the times through the pattern.
The patterns and characters in the bronze artifacts allow us to see the history of that time and know the story behind the artifacts.
Guobo Yu Jizi white bronze plate taken in 2019
The pattern on the clothing is to experience the pursuit of a better life from ancient times to the present. The twelve palm prints of the dragon robe, the sun, moon and stars, the change of seasons, and the birds and beasts all symbolize auspicious and beautiful meanings.
The Palace Museum Tianguan Blessing Robe taken in 2019
"Chinese Decorative Patterns of Past Dynasties" is Mr. Wu Shan as the editor-in-chief, published in 1988, a total of four volumes, a comprehensive and systematic discussion of the production, evolution, characteristics and styles of mainland decorative arts, is so far the introduction of ancient Chinese ornaments of the tome, although the age of compilation is too early, resulting in the color map part is blurred, too many black and white patterns, but its value is still unlimited.
Mr. Na Zhiliang, a famous scholar of the older generation in the field of cultural relics in the mainland and an adviser to the National Palace Museum in Taipei, said: "This dictionary provides unlimited answers for Chinese arts and crafts."