The wind rises in Luoyang is being broadcast, and the latest plot is played to the sixteen nights that Gao Bingcang is painstakingly pursuing, and he is actually the most familiar Lady Miao, the two of them in Jishanfang, the most wonderful 20-minute duel, see people cry.
Miao Niang has always loved Gao Bingcang in her heart, but everything is too late, when she knows Gao Bingcang, she is already a killer, and Miao Niang will never have a chance to turn back.
In order not to embarrass and feel guilty about Gao Bingcang, Miao Niang chose to commit suicide, and also put on the clothes of the killer, which could make Gao Bingcang feel better.
Sixteen nights died, the clues were broken, and from the current clues, more and more clues pointed to the Ministry of Works, that is, the paradise that Bai Liyan was responsible for building, and this magnificent building seemed to be the focus of all conspiracies.
According to historical records, the heaven built during the Wu Zetian period was as high as 312 meters, and this height now sounds completely incredible, and even most people think that this is impossible.
This seems to be impossible, mainly related to one thing, that is, the loss of ancient architectural craftsmanship, since the Sui Dynasty began the imperial examination system in China, the imperial examination as an official has become more and more important.
And those officials who are deeply influenced by Confucianism have a serious contempt for those who have craftsmanship, and their image of a gentleman in their hearts is disdainful of dealing with these trivial issues.
Coupled with the great changes that took place in China's social structure after the Song Dynasty, many of the crafts in architecture were completely lost, resulting in the current construction industry recognized, Ming and Qing architecture compared to the Tang and Song Dynasties, in fact, in a serious regression.
There is a book called "Construction french style", it was lost for a long time, and then it was rediscovered, Liang Sicheng used this book to rewrite the history of Chinese architecture, conducted a lot of fieldwork, and the organization he worked for at that time was called the Construction Society, which was named after this book.
Through this book, we can understand many secrets of ancient architecture, and also understand why Wu Zetian built such a large-scale building as Mingtang and Heaven, and why it can be completed in a very short period of time.
Ancient Chinese architecture, there is a very powerful place, called standardization, that is, all wood styles, have a strict size scale, all kinds of things have a fixed size.
Bucket arch structure, is a more typical technology, it is a basic structure spliced out of standard pieces, you can understand them as a giant Lego.
Because these woods have reached standardization, so the processing of wood can be carried out in many places at the same time, different shapes and sizes, can be processed on a large scale, and finally when encountering the construction site, unified installation can be, which greatly shortens the construction period.
This is easy to say, in fact, there are a lot of technical details inside, are repeatedly polished, and finally reach an optimal ratio, such as the proportion of this wood, the ratio used by the Tang and Song Dynasties is 3 to 2, this is considered to be the best ratio, when built, it is very conducive to stability and splicing.
However, in the Ming and Qing dynasties, this proportion became larger and larger, and finally even approached the square, so that the building was not only not beautiful, but also not high.
Because during the Ming and Qing dynasties, the loss of these technologies led to the later people did not believe that the ancients could build such a magnificent building, but unfortunately, both the Ming Hall and the heavens were destroyed by a fire.
This is the biggest problem with wooden structures, buildings are easy to completely destroy, but things are burned, does not mean that he does not exist, some things are indeed lost, so that we often send out, how can this be a sigh, in fact, we know less.
What else do you know about the disappearing technology, welcome to leave a message to communicate.