Why do we like to watch historical dramas?
It is because you can watch the ancients laughing and scolding on the screen, and life rises and falls. At the end, the bad guys are covered up by history, the protagonist retreats, and the audience follows the protagonist through the most wonderful moments of his life in the past ten days.
At the end of the day, fame and exhaustion arise at the same time, even more than they themselves. If you encounter the beginning of the rich and handsome style of "Wind Rises Luoyang", and the silly white sweet ending, there will be many people who want to have the same experience as Lao Bai.
First, the copper of the mountain full of loopholes
You may remember that in the "Twelve Hours of Chang'an", whether it is Cao Baoyan, Long Bo, Yuan Zai, Fish Intestine, Yao Runeng, He Zhengzheng, He Fu, Lin Jiulang have the potential and possibility of becoming a big and small BOSS,
Driven by the plot of layers of reversals and then reversals, xu Bin, who finally found that the driving force behind everything was actually the most inconspicuous, but he had never left the public eye
。 The audience's brain, driven by the screenwriter, turns
target
Fast, hot and hot, but irritating
There is no stopping until the last moment.
At the finale of "The Wind Rises Luoyang", we were surprised to find that all the layouts, all the clues, and the exit of the painstaking plot maze were arranged on the opposite side.
A bad ending, so that all people's efforts, struggles, ideals have become illusory.
If we comb through the plot from the beginning, we will find that there is an irreconcilable contradiction and tear between the premise of the opening and the unreasonableness of the ending.
At the beginning, the informers of Mount Yishan want to go to Shendu to report, and a bunch of killers appear in the middle of the road, which leads to Baili Hongyi's participation in the case.
Thinking about it another way, the Spring and Autumn Road has not even made gunpowder, can it not be used as a container without using the copper of The Mountain? The Tang Dynasty has long popularized iron, and copper must be used? Must it also be the property of the Bailiyan family? Even if the above is traced down, this is not a major event that shakes the foundation of the country, can we send a few accounting offices to smooth out the books?
Is it okay to spend some money to bribe the officials who check the accounts?
Is it okay to send Sixteen Nights to assassinate the officials who check the accounts?
Even if it is to spend money to let officials delay the case handling time for ten days and half a month, can it be?
Why did he directly kill Bai Liyan, Xun Shan Gong, And Song Liang, who had been mixed up with the level of a big man in the imperial court? Among these people, they want money and money, and they want military power and military power
。 The position of Shangshu Song Liang of the Bingbu Department is much higher than that of Wu Youduo, and everyone works together to do bad things happily, and then divides the cake after the matter is completed, isn't it beautiful?
Second, the shattered ideal, the bizarre operation
In "The Twelve Hours of Chang'an", Zhang Xiaojing, Wen Wujie, and Long Bo are all soldiers of the Eighth Regiment who are desperately guarding the Beacon Fort, and then whether Zhang Xiaojing fights the Fire Gang or LongBo holds the saint hostage, there is a narrative thread that runs through from beginning to end.
Each key node is boosting the formation of this new narrative time and space and completing the right routine
Sex both
Self-dismantling and self-improvement of top narrative threads.
To "The Wind Rises in Luoyang"
The male protagonist Gao Bingzhan was because he and several brothers sacrificed their lives to protect the prince, and as a result, the sacrifices of these people and the ultimate pursuit of the male protagonist became worthless, or even meaningless.
Since the Sixteenth Night had already fallen in love with Gao Binglang, he simply arranged for Wu Siyue to directly go down and everyone fell in love with the dog blood triangle. Just right, Baili Hongyi, Liu Qiniang,
The emotional line between the county lords is also to suppress and return yang, shyly answering, hiding, and the six people simply engage in a vigorous costume sadism idol drama together
Why bother to arrange one fight after another?
At the scene where the saint released the grain, Liu Shilang actually took the crossbow machine to the scene? In history, the niece of the Liu family was Empress Wang, a sworn enemy before Wu Zetian ascended to the throne.
How could everyone turn a blind eye to such a dangerous figure?
The most bizarre thing is wu Zetian's divine operation, after discovering that the Spring and Autumn Road blew up Han Jiacang, he immediately gave Wu Wu a golden finger gift package, first took over Lian Fang, then sealed the Dragon Mountain King, and then arranged the position of the Servant of the Ministry of Works, which was not enough and gave him the right to dispatch the army.
Such panic and fanfare is as absurd as the explosion at the British Imperial Museum, where the Queen of England immediately promoted 007 to the position of Minister of Defence.
What nuclear submarines, fighter jets, and aircraft carriers can arrange are all arranged, just to catch a few cockroach thieves. In this way, the spiritual head that holds the red dates as a fire blow is also no one.
The most brain-clear thing in the whole audience is that Wu Youzhi, who has been taking poison for a long time and lurking for a long time, and at the last moment, he will make a speech in front of the masses, and then kill Wu Zetian to be called emperor?
According to this logic, wouldn't the players of "Strange Story", "Super Speaker" and "The World Listen to Me" have long been invincible and unified in the world?
The martial nature of a side branch, know a few GuanLang clique bigwigs, and how many important courtiers are there? How many generals do the left and right Yulin Army, the left and right Dragon Wu Army, and the left and right Shen Wu Army know?
Whether it is the crown prince or Wu Chengsi, they are still alive, how can the throne not be a mere attendant?
Third, the history of serious deviation
In "The Twelve Hours of Chang'an", from Li Bi's light wind to Yuan Zai's scheming; from Zhang Xiaojing's perseverance and courage to Yao Runeng's left and right Fengyuan; from Xu Hezi's gentle and gentle person to Wang Yunxiu's silly and sweet and cruel.
Almost all of these characters can find corresponding figures in history, and what is particularly valuable is that their personalities and behaviors are quite in line with the image of history.
In contrast, "The Wind Rises in Luoyang" seriously empties the historical image of the characters. Wu Zetian personally recognized King Dongchuan as the nephew of the crown prince, the son of Lianfang, Chu, corresponding to the Tang Ming Emperor Li Longji.
Gongzi Chu exhausted all his strength, but also to investigate internal traitors, but also to be assassinated, the purpose of which was actually for the long-term peace and stability of the empress?
What is the difference between this and crawling at the feet of a female emperor and being a "loyal dog"?
If we really have to deduce according to this script according to the historical background, how will the upcoming Shenlong coup be staged? How else will the TangLong coup be realized? How can Wu Zetian's hatred for Li Longji's killing of his mother and his father be dissolved?
Whether it is from the antagonistic relationship of the characters or from the perspective of history, the whole behavior logic is very passive.
Whether it is Wu Shenxing, the king of Jin, or Li Yiyan, the king of Dongchuan, their performance in the play, every step of the political action, with a strong sense of purpose and autonomy. After stringing together its entire plot, they instead push the plot towards the abyss of the plot and plunge headlong into it without hesitation.
That optimism and persistence can't help but make people wonder, is this a suspense drama, or a nonsense farce?
Insight into the underlying suffering of small lives and the real conflict of small people wrapped in fate in social life is the retrospection and interrogation of the essence of human nature.
Bai Yu's comment: In the first 35 episodes of "The Wind Rises in Luoyang", I have always believed that these historical figures are real. Because a good suspense drama must be love and conspiracy intertwined, pulling each other, waddling forward in many contradictions. In particular, the addition of historical background has led to a sharp increase in the amount of information, and the bizarre and confusing nature of each case.
We certainly enjoy this history, not because it is historical, but because it is familiar to us. In order to maintain the vigorous vitality of suspense dramas, at least there must be self-consistent logic that can justify themselves.
If you are not careful, the loophole will bring falsehood, and the success of the protagonist will no longer be convincing.
Finally, he weakly asked Gao Bingcang: From the beginning you are cold and miserable, and this is all looking for the end,
What about your sister?!