Approaching Xinjiang (Chinese painting) 60×60 cm×9 2010 Gao Yun
As an influential artist in the contemporary art world, Gao Yun became famous very early. He painted comic strips in his youth, and in that era when comic strips were flourishing, they had a wide influence. He paints stamps that can show beauty in every inch, exuding the beauty of friendship and emotion. He paints figure paintings, the ancient temperament in his paintings is elegant and elegant, with the feelings of the literati Gaoshi; he paints ancient beauties, the lines are wonderful, the beauty is intoxicating, full of artistic conception; he paints modern figures, combined with light and shadow to express the spirit of people to the fullest...
Recently, the exhibition of Gao Yun's works sponsored by the China Artists Association, the National Art Museum of China, the Propaganda Department of the Jiangsu Provincial Party Committee, the Department of Culture and Tourism of Jiangsu Province, and the Jiangsu Provincial Federation of Literature and Literature opened at the National Art Museum of China. As one of the 2019 Jiangsu Provincial Literary and Art Masters Into Beijing Exhibition, the 151 fine works presented in the exhibition are representative works of Different Periods in Gao Yun's 40 years of art. From comic strips to stamps, from delicate women with brush strokes to literati gaoshi, landscapes and hills written with part-time work belts, to freehand urban walkers and Xinjiang customs... It shows that Gao Yun is involved in the rich diversity of genres and themes.
As a scholar-type painter, Gao Yun attaches great importance to his own self-cultivation, has a research spirit, and often holds a research attitude to create art. Therefore, in Gao Yun's painting art, there is not only a sensory world, but also an ideal world that pursues the truth of human nature and the beauty of human nature.
He Jiaying, vice chairman of the China Artists Association and president of the Gongbi Painting Institute of the China Academy of Art, has a deep friendship with Gao Yun, and the sympathy between the two in artistic creation has become a good story in the painting world. He believes that Gao Yun's female works, in particular, show a noble and ideal feminine beauty. This kind of beauty does not linger in the deep boudoir of Miss Jiao, and does not forget to return to the sweetness of the pretty girl, only in the chest of the talented woman with hills and valleys, exclusive to the princess who has mountains and rivers in her eyes. It is not the beauty of the skin of Yan Thin Ring Fat, but the home and country feelings of "Peach Blossom Fan" and "Han Palace Autumn". They all have a sense of sacredness and ritual, beyond the mortal dust, high above, and beautiful enough to be admired. "The beauty of the women in each of Gao Yun's works is also different: there are the New Fourth Army in the war years, there are characters who are not ancient or modern, there are contemporary working women, and there are also classical Western women... The beauty of Gao Yun's pen is not a conceptual, superficial, superficial beauty that cannot withstand scrutiny and taste, but an ideal beauty that rises from visual aesthetics to the spiritual level. He Jiaying said.
In the view of Fan Di'an, chairman of the China Artists Association and president of the Central Academy of Fine Arts, Gao Yun is a contemporary artist who adheres to the pace of the times, has rich humanistic knowledge and profound artistic skills. "His artistic pattern is very large, he can create different themes and different themes, and he can also use different forms and use different modeling languages, but all of this is unfolding in the pattern of innovative development of Chinese painting." This shows that Gao Yun, as an art practitioner, supports him with both sufficient work experience and extensive academic training, and more importantly, a feeling of feeling this era. Fan Di'an said that under Gao Yun's pen, whether it is a historical theme or a realistic theme, whether it is a large emperor or a delicate sketch, in the creation of the theme, conception, situation creation, image shaping, always reflects a distinct sense of the times, the work is full of open and clear artistic conception, full of vitality and bright and fresh style, reflecting the vigorous weather of the times and the high spirit of the times.
With the help of traditional culture to form the internal support of its own academic development, through in-depth life, feel the reality to obtain the original motivation of creation, so as to find new breakthroughs in the conception and expression of each group and each work, and continuously expand in the dimension of artistic expression, Gao Yun has established a rich art world. (Yipin)