"Too deep into the drama can not come out" this thing, I originally did not believe much. Until he saw the performance of Pan Binlong in "I Am an Actor", he actually changed his mind. Obviously, the performance clip has ended, the director has finished shouting the card, but he is still immersed in the role, and the restrained emotions in the previous play erupt at this moment, and even no one on the scene of the show is willing to call him over, and the powerful charm emitted from the performance itself penetrates almost everyone.
Pan Binlong, who has a stronger comedy label, chose Han Dezhong in "Dear" to perform, which does not have much advantage in itself. In the original version, Zhang Yi's interpretation even surpassed Huang Bo as the lead actor, a lost local tycoon who wanted to "atone for his sins", who had a proud and worthy life all his life, until the child was abducted to ruin his life, and his self-esteem and conceit no longer existed, so that he began to believe in Buddhism, with Buddha beads in his hand, and became a vegetarian. This time, the excerpt of Tai Pan is the clip of the original movie, after Huang Bo found Pengpeng, the members of the "Wanli Zi Hunting Association" gathered together to celebrate, and Han Dezhong was drunk and out of control. It is the most plump portrayal of the role of Han Dezhong in the whole film, with Zhang Yi's Zhuyu in front, which shows that the difficulty and psychological pressure of Dapan's shaping will not be small.
As soon as the whole clip opens, Tai Pan shows extreme restraint, and even the lines are given to the assistant actors, it is estimated that he is afraid of his comedic side to let the audience play, after all, this character is tragic. Gradually, when the audience was laid out with enough details of the characters, The real strength of Tai Pan broke out. Originally, this party should be a happy celebration of Tian Wenjun, played by Huang Bo, who found his son, but Han Dezhongzhong's heart has been holding back the words that he did not say, "Why is it not me who found it?" So when the child comes in, for Da Pan, he suddenly finds an emotional object, and the internal and external contradictions in the characters begin to gradually appear.
This restraint of Tai Pan can be said to have found the core of Han Dezhong's role. Han Dezhong has always said that he lives in a five-star villa and is also a successful person in society, and it is easy to imagine that he should be an extremely confident person, who has control over everything and is very strong in front of the people around him. And the performance of this section weakens the background of this role, and what Da Pan wants to perform is the unwillingness of this character. He has always felt that he can carry everything, and the child will one day be found by his strength, so he must show that he must not collapse in front of everyone. So Da Pan just grasped this point, and many emotions are expressed by eyes, leaving enough blank space for the role.
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When everyone went out and left him alone, the man was almost on the verge of collapse. At this time, Da Pan looked around, not knowing what to say, no one listened to himself, the originally straightened body was also bent down at this moment, and the dog wrapped his arms around his back and sang a qin cavity. The audience saw a person who originally did not believe in fate and had to constantly fight, but finally gave in. The "Finder" meets and no longer wants children, but he publicly announces that his wife is pregnant, he is too tired to start a new life. The character's state of mind is depressed to the extreme, but the Qin voice sung by Da Pan is not a roar. His voice was full of exhaustion, and he even deliberately made the lyric rhythm a little messy, and the emotional resonance of the whole segment reached a climax at this moment.
The wide frame of the program packaging slowly opened, indicating that the performance was over, but the Big Pan in the picture still could not get out of the play, turned his back to the camera and wiped his tears. In the play, he did a good job, as the mentor Zhang Ziyi said, "accurate and infectious"; outside the play, we see his sincerity, he believes in this character, and even substitutes for his empathy after becoming a father. Suddenly, we realized that Tai Pan was not just a former comedy supporting role, but a powerful actor who could control various roles.
Many years ago, watching "Love Laughing Room", the impression left by Tai Pan is not the kind of acting that is whirring and special externalization, and many of the really hilarious things are often the helplessness mixed with his laughter, and the level of performance is rich at once. Later, he continued to have film works released, in fact, it can be seen that his performance style has indeed always been characterized by restraint and introversion, from his face or performance, we will always feel a touch of bitterness behind this character, is the kind of small person who has been abused by life a thousand times, squeezed out of helplessness a little optimism. Think of it this way, this time his performance in "I Am an Actor" is his accumulation for many years, an actor who can calm down and enjoy the state of performance.
Of course, as an event program, his opponent is not to be underestimated, Wang Zijian's performance also got three stars, and dealing with the collapse of the middle-aged man is somewhat similar to The shaping of Han Dezhong by Da Pan, and finally the mentor Zhang Ziyi gave Da Pan the only full star card, which is also intended to encourage him to try different plays, after all, he can always bring surprises to the audience!