<h1>preface</h1>
Many poets were not respected at the time, but they won great fame many years later, such as Zhang Ruoxuan and his "Spring River Flowers and Moonlit Nights", and the same is true of the person we are talking about today.
Li Ji (690 -754) was a scholar of Emperor Xuanzong of Tang's 23rd century, who served as a lieutenant of Xinxiang County, but unfortunately his career was unlucky, and he resigned and retired to Yingyang Dongchuan. Li Ji sang harmony with Wang Wei, Gao Shi, Wang Changling and others, and although the title of the poem was not as prominent as these ones, his seven-word law was well received by the poets of the Ming and Qing dynasties.
Ming Hu Zhenheng's "Tang Yin Decoction" mentions:
The famous masters of the Sheng Tang Dynasty are called Wang, Meng, Gao, cen, and The Seven Laws of The Seven Sayings of The Seven Sayings of Qimeng, and entering Li Ji should be called Wang, Li, Cen and Gao Yun.
Among the famous tang dynasty masters, Wang Wei, Meng Haoran, Gao Shi, and Cen Shan were the most praised, but when it came to the seven-word verse, it was necessary to replace Meng Haoran with Li Qi, and change it to: Wang, Li, Cen and Gao.
Hu Yinglin's "Poetry" has a high evaluation of the seven seven poems and seven laws handed down by Li Ji:
Li Lu only has seven songs, but "things die in people" is not good. "Flowing Moon", extremely majestic but not stupid; "Flower Palace Immortal Fan", to the work of dense and not fiber. The shadow of "distant public escape" and the gentleness of "chaowen wanderer" can all be walked alone for a thousand years.
Below, let's take a look at these seven laws of "can walk alone for a thousand years".
<h1>1. "Send Wei Wanzhijing"</h1>
Singing away from the song to the wanderer, last night the frost first crossed the river. Hongyan could not bear to listen, and the situation of Yunshan was a guest.
The color of the trees in Guancheng is approaching, and the anvil of the imperial garden is much louder. Don't see the chang'an happy place, the air makes the years easy to stumble.
This seven laws are very complete, and from the perspective of poetry, there is no flaw in the slightest.
This is a seven-way song of flat rise and flat harvest, with a rhyme of [song] and a two-way pair in the middle. In the second link, listen, squash; pass, flat. Both of these words are both equal and inferior. The "order" in the last sentence is a flat voice.
This is a farewell poem from the elders to encourage the younger generations.
Singing away from the song to the wanderer, last night the frost first crossed the river. In the first two sentences of the inverted (inverted) method, last night you just crossed the river to Luoyang, and this morning when you heard your departure song, you really came and went in a hurry.
The back jaw joint and neck joint are both the imagination of the poet for the wanderer. Jaw link: The color of the trees in Guancheng is near, and the anvil of the royal garden is more late. All the way homesickness, the sound of wild geese is in the ear, and on both sides is the cloud mountain that passes by.
Neck joint, the color of the guancheng trees is cold, and the anvil of the royal garden is more late. It is written about the scenery of Chang'an and Chang'an, of course, it is still imaginary. Luoyang West went to pass through the GuhanGu Pass and Tong Pass, and the grass and trees were shaking in the middle of the cold and autumn. When the article on Lao Jie wrote about Shen Qi's period, he introduced his "Alone And Not Seen": September cold anvil urged wooden leaves, and ten years of conquest recalled Liaoyang. It can be used as an explanation for "the anvil of the imperial garden is more late".
The tail link is a direct exhortation: do not see the chang'an happy place, and empty make the years easy to stumble. When you arrive in Chang'an, you must study hard, improve every day, and don't waste time in the lights.
Note: Wei Wan later changed his name to Wei Hao, he once lived in seclusion in Wang Wu Mountain, and was friends with Li Bai, who also wrote a poem "Sending Wang Wu Shan Man Wei Wan Back to Wang Wu".
<h1>Two, two Zen poems</h1>
1. Titled Gongshan Pond (Don Li Ji)
Yuangong was hidden in Lushan Cen and Kaishi lived in seclusion in the forest. The lone peak of the stone peeks into the hue, and the clear pond Haoyue illuminates the Zen heart.
The conductor is as good as the ceiling falls, and the spring grass in the idle room is deep. In addition, the worldly dust is not stained, but the rest of the mysterious degree must be found.
The first sentence of this seven-law song is a three-flat tone, and according to strict rhythmic poetry standards, three-flat tone is a big taboo.
This cut seems to be uneven in tone, the syntax is intricate, and the detailed play is to see that the quaint place has to be so, it is old. "Batch Point Tang Yin"
The first sentence is in the form of ancient verses, or for the sake of "quaintness it has to be so". This poem compares Xuan Gong to the famous monk Yuan Gong in the Eastern Jin Dynasty, and peeping into the hue, illuminating the Zen heart, and falling ceiling are all the language of the practitioners. At the end, it is said that this place is a place of untainted dust, and only qingliu celebrities have the opportunity to visit.
2. Su Ying Gong Zen Room Wen Fan (Tang Li Ji)
The Flower Palace Immortal Fan is far away, and the Moon Hidden High City Bell is leaking. The night frost forest is shocked by the fallen leaves, and the smell of the heavens is clearing the machine.
The depression has entered the cold and quiet, and the squawd still flies with the autumn rain. The first consciousness floated without dwelling, and suddenly the heart wanted to take refuge.
This poem has similarities with "Sending Wei Wanzhijing": the jaw joint and the neck joint are both imaginations.
The first couplet writes the scene, and at the same time points out "Smell the Fan": the bell leaks sparsely, and the sound of the Xian Fan is far away. The second link is imagination, and there are also virtual reality in the imagination, the frost leaves fall at night, and the pure mind is born of nature at dawn.
Neck link: The depression has entered the cold air, and the flutter is still flying with the autumn rain. The sound drifted in the quiet cold sky and autumn rain.
The epiphany of the tail link is that the floating being should abandon the dwelling (the attachment of the Buddha' family) and give birth to the heart of taking refuge in the Buddha.
<h1>Three, two songs and seven laws of praise and one depreciation</h1>
When later generations evaluated several of Li Ji's Seven Laws, the "Five Former Residences of Ti Lu" was often criticized, and Hu Yinglin's "Shi Wei" said:
Li Lu only has seven songs, but "things die in people" is not good. "Flowing Moon", extremely majestic and not stupid.............
Some people specifically compare the "flowing moon" with "things in the death of people", one praise and one depreciation. "Things in the Death of People" is "Title Lu Five Former Residences", "Liu Shu La Yue" is "Sending Si Xun Lu Yuanwai".
1. Sending Si Xun Lu Yuanwai (Don Li Ji)
The moon is flowing under the river, and the grass-colored New Year is issued with a chapter. Qin Di Li Chun passed on the Taishi, and the Han Palace inscription pillar recalled Xianlang.
Gui Hong wants to spend a thousand doors of snow, and the maid adds five new nights. Sooner or later, he recommended the xiongwen like a person, and the deceased has now been given a long Yang.
This poem looks like a farewell poem, but it is actually a dry poem.
Winter went to spring, Lu Sixun went to Chang'an City, and the spring grass in Jianzhang Palace (referring to Chang'an) should also grow.
The jaws use two historical figures as a metaphor for Lu Xiang. Qin Di Lichun Passed on Taishi, Taishi Sima Qian and others proposed that Emperor Wu of Han order a revision of the calendar to determine the 24 solar terms; the Han Palace inscription pillar recalls Xianlang, and the "Han Palace Inscription Pillar" refers to the outstanding appearance of officials and is praised by the emperor. Zhao Qi's "Three Auxiliary Decisions": "Changling Tian Feng... When he entered the ministry, the Ling Emperor sent it to him, because the pillar of the inscription hall said: "Tang Tang Hu Zhang, Jing Zhao Tian Lang." ”
The neck link or the use of Su Wu allusions, Beihong with letters, Su Wu was able to return to the Han Feudal Marquis. The maid Tian Xiang expressed diligence and busy business.
Tail Lian expressed his true thoughts, Li Ji compared himself to Yang Xiong, my talent is not bad, buddy has the opportunity to help introduce it.
Ming Dynasty Tang Ru inquired about the "Compilation of Ten Collections of Tang Poems" evaluation:
"Liu Shu La Yue" is to send Si Xun into the Dynasty, the body is suitable for the Tai Pavilion, mainly elegant and high-hua, the whole article is calm, and the style is not fake. If "things are dying", then one is sad, the talent is revealed, and it is shallow than "flowing", and there is no victory. It's easy to appreciate, and the style is hard to know. Tibetan talents love style, its "flowing moon" huh? Tibetan style for talented people, its "things in the death of people" huh?
Tang Ruqian believes that this poem is "a person who hides talent and loves style", and its style is "elegant and elegant, and the whole text is calm". Hu Yinglin believes that this dry poem is "extremely majestic but not stupid". It seems to say that the poem uses the canonical and precise, the metaphor is appropriate, and the act of dryness is subtle and subtle, not humble and unobtrusive.
At the same time, criticism of the "Five Former Residences of Tilu" was put forward, and we look at the following song "Hidden Style in The Talented People".
2. The Fifth Former Residence of Tilu (Tang Li Ji)
Things are in the period of death and no sight, and the idle court is full of sorrow. The green bamboo in front of the window is empty, and the green mountains outside the door are as old as before.
Looking forward to the autumn falling leaves, the dead willows and the cold birds. Yi Jun's tears flowed in the east, and the flowers of the years knew who they were.
The old house is still there, but the people are no longer there, and I can't help but feel a little sad here. In the middle of the diptych, the green bamboo is overgrown in the near distance, the green mountains are still in the distance, the leaves are falling in the autumn wind, and there are jackdaws nesting on the dead willows. The tears of longing are like rivers flowing in the east, and for whom are the flowers blooming every year?
Regarding the bad points of this seven laws, the Qing Dynasty poet Qu Fu 's Tang Poetry into the Law" commented:
Tongshou is mediocre, without a single taste, "bamboo", "willow", "falling leaves" are more complex, more often built "Su Wang Changling Hermitage" Five laws of the clouds and heavens.
Qu Fu said that the whole capital has no highlights and no poetry, and that "bamboo", "willow", and "falling leaves" are somewhat repetitive, and the imagery lacks change. Compared with Chang Jian's "Su Wang Changling Hermitage", there is a world of difference, let's look at Chang Jian's five laws:
The clear stream is unfathomable, and the only hidden place is lonely clouds. The pine dew is slightly moonlit, and the clear light is still the king.
Maoting su flower shadow, medicine yard moss pattern. Yu Yi thanked the time to go, the West Mountain Crane Group.
Compared with Chang Jian's "Su Wang Changling's Hermitage" and "The Five Former Residences of Ti Lu", the first thing is to have a thought: Yu Yi Xie shi go, the Western Mountain Luan Crane Group. These two sentences are used in Jiang Yan's "Denglu Mountain Incense Burner Peak": "This mountain has a group of luans, and the immortals come and go", and Chang Jian said that I also want to be with the cranes and immortals, indicating that I want to go into hiding. This is the author's own feeling, but also the admiration for Meng Haoran.
This kind of thinking is not seen in the "Five Former Residences of Ti Lu", and Li Ji is only sad.
First link: Qingxi is unfathomable, and the hidden place is only lonely clouds. The stream is far-reaching, and the lonely clouds are friends, setting off the hermit's height with the scenery. Reading the second sentence will remind people of the poem of Tao Hongjing, a hermit of Qi Liang: What is in the mountains? There are many white clouds on the ridge. It can only be pleasing to oneself, and it is not enough to hold the gift.
The middle diptych is also mostly a plant image, with trees, flowers, and mosses. There is moonlight in the high place, there are flower shadows in the flat, and there is moss in the lower head. Qu Fu criticized Li Ji's poetic imagery of "Fu Shi", or are bamboo and willows tall plants? The scenery of the middle of Li Ji is far and near, and most of the poets look up, and there is no high and low level of constant construction.
In addition, the moss pattern of the medicine house has the meaning that the people of the past have gone, otherwise it will not produce too much moss. The phrase "the clear light is still the king" is full of affection, the Si people have gone, and the moonlight still shines on the old residence. Note: The sentence "Qingguang" is incorrect, and this phenomenon is often found in the Five Laws of the Chusheng Tang Dynasty.
Compared with Li Ji's "Five Former Residences of Lu Lu", Chang Jian's "Su Wang Changling Hermitage" has four links, each of which has a deep meaning.
<h1> Conclusion</h1>
There are only a few poems of Li Qi's Seven Laws, and the Tang and Song dynasties do not attach much importance to Li Qi, and most of his ancient poems are selected in the anthologies, and his seven-word poems are not seen. In this article, all of them are evaluations after the Ming Dynasty, and Li Qi was admired by Hu Yinglin and Li Panlong of the Ming Dynasty, especially Li Panlong's influence on the literary circles of the Ming Dynasty for more than 20 years, and his influence was until the early years of the Qing Dynasty.
The ancients also often commented on poetry when the gods and immortals fought, so that my generation did not know what was right and wrong. However, it should be noted that the ancient commentators were all poets, and their evaluations were observed from the eyes of poets, whether they were praised or disparaged, they were worthy of our reference.
At the end, according to the custom, he composed a poem of seven laws and rhymed with "Su Ying Gong Zen Room Wen Fan": Cen, Lin, Heart, Deep, And Seek.
"Seven Laws of You Zhanshan Temple":
Sandalwood is surrounded by Zen forest, and the sea seal is full of cui cen. The bamboo courtyard hides the suspicious path, and the lotus pond smells the Fan Dingbo heart.
The monks on the ridge can be given gifts, and the crane goes to the shadow of the building. Color is empty is color, and the corridor looks at this door deep.
@Old Street Taste
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