Those calligraphers ~ 539
<h1 class= "pgc-h-arrow-right" > Zhu Lesan's uncle is Wu Changshuo, zhu le three brothers and sisters eight, everyone is proficient in poetry! </h1>
Text/Lu Xiuhui
Zhu Lesan's father, Zhu Xianzhuang, was a Xiucai during the Guangxu period of the Qing Dynasty. Adhering to the ancestral precept of cultivating and reading heirlooms, he devoted himself to cultivating and reading for a living, and the four big characters of "cultivating and reading heirlooms" on the lintel were handwritten by Wu Changshuo himself. He opened a private school in his home, called "Nine Rooms Library", and hired Mr. Liang Shushi, a famous reader in the local village, to teach. The number of students remained at about eight or nine, and there were more than a hundred before and after them. Among the students were their own sons, as well as Hu Zongnan of the first phase of the Whampoa Military Academy, Zhu Wei of the sixteenth period, and others. Zhu Xianzhuang has a calm temperament, is good at poetry, and can also be good at writing and painting than seal carving.
Zhu Xianzhuang had eight children, six sons and two daughters, and his uncle was the famous Wu Changshuo. His uncle's strong genes made his nephews and nieces able to write poetry. The eldest Zhu Wenwei, good at reading, good memory, good at poetry, first for the county middle school Chinese language teacher, and then became a tax official; the second oldest Zhu Wen Rhyme, also known as Zhu Wen Yun, good at poetry, books, paintings, printing, can be called the four best, well-known at home and abroad. He was one of the pioneers of modern art education; the old three literary arts, injured when they were young, had some inconveniences. Yu Xi composes poems and chants one day at a time. He and Pan Tianshou were classmates at the Zhejiang First Normal School and were known as the "Poets of Tianbei". He has published "Yi Orange Garden Poetry Banknote" and "Art Orange Garden Poetry Collection", which was praised by Guo Moruo as "huohou is quite deep, five words are better than seven words, simple and Tang flavor"; the old fourth Zhu Wenxuan, that is, Zhu Lesan, the young sick body, studied medicine and self-treatment, and then followed Wu Changshuo to learn painting, becoming a generation of famous artists; the old five Wencui, living in literature, taking teachers as their profession; the old six Zhu Wenhua, who had lofty ambitions since childhood, was later admitted to the Seventeenth Phase of Huangpu. During the War of Resistance Against Japanese Aggression, he worked in the postal department; the eldest daughter, Zhu Wenhui, and the younger daughter, Zhu Wenlan, were married after graduating from high school and also had the talent for poetry and painting.
When Zhu Lesan was 14 years old, he was able to compose poems and write, and because the family set up a museum, there were often neighbors who came to write literary and ink matters such as the Plaque of The Yang Lian, and his father made him socialize. Zhu Lesan was thin and weak from an early age, and his father ordered him to specialize in medical books, so that he could practice medicine for a living in the future and take care of himself. When he was 18 years old, he wrote a self-portrait with a poem:
Such a skeleton with blue eyes,
The wind and dust fell to the negative Confucian name.
Clever every time there is no mistake,
Careers eventually lose and ambitions are achieved.
Po Le short coat from the battle,
He Zengchang went to the Secretary of State.
Twenty-nine years hurriedly passed,
Don't whip the ancestors first.
In 1919, when Zhu Lesan was 19 years old, he studied at the Hangzhou Traditional Chinese Medicine College. The following year, he transferred to the Shanghai College of Traditional Chinese Medicine, where he was awarded the principal Ding Ganren and the Confucian physician Cao Jiada. After class, Mr. Ding often took Zhu Lesan to his home for an internship and gave him the opportunity to copy the medical prescription. While concentrating on his medical studies, he studied poetry with the late Qing Dynasty scholar Cao Jiada, a Confucian physician. In his spare time, he never forgets calligraphy and painting, and often learns from teachers and friends.
At that time, the "Journal of Traditional Chinese Medicine" opened a column of "Wenyuan" and stipulated that "the poems of the members (shanghai traditional Chinese medicine association) should be published, and those who submitted articles outside the meeting should not be recorded by the outside of the association with the help of Yuxing." With this as a position, a large number of Chinese medicine practitioners who condensed a large number of elegant poems such as Chen Jie, Zhu Lesan, Yan Yun, Gong Fang, Xu Xianshen, Xu Jiashu, Xu Guan, etc., laid the foundation for the establishment of the Cangshe Society later. The following year, they established the poetry society "Cangshe", and used the publication of the same name, "Cangshe", as its editorial. Zhu Lesan had a special love for poetics and often participated in the activities of the Cang Society with Cao Jiada.
The second brother Zhu Wenyun was also in Shanghai, teaching at the Shanghai Art College, and at the same time, he also worked as a tutor in the home of his uncle Wu Changshuo, Zhu Lesan and Zhu Wenyun lived with his uncle Wu Changshuo in Jiqingli, in addition to concentrating on medicine, he also worshiped his uncle Wu Changshuo as a teacher, became Wu Changshuo's formal disciple, was appreciated by his uncle Wu Changshuo, and was extremely important to him, placed high hopes on him, and praised him for his own charm in his pen. Wu Changshuo once presented the "Bergamot Narcissus Diagram" and a song of five laws:
What medicine can cure the country?
Hesitation is true.
Acquired Qi Pulse,
Materia Medica.
Helu active water,
Endless spring in the Hujiang River.
Frost Red found it?
First class people in The Term.
In the four years that Zhu Lesan and his uncle lived day and night, they not only received personal instruction from their uncle, but also went deep into the Tang Ao, and Wu Changshuo said, "Le San has my charm."
In 1922, the middle brother Zhu Wenyun went to Japan to study and investigate, Zhu Wenyun consulted with the school, let Zhu Le three generations of him teach at the Shanghai Art College, after getting the consent of The Principal Liu Haisu, Zhu Lesan began to teach at the Shanghai Art College, and his teaching methods were praised by teachers and students, and also affirmed by Liu Haisu. In 1923, when the Shanghai Art College established the Department of Chinese Painting, the school invited Zhu Wenyun to serve as the head of the department, and Zhu Lesan taught flowers and birds, calligraphy, seal engraving classes, and later Chinese painting theory, poetry inscriptions, etc. Working with Chen Shizeng, Pan Tianshou and others, he also took the opportunity to ask for advice and discussion from his peer masters.
After 1930, Zhu Lesan successively served as a professor at Shanghai Xinhua Art College, Shanghai Changming Art College, Shanghai Chung Hua Art University and Hangzhou National Art College. In addition to teaching, Zhu Lesan asked Wang Yiting, Zhu Yicun, Zhu Zongyuan, Feng Junmu, Uncle Ren and other predecessors for help. In 1932, together with Jiang Danshu, Zhu Qizhan, Pan Tianshou, Zhang Shuxu, Wu Zhizhi, Zhang Zhenduo and others, he collaborated with Zhong's brother Zhu Wenyun to organize the "White Society". In 1935, when Liu Haisu organized the "Baichuan Calligraphy and Painting Society", Zhu Lesan was also included in it, and became friends with Huang Binhong, Xia Jingguan, Pan Tianshou, Zhang Shanxiao, Zhang Daqian, Wang Geyi, and Xie Gongzhan.
After the outbreak of the War of Resistance Against Japanese Aggression, the family fled and returned to their hometown, and Zhu Lesan wrote poems to mourn him:
Wokou was raped,
Come to the sea.
Who knows the battle front,
He forced Yamakuma to go.
Even the beacon on the amaranth,
Half-robed ashes in Southern Yan.
Where to dive is good,
Gully with Artemisia.
In the countryside, he used his own strengths to seek medical treatment for his neighbors. Because of the Japanese Kou, China gave birth to countless disaster victims, Zhu Lesan even gave medicine to help them, in the land of Sangzi, he was deeply loved by the villagers, and his father and elders praised him. In 1938, the National Art College resumed classes in Yuanling, Hunan. Brother Zhongwen Yun hugged the disease in Changsha and Yuanling Road, and when he became ill and had a lung disease, he asked his younger brother Zhu Lesan to come to him for diagnosis and treatment. In Yuanling, Zhu Lesan accepted an offer from the National Art College to teach at the school. At the end of the year, Brother Zhong's illness became more and more serious, at this time, Mrs. Pan Tianshou was also ill, and the two could not accompany him, so Pan Tianshou had to send his family back to His father-in-law in Jinyun, Zhejiang Province. Zhu Lesan walked with Pan Tianshou and sent the seriously ill zhong's brother Zhu Wenyun back to his hometown. After returning to his hometown, Zhong's brother Zhu Wenyun still died of illness, which made him feel sad and powerless. In addition to his brothers and sisters, he and His brother Zhong were still friends, peers, confidants, and teacher-student friendships, and Zhu Lesan did not think twice, and served as a school doctor, Chinese language and art teacher at Xiaofeng's Second Provisional Middle School in Western Zhejiang and the Second Provisional Teacher in Western Zhejiang.
After the surrender of Japan, in 1946, Zhu Lesan was recruited as a professor at the National Hangzhou Art College (the predecessor of the China Academy of Art) to teach flower and bird painting, calligraphy, seal engraving, painting theory and poetry inscriptions. In the following year, he published books such as "The Painting Collection of Mr. Zhu Lesan", "Selected Poems of Xi Zhai Inscription Paintings", and "Xi Zhai Poetry Copy".
After liberation, after Li Keyan, Li Hua, and Hong Yiran wrote articles criticizing literati painting and advocating new Chinese painting, they threw a huge stone in the Chinese art world, how landscapes, flowers and birds paintings serve workers and peasants, how to serve politics, and the theory of the uselessness of Chinese painting was very popular, and many colleges and universities felt confused. The zhejiang academy of fine arts implemented the policy to the left, the Chinese painting department was suppressed, Zhu Lesan was demoted from professor to academic affairs clerk, and he did copying and writing all day long, he could only attack in his own business and find a new balance. At that time, the price of ancient calligraphy and painting market was extremely low, and Zhu Lesan often accompanied Pan Tianshou and Wu Maozhi and others to patronize the calligraphy and painting market and select valuable works of art for the school.
In 1955, after the East China Branch of the Central Academy of Fine Arts was renamed the Zhejiang Academy of Fine Arts, at the insistence of Pan Tianshou, the Department of Chinese Painting was divided into three families: figures, landscapes, flowers and birds. Zhu Lesan participated in the reconstruction of the Chinese painting department and went to Shanghai to recruit soldiers. On June 12, 1962, when Pan Tianshou attended the National Art Teaching Conference of the Ministry of Culture, he proposed the establishment of a calligraphy major, and the Ministry of Culture approved the establishment of a calligraphy and seal engraving major in the Chinese Painting Department of zhejiang Academy of Fine Arts. After Pan Tianshou returned, he set up a professional preparatory group for calligraphy and seal engraving: Pan Tianshou, Wu Maozhi, Lu Weizhao, Zhu Lesan, Sha Menghai, Zhu Jiaji, and Liu Jiang, a total of seven people, entrusted Lu Weizhao to be responsible for organizing, and the Zhejiang Academy of Fine Arts became the unique calligraphy education position in the national academy of fine arts.
In the "Robbery of The Night", the rebels forced Zhu Lesan to write black materials from Dean Pan Tianshou, but he categorically refused. At that time, there were many people in various places who were investigating historical issues, and the rebels approached him and asked him to write investigation materials from other teachers according to the instructions of the rebels. He inscribed a poem on his painting "Wind and Bamboo" to show his heart:
When the green is four,
Firmly hold the high festival.
The wind is blowing,
Humility is not broken.
In 1979, the Zhejiang Academy of Fine Arts recruited master's degree students in calligraphy and seal engraving, and the elderly Zhu Lesan still took on the burden of mentorship. After 1980, Zhu Lesan successively held the "Zhu Le San Calligraphy and Painting Seal Engraving Exhibition" in Beijing, Shanghai, Nanjing, Guangzhou, Hangzhou and other places. In 1983, a new bridge was built in his hometown, and he was asked to write an inscription, when Zhu Lesan was seriously ill and could not stand, but he still inscribed "Heluoxi Bridge", which was his masterpiece.
In January 1984, Zhu Lesan died of illness at the age of 83
Zhu Lesan is the vice chairman of the Zhejiang Branch of the American Artists Association, an honorary director of the Chinese Calligraphers Association, the vice president of the Xiling Printing Society, the vice president of the Xiling Calligraphy and Painting Institute, and a member of the Standing Committee of the Fourth CPPCC Zhejiang Provincial Committee.
Zhu Lesan is the author of "Xi Zhai Seal Collection", "Zhu Le Three Calligraphy and Painting Seal Engraving Collection", "Zhu Le Three Painting Series", "Zhu Le Three Recent Situation Collection", "Xi Zhai Poetry Copy", "Xi Zhai Inscription Painting Poem" and so on.
Zhu Lesan has a profound achievement in poetry, books, paintings, and prints, and enjoys a high reputation. His profound poetic cultivation often has poetry before painting, and uses poetry to paint and paint to achieve meaning. His paintings are the true biography of Wu Changshuo, who is good at freehand flowers and birds, and works landscapes, with a pen that is vigorous and majestic, raw and simple, dripping with ink, ancient colors, and has a golden stone flavor. The seal carving is also from Wu Changshuo, widely involved in the ancient seal of Han Seal, and also collected clay bricks and tiles, which are cleverly dense, and Park Mao Shenxiong has become his own face.
Zhu Lesan's calligraphy, initially starting from Zhong Xuan, had a hard work on the Tang zhu family, and turned to attack the Han Wei tablets and the Erwang, Ni Zhan, and Zodiac Zhou. His seal book was transferred to a number of benefits, starting from the stone drum script, collecting zhong ding, oracle bone and brick and tile characters, integrating the stone drum script into the oracle bone, turning sharp into round, and developing the seal method. His grass, melting and smelting penmanship, the pen is dashing, the ups and downs are caused, and the posture in the vigor is unique. As he himself said:
Twenty years after the beginning of the study of Zhong Xuan,
Langya Qin Seal two seeking research.
And then from the stone drum to the three que,
One is perfectly natural.
Zhu Lesan (February 14, 1902 – January 29, 1984), formerly known as Wen Xuan (文萱), was a native of Hexi Village, Anji, Zhejiang.
<h1 class="pgc-h-arrow-right" > Lu Xiuhui's original works, welcome to forward and share, do not use for business, violators will be investigated! </h1>
Lu Xiuhui works