Si Cheng edition of "Three Hundred Poems of Tang Dynasty"
The ancients said that the literati were light. The literati know the pain. It is not an overnight achievement to be comprehensive within the prescribed range.
The festival of women's groaning should have been a woman's choice and speculation on emotional entanglements. After reading for twenty years, whenever it is mentioned that "the pearl of the king is weeping, hating not meeting and not marrying", I hate marriage and make people.
The world is unpredictable, after experiencing marriage, I don't understand emotions. Only after experiencing the downfalls did we realize the importance of choice.
Without experiencing choice, it is probably about being spontaneous and trendy. After experiencing the choices, there is a clear conclusion before the eloquence of the existence of the Law can be understood.
In the Romance of the Three Kingdoms, in the plot between Zhuge Liang and Sima Yi, Zhuge Liang sent Sima Yi a woman's dress, which means that Sima Yi is only worthy of being a woman, and you cannot be a commander to humiliate his ability.
Intellectual speech is not free. The literati are like crabs with crab claws, leaving only others to taste delicious. And intellectual speech is too free, and the mind is evacuated, just like the current plague, and the panic cannot last forever.
The real warrior disdains shouting, but in the leap of Qi Ji, with a brilliant and colorful posture to win the opportunity to look back at the world. Even if the future is uncertain, there is no confusion.
At the age of five, Li Bai moved with his father to Qinglian Township in Changlong, Mianzhou (present-day Jiangyou, Sichuan). Twenty-five years old left Shu to roam all over the place. Tianbao was first enshrined in Hanlin, but was soon destroyed and given gold to return. During the Anshi Rebellion, he entered the curtain of Emperor Yongzong's brother Yong Wang. Li Xuan fought with Emperor Suzong for power, was defeated and killed, and Li Bai was implicated and imprisoned, and was later exiled to Yelang (夜郎, in modern Tongzi County, Guizhou), where he was pardoned on the way. Later, Li Yangbing of Yi clan's Shudangtu (present-day Anhui) County died of illness shortly after. In Li Bai's long line of work, Li Qingzhao, who expresses heroic arrogance, is born as a masterpiece, and dies as a ghost male is nothing more than a gentle turn of grief and indignation, and the use of narrative to move with affection, to understand it with reason, to pass on the world with literature, and to use literature to observe the world, which is also the reason for the harmony and changeability of Li Bai's poems.
If Zhang Zhi is wise in taking women, then it can be inferred that Li Bai persuaded him to learn with a red face, and used the growth of two small unsuspecting people as a metaphor for personal effort and mind. Quite a monarch like a rock without transfer, concubines like lotus silk implicated continuously, thousands of miles of green lotus and the true heart of the bright moon.
In the appreciation of survival, Li Bai no longer uses "Will Enter the Wine" to say humor, and asks who left me to spend wine money? Instead, it uses a narrative method to rely on the country, and the words reveal a kind of helplessness and bitterness about the choice of survival.
"Chang Gan Xing Li Bai" - Tang Poetry Appreciation @ Que Wan
The literati's art of war is self-justification and exhortation. Use the guidance method of political work to persuade the people of the world to work with peace of mind and cherish life.
It is often concluded that the organs calculated too cleverly and mistook Qingqing's life. The heart is broken before death, and the sex is ethereal after death. The rich are rather than happy, and eventually there is a family of dead people scattered and galloping. Wasted, the intention hangs in the heart of half a world, good one, swinging three more dreams. Suddenly the horn is like a building falling, and the darkness is as if the lights are about to run out. Yikes! A joy and sorrow. Sigh the world, it is difficult to determine!
Figures:
Si Cheng edition of Zhang's book "Festival Woman Yin" original appreciation