Zhang Zhi, Ghostlight Falling Water Graben

【Reading verses 1857-1863】

[The most underrated Zhang Book] People mention Zhang Book and often praise his music house. Zhang Zhi's most accomplished thing is actually the Five Laws, the words are pure and deep, the meaning is steep and far away, it is not too much to say that it is the crown of the whole Tang Dynasty, it is really a generation of masters. Unfortunately, the reputation is not obvious.

1857 Jibei Lusi

Author:Zhang Zhi【Tang】

Looking at the country every day, empty songs and white words.

Long because of the place where people were sent, I remembered the time when I was another family.

Frustrated and monologue, sentimental only self-aware.

The willow outside the guest pavilion door, folded to the south branch.

Lyrical:

"Changyin sent people to the place, remembering the time when they were not home." Being in a foreign land, I often send people away, but I think of my hometown in the distance, and I think of when I left. From the place of others, thinking of other people's foreign lands, and then thinking of their own foreign lands, thinking of their own homeland, unconsciously, the thoughts have undergone several delicate twists, in addition, these two poems are actually very neat, but they are very easy to reveal. This kind of hunking ability is exactly what makes Zhang Yuan's superiority. It is said that these are Zhang Yuan's favorite two poems, and Fang Hui also praised it as "the first poem in Zhang Siye's collection".

1858 Old Palace people

Song and dance Qinzhou woman, return to the white occurred.

The whole family has no land and nowhere to ask about the countryside.

Miyakin is not passed on, and Mikaku is named.

It is difficult to say to oneself, and it is sad to go from road to passer-by.

The woman was elected to the palace, and when she returned to her hometown, she was already white-haired, but her whole family had gone far away from the frontier and did not know how to find it. Unconsciously, the plain words tell a tragic story. In contrast, Liu Xiyi's "Dai Grief Bai Tou Yin" is written fiercely, making people feel deep lamentations, and Zhang Yuan's "Old Palace People" is completely a heavy suffocation. In particular, the two sentences of "the whole family has no land, nowhere to ask about the countryside", are written very simple, but the sentences are very neat, far better than many gorgeous words, which can really be described as a heavy sword.

1859 No one died

The year before the month branch, there was no whole division under the city.

The man broke the news, and the dead grew apart.

No one collected the waste account, and the flag was returned to the horse.

Wanting to sacrifice the doubtful king, Tianya cried at this time.

Judging from the news of the total annihilation of the army, I am afraid that he is no longer alive, but who wants to easily believe this bad news? "No one collects the waste account", clearly writes a desolate and desperate situation, "return to the horse to know the flag", and a pun turns out a little vitality and hope. These two sentences are excellent for subtle psychology. "Wanting to sacrifice the suspicious king", but also the despair of not daring to believe and unwilling to believe is written very thoroughly, and this pen power can be compared with Lao Du's "book to Ru for people". Zhang Zhizhen is truly a master of realism.

The retired soldier of Yutang only selected this poem of Zhang Zhi into the "Three Hundred Poems of Tang Dynasty", which can indeed be Zhang Yuan's representative work, but unfortunately too few were selected.

1860 Gangnam Spring

Jiangnan willow spring, warm and dust-free.

The ferry has passed through the new rain, and the night has white apples.

Qingsha singing milk swallow, Fangshu drunk tourists.

To the sunset green mountain, who worships the water god?

"There is new rain at the ferry, and there are white apples in the night." When the poet writes poems, when the sun is warm, it does not rain, and it is from the image of "raw white apples" that he keenly deduces last night that "there was new rain at the ferry", which is the subtlety of the good poet's feeling. Ji Yun said that these two poems are more natural than Du Fu's "red into peach blossoms and tender, green into willow leaves new", Xinya.

In contrast, the "Drunken Tourist of Fangshu" is vulgar.

1861 West Building Lookout Moon

The west of the city is upstairs in the moon, and it is snowy when it is sunny.

Cold nights come together, homesick alone late.

The ghostly light fell into the water graben, and the net color was all over the frost branches.

Tomorrow is a thousand miles away, and there is no parting.

The moon is very beautiful, especially when the snow is clear, there are many people looking at the moon - the whole poem lays the groundwork to this, but the poet suddenly turns his words sharply, saying that he is "homesick and late", and the sudden transformation naturally makes people defenseless, which is really a gentle knife. The structure here is so exquisite.

1862 Gangneung Filial Daughter

The filial daughter hangs her hair alone, and the teenager is the only body.

There is no home empty tomb, and the chief priest does not follow people.

Hanging with pedestrians, starting from the old neighbors.

Jiangtou smelled the weeping place, and the silence was chu huachun.

"There is no home empty tomb, and the chief priest does not follow people." The filial daughter is only a single shadow, no relatives can ask for help, and she bears the aftermath of her parents alone. "Hang each other with pedestrians, and start from the old neighbors." These two sentences not only write that the filial daughter is lonely and weak, but also secretly point out that her filial piety touched the heavens, which is why everyone has the help of everyone and writes well. The ending is a distant view, and the poet can still hear her crying when he gets on the boat, as if he has seen "Lonely Chu Hua Chun", and the picture is very tasteful.

1863 Mountain Used Shrine

Spring grass empty ancestral tomb, barren forest only birds fly.

The chronicle stone is there, and the sacrifice is sparse.

Wild rat edge bead tent, dust cover painting clothes.

Recently, the pond water has been black, and I have seen the dragon return.

The stele is still there, but people are very rare, the bland narrative actually contains historical vicissitudes, and Zhang Yuan's poems always hide some inadvertent depth in the seemingly plain. "The country is broken by mountains and rivers, and the city is deep in spring grass and trees." This kind of generosity is Du Fu's skill. "The monument stone is there, and the people are sparsely sacrificed through chaos." This kind of ancient clumsiness is Zhang Yuan's cleverness.

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