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The National Centre for the Performing Arts version of "Honghu Red Guards": revolutionary romantic feelings again

author:China News Network
The National Centre for the Performing Arts version of "Honghu Red Guards": revolutionary romantic feelings again

National Centre for the Performing Arts version of "Honghu Red Guards" Courtesy of the Grand Theatre

Beijing, August 11 (China News Network) "Honghu Lake water, waves beating waves, the shore of Honghu Lake is hometown", on the evening of August 10, the familiar melody sounded at the National Centre for the Performing Arts, and the Classic National Opera "Honghu Red Guards" of the National Centre for the Performing Arts came six times, once again singing this red classic that has influenced generations of Chinese people.

The drama is directed by Zhang Guoyong, Zhang Jigang as the general director, Wang Qingshuang, Wang Kai, Guan Zhijing, Huang Huali and other domestic first-line singers, with a deeply rooted interpretation of the honghu lake in the depths of the Honghu Lake, the group of Honghu sons and daughters who defend their families and have a revolutionary belief higher than the sky.

That night, accompanied by the beautiful melody of the overture chorus "Honghu Water, Waves Hitting the Waves", several Red Guards in the audience struggled to pull up the cables, and the curtain rolled up like a ship' sails, and the ship set sail on the stage. Han Ying, the secretary of the township party played by Wang Qingshuang, is heroic and sleek and has no lack of chivalrous tenderness, in the classic singing sections such as "Honghu Water, Waves And Waves", "No Tears, No Sorrow", "See the World's Toiling People Are Liberated", Wang Qingshuang profoundly grasps the character role, according to different drama plots and character emotions, han Ying stands vividly and three-dimensionally on the stage with a strong voice shaping ability.

Wang Kai, who has participated in many rounds of performances, has a smooth interpretation of Liu Chuang, and his high-pitched and passionate interpretation on the stage interprets Liu Chuang's bold atmosphere and just right, an aria "Big Wild Geese FlyIng South", singing his remorse for his bravery, his thoughts about Han Ying, and even more firm belief in the revolution.

The National Centre for the Performing Arts version of "Honghu Red Guards": revolutionary romantic feelings again

In the play, "Lake Ba" Peng Batian, played by Guan Zhijing, a singer of the Opera Singers' Team of the National Centre for the Performing Arts, shows Peng Batian's indomitable, sinister and cunning viciousness to the fullest. "Stone Slab Planting Flowers Without Roots" seems to be square and simple, but it really tests the singing skills of the performers, and Guan Zhijing's full and thick bass vividly interprets the sense of "Lake Bully" villains.

In the evening, under the leadership of Zhang Guoyong, the Guiyang Symphony Orchestra brought this lively Red Guard battle song to the audience with its precise atmosphere and passionate performance. The Choir of the National Centre for the Performing Arts once again relied on its full artistic appeal to create a group portrait of the Honghu Red Guards who were brave and fearless and not afraid of sacrifice in the magnificent defense of Honghu Lake. (End)

Source: China News Network

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