When it comes to Xuande jars, collectors like its glaze color, followed by its shape and carcass. If you put aside the glaze color and blue and white rendering, many people who play with collection still like the things of the Qing Dynasty.
However, in the view of the collection master Ma Weidu, the jars of the Xuande period, a fine product worth at least 5 pieces of the Qing Dynasty, if nothing else, mainly because the Xuande jars are too rare, and it is even more rare to belong to the fine products.
The following small can of Ming Dynasty Xuande is particularly beautiful in shape, but in the eyes of other collectors, it is not made enough.
However, for Ma Weidu, this Xuande blue and white flower jar is already high-grade enough, whether from the shape or glaze color or blue and white, it belongs to the perfect level, and even is displayed in the National Palace Museum in Taipei.
That is to say, it has reached the level of the museum's collection, this Xuande jar, which has risen 3 times in 2 years, is now worth more than 18 million, and is still rising, belonging to the fine representative of the official kiln.
First of all, let's look at its details, this is a typical lid tank shape, the entire can rim is actually slightly skimmed, but with a small short neck, and then with a flat abdomen. This is a very typical Xuande bronze appearance, and many Xuande furnaces are this one.
Ma Weidu said that this shows a problem, that is, different artifacts on the same timeline, different craftsman spirit aesthetics are consistent. Look closely at this small jar, with a flat bottom with a low hoop foot, and then a button arch lid with a round ball. Just by looking at the style, we know that the tire quality it produces is firm and delicate, which is in line with the production level of the manufacturing office in that year.
Generally, the folk kiln mouth is unable to produce this kind of treasure, especially look at the blue and white glaze color, the whole body of the jar is full of blue and white glaze, and the glaze color of this kind of blue and white is very rich, and it is known at a glance that it is the top production representative at that time.
Zoom in on the details, you will find that many of its places are actually with black and brown spots, this kind of traces left by the times, so that the whole small jar has added some beauty.
Implemented in the painting, the abdomen of the blue and white jar is actually painted with typical tangled peonies, peonies, lotuses, hibiscus, chrysanthemums and other small flowers, which are very exquisite and special. In addition, the bottom and the mouth edge of the small jar are combined with blue and white double circles as a dividing line, which is very beautiful.
Small and beautiful, and it is a rare covered whole device in the Xuande period, it is no wonder that this thing is of high value and is undoubtedly a good thing.