Antique jade handed down from ancient times is a major play, although many antique players like porcelain more, but jade this category, from the development of ancient civilization to the current jade, the development of the entire jade antiques can produce several books.
For professional jade experts, a good piece of jade is not only reflected in the jade quality of the jade itself, but also from the perspective of the cultural background of the jade and the carving skills. In the past, whether a piece of jade can be called a real treasure, every element behind its development can not be less.
A jade double dragon bottle in the Qianlong period, the most special thing about this treasure is that the production process belongs to the top level at that time. Looking at the treasure of more than 300 years ago, this jade double dragon bottle is the shape of a double dragon, and it is a typical thing from the royal office.
Ma Weidu is a master collector, he likes more porcelain, but he can't open his eyes when he sees this jade double dragon bottle, giving an estimate of more than 18 million. From the perspective of the jade itself, it is not worth this price, but from the perspective of the carving process and artistic background of the entire device, it is worth it.
The shape and carving skills, as well as the perfection of the entire instrument, the beautiful inner strength is the most eye-catching place of this green jade double dragon bottle. Zoom in on the details, we take a closer look, this piece of jade treasure, in fact, from the details of the enlargement can still clearly feel that it has some ochre spots and blemishes.
That is to say, it is not a top material, but from the perspective of craftsmanship and craftsmanship, it is a unique existence.
It can be described as small and large, and the format of this oval bottle is very unique, not to mention that it is still a treasure with a lid. It shows that it is very perfectly collected and belongs to the representative of orderly circulation. After all, it was a plaything belonging to the royal family members in the palace, so the carving of the body of this treasure is very gorgeous.
The body of Ssangyong is very wonderful, and the entire outer wall of the bottle is created in the form of high relief. The boldness of the craftsmen is matched with the fineness of the manual skills, and the details of the whole double dragon grabbing beads are vivid, especially with some cloud patterns, which is very praised.
I have to say that although the aesthetics of the ancients are relatively traditional, they have a unique way of thinking that is open in the tradition. The theme of the double dragon, one is winding in the direction of the mouth, and the other is attached to the bottom edge. SsangYong reached an admirable aesthetic.