Playing antiques is also divided into categories, ma Weidu once said that those who play with jade look down on playing miscellaneous items, and those who play with calligraphy and painting look down on playing with jade. In fact, these words also belong to a kind of "inner volume" that appears in the antique industry!
Of course, this is a good thing, after all, every collector habitually presents his best treasure in front of other collectors.
The phenomenon of inner volume is there, and there are also high and low in the antique field, and with high and low, it is naturally indispensable to have inner volume.
Especially when you encounter a very good treasure, you can have a laugh, and if you can't have it, you suspect that it is fake and a fake.
Let's take a look at this amphora pot during the Qianlong period, this piece of equipment can be said to be the strongest representative of Qianlong craftsmanship, the value of its works is 8 million, the average person must not be able to have, and this heavy instrument does not flow to the folk, for the museum collection.
This treasure from the Qianlong period is named tangled flower amphora.
First of all, from the perspective of instrument type, this belongs to Qianlong's heavy weapon. For ancient craftsmen, it was easier to make large round heavy tools than to make flat large heavy tools. And such a blue and white flat mound represents the highest technique of the craftsmen at that time.
Of course, it is not surprising that we see this kind of blue and white flat mound in the prosperous qianlong dynasty, after all, the level of people has reached this level. Back to the topic, the blue and white flat mound has a unique shape, and there are ears on it. This shows that its value and rarity are already very high.
In addition, looking at the fabric of blue and white, the blue and white hair color of the whole blue and white flat is very pure, and it belongs to the level of full work. There is no doubt that this pot must have been the treasure of the manufacturing office at that time, and it was a typical official kiln product.
The whole front is a giant dragon, and it is soaring. In particular, in the middle is a giant dragon painted with five claws, which looks super fierce.
According to Ma Weidu, among all the treasures of the qing dynasty, the dragon painted in the Qianlong period was the most complex and beautiful, and the appearance was the most fierce. After all, it is a treasure that belongs to the prosperous world, so the ornamentation is also the top and most exquisite.
To say that it is a dragon is to say that it is a wandering dragon, and it leaps and leaps and flies in a majestic manner. Looking at this treasure from a distance, you know that it is not simple, and it is normal for private players to not have it.
Netizen evaluation: There are too few good things, but unfortunately ordinary people can't have it, and treasures like this can only be owned by court people in ancient times.