Bian Xiao, born in 1971, is a native of Qingyang, Gansu. First-class actor, artistic director of Shaanxi Provincial Academy of Opera. He has won the 21st Chinese Drama Plum Blossom Award, the Wenhua Performance Award of the Ministry of Culture of the People's Republic of China, the 21st and 29th Shanghai Magnolia Awards Lead Actor Nomination Award, and the 22nd Shanghai Magnolia Awards Supporting Actor Award. The main workers Xiaosheng and Xu Sheng, who starred in "Official Goose Love Song" and "Bittersweet Village Official", have won the "Top Ten Fine Repertoire" of the National Stage Art Quality Project. Representative works mainly include "Guanxi Confucius", "Official Goose Love Song", "Bittersweet Village Official", "Xi Narrow Long Song", "Great Qin Wengong", "Folk Music", "Mai Ji Sacred Song", "Lily Blossom", "Dunhuang Soul", "Su Wu Gui Han", "Homeland", "Dunhuang Love", "Dream Back to Longxi Hall", "Su Ruolan", "Xuanyuan The Great", "False Son-in-law Riding the Dragon", "Feng Luochi", "Zhou Ren Xian Sister-in-law", "Yuanmen Chopper", etc., and has participated in the opera movies "Hai Rui Taming The Tiger" and "Zhou Ren Huifu".
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Shaanxi Provincial Academy of Opera
From the art of nearly 40 years of Bian Xiao, his performing arts are full of a sense of the times, he said, opera art to inherit, to develop, must have a sense of the times, to keep close to the times, in addition to the theme of the repertoire, the performance and singing of actors, need to let young audiences be able to understand and understand. In the face of the aging of the opera audience, Bian Xiao bluntly said that although there are many reasons, the most fundamental problem is the performance of the actors on the stage, or to perform the play well, good drama, good things, good things, good works, it is common, only to impress the audience, the audience will like. Many fans of the opera fell in love with opera because they watched a famous artist or a wonderful performance. There are many reasons why opera has become a niche culture from the early mass art, and as a person engaged in this business, we must also face this, and what we need to do is to stick to it, provided that we sincerely love it. If a person engaged in this profession does not love this, and regards this as a means of mixing rice, this is not a good job, and it is necessary to withstand many temptations in order to stick to this position.
Bian Xiao's "Ertang Shezi" is fully folded
Excerpt from Bian Xiao's "White Forced Palace"
Editor/Liu Jun Review/Yang Yao Final Review/He Jun