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Not long ago, I chatted with the teacher Li Mingying of the Provincial Drama Association, asked about the old man, and learned that the old man had passed away last year, and felt guilty in his heart. There were several phone calls to see him, but they were rejected by the old man, and then no one answered the phone.
The old Cheng in my mouth, the great name Cheng Du, died at the age of 93, a native of Xianyang, Shaanxi, an old predecessor of the Shaanxi Dramatists Association, who has been in the Shaanxi opera circle for a lifetime, who is upright and dares to speak the truth... My understanding of Cheng Lao is nothing more, and the influence of Cheng Lao on me will benefit me for a lifetime.
The first acquaintance with Cheng Lao was in 2013 when "Night Talk Qin Cavity" was just launched, and the program was carrying out the special topic of the Wenhua Award. In the program, my eight-word comment on a certain drama "sensationalism and self-defeating" gave me the privilege of getting to know Cheng Lao. Elder Cheng later told me that he was lying in bed listening to the program that night, and he got out of bed and stood up to applaud me. Since then, in the few years of interacting with Elder Cheng, his thinking on the development of Qin Cavity and his upright personality have deeply affected me. Give me recommendations, help me contact interview guests, tell me to do the show to have courage and courage, encourage me to speak out, dare to speak, and even at my invitation to speak out in the show... All of this has benefited me a lot, and also made "Night Talk Qin Cavity" more audible.
That year, Elder Cheng forwarded me a copy of the "Xi'an Drama Chronicle" that Yan Minxue had just given him, and left such a passage on the title page: Foolish to the time when "old age and old age" were really unwilling to inherit the Qin Cavity, but they were useless and incompetent, so they transferred this book to Comrade Liu Jun, who was born and willing to learn and dare to speak, to comfort my heart. The money is Cheng Du, an old dramatist.
Teacher Xiao Yuling, a famous Qin scholar, once said to her students before she died that the advantages are not said to be impossible to run, and the shortcomings are not to be said to be impossible. On the road of the development of the Qin Cavity cause, it is too necessary for the old predecessors like Cheng Lao to take the helm of it, lead the Qin Cavity art to the source, and plan the horse to raise the whip.
"I wish you health and longevity" the blessing was not sent, but heard the news that you drove the crane to the west, regret and guilt, thank you for your encouragement and praise before you died, I will abide by the teachings, go forward bravely, I wish you all the way.
Group photo with Elder Cheng and Teacher Li Xilan Du Yongquan
Group photo with Elder Cheng and Mr. and Mrs. Zhang Xuanhua Huihua
I visited Teacher Lei Zhenzhong with Elder Cheng
Liu
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/ Cheng Du /
People get older, sleep less, and listening to the radio in the middle of the night has become a habit of mine. The Shaanxi Opera Radio "Night Talk Qin Cavity" column, listening to it, became its loyal listeners. Speaking of this column, it is inevitable to mention the host Comrade Liu Jun. It is not easy for a Shanxi boy to host "Night Talk Qin Cavity" to the current high level, which makes me, an eighty-five-year-old drama old man, very pleased and very moved. I think his successful experience is mainly the following three points:
First of all, seize all opportunities to learn from experts and scholars, and learn from famous and old artists.
Famous and veteran artists in the theater industry, such as Wang Xiaomin, Su Yusheng, Yang Wenying, Zhang Xiaobin, Wang Guojie, Ma Lanyu, Wu De, Li Xilan, Zhang Yonghua, Cai Zhicheng, Liu Xinmin, Chen Kunfeng and many other celebrities and many predecessors of the provincial and municipal Qin Cavity Circle, are his mentors and friends. Frequent meetings and long conversations have formed a close relationship of mentors and friends. The conversation process enriched his knowledge of Qin Cavity, which had a direct boosting effect on his hosting of "Night Talk Qin Cavity". Xiao Liu studied diligently and humbly learned that he had formed a consistent style of personal life and work, learned the hosting style from colleagues and teachers such as Tong Baoqian, and continuously improved his hosting level; conscientiously studied the strengths and advantages of many dramas such as Peking Opera, Kunqu Opera, Hebei Zizi, Yu Opera, Yue Opera, Shanxi Zizi, etc., and improved the content of his column by drawing on the interludes and enriching the content of his columns.
Second, give full play to the characteristics and characteristics of the dynamic form of the column "Night Talk Qin Cavity".
The advantages of the dynamic form of this column provide sufficient time and space, and Xiao Liu seized this opportunity to launch eighteen large-scale series of features that have deeply rooted in the hearts of the people in less than two years. For example, the series of special topics on "Looking for the Qin Cavity Genre" by Liu Yuzhong, Su Yumin, and Li Zhengmin, the three flagship figures of the Qin Cavity, have aroused high praise from people in the industry and opera fans; and with the theme of the birth, Dan, Purity, and Ugliness of the opera industry, the "Qin Ugly", "The First Card Xusheng", "The First Card Xusheng", "The Flower Face of the Qin Cavity", and "The Famous Dan of the Qin Cavity", involving 31 top-level artists in various professions, making the famous ugly Tang Di vulgar, Fan Xinmin, etc., the famous students Kang Zhengxu, Qiao Xinxian, etc., the famous Dan Li Aiyun, Xiao Yuling, etc., Artists such as Mingjing Tian Denian, Zhang Jianmin, and Zhou Fuguo were fully displayed in front of and behind the stage, and the stories inside and outside the play were fully displayed, leaving a deep impression on the audience and greatly responding. In each program, Xiao Liu recorded many parties and invited experts to enter the column, which enhanced the historical and audible nature of the program. Whether it is a series of special topics about the Wenhua Award or a special topic about grass-roots troupes, it objectively reflects the strengths and difficulties of grass-roots theater troupes, and calls on management departments and superiors to tilt to grass-roots theater troupes from the aspects of funds and other aspects. The above points have produced great repercussions in the northwest and even among peers and opera fans in the country, and have played a positive role in the revitalization of Qin Cavity, with remarkable achievements and indispensable contributions! Since the beginning of autumn, the traditional plays have been played in a special way, and the history and current situation of traditional plays have been interpreted in an all-round way, such as "Xia Hedong", "The Great Revenge", "Yutang Spring", "Qingfeng Pavilion", "Dou E'e Grievance", "You Guishan", "Zhuangyuan Media", "Tanuki Cat for Prince" and other 27 plays.
Cheng Lao donated books
Third, adhere to the tradition, watch over the Qin Cavity, and make the development of the Qin Cavity move towards the correct direction, which is invaluable for a young host.
There are many examples in this regard, such as the whole broadcast of the "Wenhua Award" competition, not only the whole topic is broadcast, but also the broadcast has comments, trying to say enough about the merits of the results, and cleverly and sharply putting forward shortcomings and mistakes, not engaging in one-sidedness, echoing with the voice, and following the clouds, showing the courage and courage of the host. Many fans of the opera said through the hotline interaction that "Night Talk Qin Cavity" is a rich Qin Cavity feast. Another example is the special broadcast of the "Su (Yumin) School Inheritance Seminar" sponsored by the Provincial Department of Culture, which broadcasts and affirms the art of Su Yumin, the founder of the "Su" school. The speeches of experts and scholars at this seminar, such as Su Yusheng, Cai Zhicheng, Wei Yiyi, Liu Xinmin, Zhang Tao, etc., were broadcast after post-editing, and played a certain role in inheriting, carrying forward, and learning from the Su school. In particular, it is worth mentioning that my exciting speech of "One Icon, One Hundred Years of One Man" has aroused a fierce response from the industry and fans. Among them, the participants who are still alive, if they do not rush to catch up, grasp the inheritance, so that the Su school art is lost, and the speeches of thousands of sinners have won the warm applause of the whole audience, and this appeal has also attracted the attention of all sides.
All in all, Comrade Liu Jun is a host who adheres to his profession, sticks to his position, is upright, and is diligent and upward, and his talents are rare. As an old man of drama over eighty years old, I earnestly hope that the leader will cherish his talents and pay close attention to training, so that he will become a host of "excellent morals and arts"! (as of 2015)
Author/Liu Jun Review/Yang Yao Final Review/He Jun