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Fan Zidong's "Three Drops of Blood" Active Imagination and Superhuman Artistic Creation Vitality (with wonderful video)

Fan Zidong's "Three Drops of Blood" Active Imagination and Superhuman Artistic Creation Vitality (with wonderful video)
Fan Zidong's "Three Drops of Blood" Active Imagination and Superhuman Artistic Creation Vitality (with wonderful video)
Fan Zidong's "Three Drops of Blood" Active Imagination and Superhuman Artistic Creation Vitality (with wonderful video)

Mr. Fan Zidong is knowledgeable, experienced, quick-witted, versatile, and known as "Qinzhong Talent", worthy of the name. His "Three Drops of Blood", in the "Notes on Reading Wei Caotang", only a brief record of "Blood Drops and Judgment Cases", no plot, no characters, but he has the wisdom to see gold, taking the "Drop of Blood" as an opportunity, pulling and pulling, sticking and sticking, giving birth to a rich and full complete story, sometimes hilarious, sometimes exclamating, fascinating, interesting, showing his active imagination and superhuman artistic creation vitality. Among them, "Tiger Mouth Edge", but an "interlude", he wrote vividly and lively, emotionally interesting, unexpectedly became a long-standing folding play, especially Zhou Tianyou, Jia Lianxiang, two young boys and girls obsessed with the portrayal, but the wonderful Portrait, conveying the spirit decently, so it has become a performance masterpiece of Chen Miaohua and Quan Qiaomin, and Mr. Fan's "the basis of a play" has made outstanding achievements.

Fan Zidong's "Three Drops of Blood" Active Imagination and Superhuman Artistic Creation Vitality (with wonderful video)

The image shaping of Jinxinshu is the most dazzling shining point of "Three Drops of Blood". In the 1950s, it was performed in Beijing and other places, and some commentators believed that it could be compared with the excessive persistence of the Kunqu opera "Fifteen Guan". In my opinion, the aesthetic value of the image of Jinxinshu is really higher than that of too much persistence, because too much persistence only shows the "too stubbornness" of a feudal bureaucrat, which is obviously monochromatic, while the Jinxinshu is ridiculous, arbitrary, ungodly, self-made, not smiling, a serious book, and so on, which is a typical example of multi-color self-deprecating "black humor". The Jin Xin Shu is not only different from the excessive persistence, but also different from the Xu Jiu Jing of the Peking Opera "Xu Jiu Jing Sheng Guan Ji" that appeared in the 80s, Xu Jiu Jing is an out-and-out "ugly dress", and the Jin Xin Shu is "born ugly and combined", if you remove the face, it is not impossible to say that it is "Xu Sheng". As far as I can see, I think that the image of Jin Xinshu is unique, chic and profound, which is the "drama" of "Three Drops of Blood", and also reflects the philosophy of "Three Drops of Blood" that "it is better to believe in books than to have no books". This play was written around the 1920s, that is to say, as early as 80 years ago, Mr. Fan used his screenwriting practice to realize what Engels called "typical characters in typical environments", a realistic literary and artistic creation proposition. The image of Jin Xinshu also pushed the performance of the Qin Cavity Clown to the extreme, singing Su Mumin in the early years, and later singing Fan Xinmin, their Qin Cavity Ugly style, which can be called the only leader. (1998)

Fan Zidong's "Three Drops of Blood" Active Imagination and Superhuman Artistic Creation Vitality (with wonderful video)
Fan Zidong's "Three Drops of Blood" Active Imagination and Superhuman Artistic Creation Vitality (with wonderful video)

Qin Cavity

Movie

Three drops of blood

Fan Xinmin / Liu Yuzhong / Meng Shuyun / Chen Miaohua / Xiao Ruolan / Quan Qiaomin

Lei Zhenzhong / Kang Lan / Zhao Guilan / Yang Tianyi / Sun Liqun / Wu Minzhong / Wu Ximin

An excerpt from Yang Wenying's "Is a True Celebrity From the Wind"

Editor/Liu Jun Review/Yang Yao Final Review/He Jun

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