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The above group of paintings is Mr. Tao Yiqing's Lijiang landscape works, he adopted the traditional "big to see the small" treatment method in his painting creation, writing gods in shape, and enlivening the essence of the Li River on paper. The strange realm of Yanlan Qingqi, portrayed by Mr. Yiqing's hand, is also feminine.
Tao Yiqing: Born in 1914, formerly known as Wentong, Zhai Number Supplementary Zhai, good at landscape painting, is a famous modern Chinese painter in mainland China, known for landscape painting. He graduated from the Beijing Jinghua Academy of Fine Arts in 1934 and later taught at the Kaifeng Dongyue Art Normal School and the Beijing North China Middle School. In 1962, he was transferred to the Chinese Painting Department of the Central Academy of Fine Arts to teach Shanshui.
In 1956, he participated in the Long March Route Sketching Mission organized by the Ministry of Culture of the Central Military Commission to collect materials for the creation of Long March scrolls. His works have participated in previous art exhibitions in China and have held many solo exhibitions.
In 1958, he participated in the plastic art exhibition of socialist countries. His works have participated in many art exhibitions in the Federal Republic of Germany, Italy, the United States, the United Kingdom, Japan, Thailand, Lugara, Austria, and his works are collected in museums in Finland, Sweden, Japan, Italy, the United Kingdom and other countries, as well as museums and art galleries in various provinces and cities in China.
The Tianjin History Museum has 18 landscapes. A large number of printed materials have been published in China, and "Tao Yiqing Painting Series" and "Tao Yiqing Taishan Sketch Collection" have been published.
Mr. Tao Yiqing's cool patriotic painting, from an early age to learn tirelessly, often from early morning painting to late at night, in the process of painting, the southern and northern Song dynasties and famous works carefully pondered, repeatedly specialized in copying, deliberation. Taking the strengths of each family, the painting schools of the Southern and Northern Song Dynasties are fused into one furnace and combined with real life to form a school of its own.
Mr. Tao's works have the magic of "looking at its momentum from a distance, receiving it closely", and the pen and ink are both beautiful and spicy. He likes to make big paintings, meticulous brush and ink, rigorous conception, and innovative green color on the basis of tradition, which is praised by people at home and abroad.
Mr. Tao Yiqing's landscape works have both elegant charm and the temperament of the times, and his works, whether they are peaks and peaks, roof characters, or flying springs and waterfalls, floating clouds and distant sails, all reflect the painter's devotion and admiration for the traditional painting conception.
At the same time, the painter also gets creative inspiration in the practice of life, in order to collect more materials, the painter traveled all over the country, Guilin Li River, Yangtze River, Wujiang, Taihang Mountain, Huangshan Mountain, Taishan everywhere left his footprints. His works are natural, without any carvings, and the works are full of the beauty of nature.
On the basis of inheriting the tradition, his painting style has changed day by day, and the famous painter Mr. Li Keyan once said, "Every time I see Tao Lao's paintings, they are really changing more and more wonderful, and the more perfect they become." ”
In terms of composition, he pursues a more complex artistic conception from complexity to simplicity, and summarizes it with a very concise pen and ink concentration. At the same time, he advocates novel ideas, composition never overlaps, is known as a hundred maps and hundreds of auspicious, and the creation pays attention to the integrity of the picture, so his works are magnificent, the rendering of clouds and smoke is more unique, and he uses pen and ink to express his feelings about the natural world. His works are colorful, ink is flying, ink and dyeing are layered, and the green landscape is gorgeous and vulgar, and the depression is full of vitality. The relationship between pen and ink color and color is seamlessly coordinated.
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