Both square and round, dignified and dignified
Western Zhou Dynasty Inscription
Da Lu Ding, also known as the Twenty-Three Qi Lu Ding, was a metal cooker in the Western Zhou Dynasty. It was excavated in 1849 in Licun, Yuxian County, Shaanxi (now a group of Yangjia Village, Changxing Town, Mei County, Baoji City, or Lijia Village). It was held in the Shanghai Museum in 1952 and transferred to the Museum of Chinese History (now the National Museum of China) in 1959. It is the first batch of cultural relics in China that are prohibited from going abroad (border) for exhibition.
Ding is a tool used by ancient people in some ancient places to cook meat and store meat, and is one of the important bronze ware species in ancient times. It is 101.9 cm high, 77.8 cm in diameter and weighs 153.5 kg. The apparatus is thick and erect, folded, with a mouth, the abdomen is transversely wide, the wall is obliquely open and droopy, the curvature near the outer sole of the foot is small, and the lower three-hoofed foot is underneath. The vessel is decorated with a cloud thunder pattern, the neck is decorated with a ribbon-like food pattern, the upper part of the foot is decorated with a relief-type food pattern, and the lower part is decorated with two convex string patterns, which is a typical style of large and medium-sized Ding in the early Western Zhou Dynasty, which is majestic and solemn. The inscription cast on the inner wall of the vessel is 19 lines and 291 characters, which records the matter of the nobles who were ordered by King Kang of Zhou in September of the 23rd year. The Great Luding truly reflects the social situation at that time and has extremely high historical value.
Da Lu Ding, excavated in the Light Dynasty of The Qing Dynasty (1849 AD), was excavated in Li Village, Yu County, Shaanxi Province (now a group of Yangjia Village, Changxing Town, Baojimei County, that is, Lijia Village), and was sold to the cultural relics market after being excavated. It is a heavy vessel in the early bronze ceremonial vessels of the Western Zhou Dynasty, named after the famous vessel of the chancellor during the reign of King Kang, and the small cup that accompanied it was already in place.
Yang Jian Lingu series
"Linxi Zhou Da Lu Ding Inscription"
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Yang Jian's seal book six screens "Linxi Zhou Da Lu Ding Inscription"
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Song Jinjian, the richest man in Qishan during the Daoguang period of the Qing Dynasty, bought the bronze ding, because the shape of the instrument was huge and very eye-catching, and the ding was soon occupied by Zhou Gengsheng of Qishan County, who resold the ding to an antique dealer in Beijing. Song Jinjian bid 3,000 taels of silver after the examination for Hanlin and then bought Baoding, and after his death, his descendants sold 700 taels of silver to Yuan Baoheng, an aide to Zuo Zongtang, the governor of Shaanxi and Gansu, who knew that Zuo Zongtang loved to play with literature and did not dare to specialize after obtaining Baoding, and he would soon dedicate Da Luding to his superiors to show filial piety. Zuo Zongtang was an aide to Luo Bingzhang, the governor of Hunan, before his departure, and took care of all the military affairs in Xiang Province. Although it is not noble, it is also quite a spring breeze. Coupled with extremely high self-esteem, arrogance and arrogance, it is inevitable that people will be jealous.
In the ninth year of Xianfeng (1859 AD), Zuo Zongtang was injured by the rumors of Fan Xie, the general of Yongzhou, and was condemned by the imperial court. Fortunately, with the help of Pan Zuyin, who was then a bachelor's attendant, the Xianfeng Emperor Li Bao Zongtang played, and many dots were made, up and down, and Zuo was spared. Pan Nai was a famous collector of gold stones at that time, and Zuo Zongtang gave them a gift after receiving the Great Lu Ding, in gratitude for the grace of rescue that year. Since then, the Great Lu Ding has been treasured by the Pan family. Although some people sometimes covet this Ding, after all, Pan's position is high and powerful, which is enough to save Da Ding. At the end of Pan Zuyin's death, his brother Pan Zunian transported the Great Lu Ding, along with other treasures, from Beijing to his hometown in Suzhou by water. As a relic of the ancestors, Dading is precious and precious, and it is not lightly displayed. At the end of Guangxu, Jin Shi was appointed governor of Liangjiang. At one point, he hollowed out his mind and wanted to take it for himself. All were rejected by the ancestors. But Duan Fang's desire has always been troubled by the Pan family. Until the year of Xinhai, the revolution broke out and Duan Fang was killed. The Pan family and Dading really escaped the difficulties of Duan Fang.
In the early years of the Republic of China, some Americans came to China to negotiate with Pan to ask for Da Ding, and the bid amounted to hundreds of taels of gold. But in the end, it was rejected by the Pan family. In the mid-1930s, the Kuomintang authorities built a new building in Suzhou. The party-state congress members suddenly had a whim, and they wanted to hold an exhibition in the name of commemoration after the completion of the building, and invited the Pan family to participate in the exhibition with Da Ding. In order to occupy the Big Ding indefinitely. However, this clumsy trick was recognized by Pan's family and politely refused to participate in the exhibition.
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When the Japanese invaded China in 1937, Suzhou soon fell. The country will not be a country, and people's lives will be difficult to protect. At this time, Pan Zunian had become ancient. There are no people in the Pan family, all women and children. When the hero came out of the youth, Pan Zuyin's nephews Pan Chenghou and Pan Jingzheng agreed to put Dading and all the treasures into the ground for security. After repeated selection, it was decided to hide the treasure in the hall house of the second courtyard. This is a long-uninhabited idle room, the dust is thick and will not attract attention. The idea had been decided, and the Pan family worked hard for two days and two nights before they hid all the treasures underground. The interior was restored to its original state. In addition to the Pan family, two other helpers and a janitor were involved, both of whom were repeatedly told to keep secrets. Shortly thereafter, Pan's family fled to Shanghai to escape the chaos. For a while, the Pan house became the focus of the Japanese army's search. After repeated searches and digging three feet into the ground, there was nothing to see, and the Japanese army had to give up. During the Japanese occupation, the janitors of the Pan family excavated several small pieces of treasure and sold them to antique dealers surnamed Hong. But Dading was too heavy to move and was spared.
After more than ten years of war, New China was founded. The descendants of the Pan family saw that the people's government attached great importance to the protection of cultural relics, and believed that only such a government could entrust the treasures of the ancestors. After the family's deliberations, Pan Zuyin's granddaughter-in-law Pan Dayu wrote a letter to the Ministry of Culture of East China on July 6, 1951, hoping to donate Da Lu Ding and Da Ke Ding to the state. At the same time, I also hope to put the two pieces on display at the Shanghai Museum. On July 26, the Cultural Affairs Commission sent commissioners to Suzhou accompanied by the descendants of the Pan family, and Dading was able to see the light of day again. In recognition of Pan Dayu's treasure-giving feats and patriotic spirit, the East China Ministry of Culture held a grand award ceremony on October 9. In 1952, the Shanghai Museum was inaugurated, and the Great Lu Ding was housed in this museum. In 1959, the Museum of Chinese History (now the National Museum of China) in Beijing was completed and opened, and the Shanghai Museum was supported by 125 treasures from the collection, including Da Lu Ding. Since then, Da Lu Ding has been included in the National Museum of China.
Although the Da Lu Ding inscription belongs to the early Western Zhou Jinwen, retaining some of the characteristics of the Shang Dynasty Jinwen graphic block fat pen, but the calligraphy is rigorous, the knots and chapters are very simple and plain, with the pen both square and round, dignified and dignified, majestic but beautiful, the layout of the whole thing is seen in the agility, reached a very exquisite degree, is the representative work of the early Western Zhou Dynasty, coupled with the huge shape, dignified shape, thick and majestic, so the work presents a majestic and magnificent pattern, thus attracting the attention of the world.
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Commentary:
In September, Wang Zaizong Zhou, Ling (命) 盂. Wang Ruoyue: "盂, not (Pi) Xianwei King has a great order (order) from heaven, in the King of Xuan(玟玟) State, Pei Xun (厥)hidden (慝), creeping has four parties, 畯正氒 (厥) people, in The Imperial Affairs, 虘酉 (wine) does not dare to be drunk, there are bearded (髭祀) do not dare to disturb, ancient (therefore) Heavenly (Wing) Linzi, abolish the Baoxian King, and have four parties." I heard Yin Shu Ling (Fate), Falcon (Wei) Yin Bian Hou, Tian (Dian) Yan Yin Zheng Bai Pei, leading Yu Yu (wine), Gu (gu) lost shi Wei, female (Ru) sister Chen and (you) big clothes, Yu Falcon (wei) that is, Yuan Primary School, female (Ru) Bu Ke Yu nai one. Now I 遁 (唯) that is, jing (type) 廪 (禀) in the Xuan Wang Zhengde, Ruo Wei Wang Ling (命) two or three positive. Now Yu Falcon (Only) Ling (命) Female (Ru) 盂, Summoning (Shao) 榮敬 to support De Wei (Jing), Min Chaoyue entered the Temple (谏), enjoyed running, and feared the heavens (Wei). Wang Yue: And! Ling (命) female (Ru) 盂井 (type) is the heir and (ancestral) Nangong. Wang Yue: 盂, 廼召 (Shao) clamped to death (corpse) Si Rong, Min Zhen punished the lawsuit, Sui Xi Summoned (Shao) I alone in the four directions, Yan I and its province of the former king received the territory of the people. Yi (Shi) Female (Ru) 鬯一卣, 冂衣, 市 (黻), 舄, Cart, Horse. Yi (賜) Female (汝) Nai and (Zu) Nan Gong Xu ,with hunting. Yi Nu (Ru) Bang Si) Four Bo Ren Mane, Self-Control as for the Shu People, Six Hundred and Fifty and Nine Husbands, Yi (賜) Corpse (Yi) Si WangChen Ten and Three White (Bo), Ren Mane Thousand and Fifty Husbands, Urgently Moved from the Qi (厥) Soil. Wang Yue: 盂, Ruojing) is zheng, do not be 灋 (abolished) 灋 (abolished) 灋令 (命). Lu used wang Xiu, used Zha And (Zu) Nangong Baoding, and 隹 (唯) Wang Shu and three gods.
Yang Jian Lingu "Jie Lin Western Zhou Da Lu Ding Inscription"
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Introduction to Yang Jian's art
Yang Jian, Zi Zhensheng, Zen Stone, Jingyuan Room, Driving Dragon Hall, Qu Driving Xuan, Jingyuan Shulu, Pu Zhai, born in September 1960, From Guangfeng, Jiangxi. He studied with Mr. Hu Runzhi, Fu Zhouhai, Qian Junzao, Hong Pimo, etc., and successively studied under Mr. Chen Zhenlian and Mr. Han Tianheng. He is currently a member of Xiling Printing Society, a member of the Chinese Calligraphers Association, a visiting professor of China Jiliang University, the vice chairman of the Jiangxi Provincial Book Association, the president of Jiangyou Printing Society, the vice chairman of the Shangrao Municipal Federation of Literature and Literature, the chairman of the Shangrao Calligraphers Association, and the director of Wu Junfa Art Museum. CCTV Calligraphy and Painting Channel Seal Engraving Teaching Keynote Speaker.
Calligraphy and seal engraving works were included in the 3rd China Calligraphy Lanting Award Art Award sponsored by the China Book Association, the 4th National Calligraphy and Seal Engraving Exhibition, the 1st International Calligraphy Exhibition, the 1st National Calligraphy and Seal Engraving Exhibition, the 1st National Youth Calligraphy And Seal Engraving Exhibition, the 1st National Seal Book Works Exhibition, the 1st National Hand-scrollEd Calligraphy Exhibition, the 4th National Canon Calligraphy Exhibition, the "Contemporary Book Master System Project" National 100000-Person Calligraphy Exhibition, the Excellent Works Exhibition of Chinese Book Association Members, the 3rd National Fan Calligraphy Art Exhibition, and the 2nd Seal Engraving Appraisal Exhibition of Xiling Printing Society. There are more than 40 major exhibitions at home and abroad, such as the 5th Seal Engraving Appraisal Exhibition of Xiling Printing Society, the 2nd International Exhibition of Seal Engraving Calligraphy of Xiling Printing Society, the 1st China Printing Exhibition of Xiling Printing Society, the 1st Exhibition of RollEd-on Calligraphy of Xiling Printing Society (three items), the first International Cursive Art Exhibition, and the first International Portrait Printing Exhibition.
He won the Silver Medal of the 2nd International Calligraphy Exhibition, the Silver Medal of the New Century Global Chinese Calligraphy Competition, the Gold Medal of the "Golden Dragon Cup" National Calligraphy and Seal Engraving Competition, the Top 100 Calligraphers of the First "Top 100 List" of Chinese Book Circles, and the Most Anticipated Award of the "Calligraphy" List (2009-2010). On December 19, 2012, "Calligraphy Newspaper" focused on the front page with "Nominating Young Powerful Calligraphers"; the second issue of "Chinese Seal Engraving" in 2020 focused on the cover; and in April 2019, it conducted a half-month TV seal engraving teaching on CCTV Calligraphy and Painting Channel.
Calligraphy Newspaper, Fine Arts Newspaper, Calligraphy Herald, Youth Calligraphy Newspaper, China Calligraphy and Painting Newspaper, Hong Kong Calligraphy and Painting Newspaper, Hong Kong Merlin, Xizhi Calligraphy and Painting Newspaper, Chinese Calligraphy, Calligraphy, Calligraphy World, Calligraphy and Painting Art, Calligraphy Appreciation, Contemporary Calligraphers, Poetry and Calligraphy, Youth Calligraphy, Philippine Business Daily, Japan's Calligraphy, Thailand's World Journal, Asia Daily, etc. more than 100 kinds of newspapers and periodicals at home and abroad, as well as China Central Television, Thai television, Jiangxi television and other news media introduced his artistic achievements. His works and papers have been published in Chinese Calligraphy, Books and Paintings, Seal Engraving, Chinese Painters, Modern Calligraphy, Calligraphy Art, Chinese Culture Newspaper and other newspapers and periodicals.
His works have been exhibited and collected by more than 100 museums, art galleries, memorial halls and other professional institutions at home and abroad, such as Xiling Printing Society, national art museum, China International Museum, etc., and selected to be exhibited and collected in Japan, South Korea, the United States, Taiwan, Hong Kong, Macao, Canada, Belgium, Singapore, France, Thailand and other countries and regions, and are inscribed in the Taishan Cliff Stele Forest.
At the invitation of the Thai government, he successfully held a personal exhibition of calligraphy and seal engraving art in Bangkok. And held in Beijing, Zhejiang, Fujian, Jiangxi, Guangdong and other places: Zen Heart Ancient Rhyme Yang Jian Jinshi Rubbing Inscription Calligraphy Exhibition; Zen Heart is Snow Yang Jian Calligraphy seal carving art exhibition; Song Wuyi - Yang Jian Shu Liu Yongzi works exhibition; Yang Jian, Yao Xuezhi calligraphy art exhibition; Ya Yun Collection Huang Jun, Yang Jian calligraphy works joint exhibition; Lingdong Yayun Xiling calligraphy and painting famous artists invitation exhibition; China Xiling ten families gathered in Haining calligraphy seal carving tasting meeting. Calligraphy and seal engraving works have been auctioned at higher prices at high prices in Beijing Poly Auction Co., Ltd., Beijing Kuangde Auction Co., Ltd., Zhejiang Zhongcai Auction House Co., Ltd., Zhejiang Ruifeng Auction Co., Ltd., Zhejiang Dadi Auction Co., Ltd. and other Chinese calligraphy and painting auctions. Published "Yang Jian Calligraphy and Seal Engraving Art" (published by China Art Publishing House in December 2004), "Song Wuyi - Yang Jianshu Liu Yongzi Works Exhibition Catalogue" (published by China Culture and Art Publishing House in December 2005), "Yang Jian Seal Storage" (Xiling Printing Press, December 2006), "Famous Books Classics and Famous Articles - Yang Jian Seal Book Thousand Character Text" (published by China Literature and History Publishing House in July 2013), "Xiling Famous Artist Yang Jian - Containing Gentleness, Wanton Affection" (sponsored by People's Daily) "All Over China" magazine published in September 2017), "Xiling Printing Society Famous Artists Album - Yang Jian" (Published by "Calligrapher" Magazine sponsored by Hebei Provincial Federation of Literature and Literature in October 2017), "Zen Heart is Snow Yang Jian Calligraphy and Seal Engraving Art Exhibition Collection" (published by China Seal Engraving Publishing House in June 2018), "Zen Heart Ancient Rhyme Yang Jian Jinshi Rubbing Inscription Calligraphy Collection" (Published by China Academy of Art Press in October 2020), "Zen Heart Ancient Rhyme Yang Jian Calligraphy Seal Engraving Donation Collection" (Xiling Seal Publishing House Collection).
Source: Jiangxi Daily Art Island