Calligraphy has a law, and the law originates from the inscription and is born from the heart. If calligraphy only takes the Dharma, it may become a "book for the sake of a book", become a bookmaker, and lose the self-personality of art. After Zhang Huachang's heart-to-heart pursuit of the Fa Ti and the familiarity of the traditional fa of calligraphy in his heart, through the artistic creation of holding the pen in his hand and using the pen in the heart, Zhang Huachang let the calligraphy purify all the craftsmanship and enter the free state of my writing my heart, so as to achieve the realm of writing with the heart and the smoothness of the heart and hands, which is a wonderful sublimation of the two aspects of "art calligraphy" and "calligraphy art".
"Fu Ru East Sea Long Flowing Water Shou Bi Nanshan Bulao Pine"
Zhang Huachang's calligraphy from the technical point of view, based on the calligraphy, in the same vein of the "seal li" system, the book, he accumulated years to learn the rigor of Tang Kai, Lishu, he took the law from Deng Shiru, Zhao Zhiqian, Wu Changshuo and other great masters of the times, and also took the law, directly chased after Qin Seal, Wei Bei, Han Li, at the same time, he was accompanied by contemporary masters, such as Liu Bingsen and others. Looking at Zhang Huachang's calligraphy, it can be found that he pursues every stroke with a provenance, and every word contains chapters, so his calligraphy is beautiful and adheres to the law, majestic and does not lose his true skills, ancient and clumsy, and the words are full of heroic and heroic feelings. Of course, Zhang Huachang's calligraphy also has the fine study and deep thinking of literati calligraphy, which makes his calligraphy creation have both professional calligraphy and aesthetic calligraphy art.
"Huai Ren Fraternity" "Shang shan ru shui"
Rooted in calligraphy techniques, extensive and comprehensive, Zhang Huachang's calligraphy creation thinking points to the visual beauty of elegant and popular appreciation, as well as the flowing and free spirit of literati calligraphy. Zhang Huachang after decades of sleep and forgetfulness, pen cultivation of unremitting exploration and deep cultivation, his calligraphy has the decoration of entering the homes of ordinary people, but also has the function of a magnificent temple, in the elegant house, hanging a piece of Zhang Huachang's calligraphy sketches, there will be a kind of "only Wu Dexin" elegance, in the hall, hang a large-scale creation of his, then there is a flourishing aesthetic power. The cultural charm reflected by Zhang Huachang's calligraphy is pleasing to the eye.
"Tea Drunk True, Good, Beautiful, Dao tong tiandi people" "Heart Quiet Tea Fragrance"
Zhao Mengfu once said: "Calligraphy is not easy to use through the ages." Zhang Huachang's calligraphy deeply understands the law of "not easy", writing, he has a "not easy" true kung fu, turning, he has a steady and dignified temperament, pen, he has the strength to penetrate the back of the paper. Between being steady, dignified, beautiful, and energetic, he wrote the qualities of Chinese philosophy and possessed a particularly striking spirit. Shape, such as the strength of the strong man pulling out the mountain, the pen, there is also the first look at the beauty of the clouds and smoke and the ancient pine, look at its writing process, hand in hand, the words are like pearls, gorgeous, this is not to seek the best, but for the best heart book. His calligraphy has a non-deliberate artistic standard, which can fluctuate in a stroke and frustrate in a single stroke.
The inscriptions are integrated, and the hearts and hands are smooth. Zhang Huachang's calligraphy, the inside and outside of the characters are properly interspersed, not exciting, simple and thick. Zhang Huachang does not seek meritorious fame, but instead obtains meritorious fame, which is the harvest of the literati's high interest and calligraphy into character, and it is also a model for all calligraphers to follow.
(Text/Lin)