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Jiang Xun elaborated that the Dream of the Red Chamber | love affair in the world, and it is an incomprehensible phenomenon for ordinary people

Jiang Xun elaborated that the Dream of the Red Chamber | love affair in the world, and it is an incomprehensible phenomenon for ordinary people

Wen 丨 Jiang Xun Figure 丨 originated from the network

A dream in the Red Chamber

The word "Duyun author delusion", "delusion", a sick "disease" inside a knowledge "knowledge", (the traditional character is a skeptical "doubt"), this word is one of the most important words in Chinese aesthetics. This word has two completely different meanings: we say "idiot" and "dementia" mean bad things, and intellectually handicapped people are called "idiots"; but when we say that this person is "infatuated", it is another meaning. The word "delusion" is aesthetically meant to say: a phenomenon that cannot be explained by rational logic is delusion. Life without this "delusion" is also ruthless, and the things that are obsessed with life, the "love" that cannot be explained, are delusions.

Jiang Xun elaborated that the Dream of the Red Chamber | love affair in the world, and it is an incomprehensible phenomenon for ordinary people

"Dream of the Red Chamber" is writing this "idiot" word. Lin Daiyu has been crying, there is no way to explain, if you have a daughter in the family like this, if you are a teacher, you have a student like this, nothing to cry, you are probably bored to death, you will find a psychologist to say that she is depressed or something. However, "Dream of the Red Chamber" explains that many years ago, on the bank of the Ling River (what the Ling River is, we don't know, is a river of the soul), there was a grass called Daizhu Grass, and this grass was dying. There was a stone next to it, this stone had been cultivated into a divine attendant, it had become a piece of precious jade, and he felt that this grass was very pitiful, so he scooped a little nectar every day to moisturize it, so that this grass could last for a long time without dying, and finally it also cultivated and cultivated into a female body.

Jiang Xun elaborated that the Dream of the Red Chamber | love affair in the world, and it is an incomprehensible phenomenon for ordinary people

This stone suddenly moved the heart of a mortal one day, to go to the human world and experience the bustling world. The grass said, I have been blessed with his nectar, and there is no such water to return to him. Because what you should pay back has not been returned, the internal organs are entangled with things that cannot be entangled, and they will be "entangled". She said, he went to the human world, so I will go too. She became Daiyu, she said, and "paying" him back with the tears of my life was probably enough. So Dai Yu is going to cry all the time.

The word "also", relative to "delusion", is the core of the theme of "Dream of the Red Chamber". All "infatuation" is because you want to "pay back" something. If you owe something to someone else, you must pay it back. Eastern philosophy, believing in reincarnation, our life is not only the accumulation of this life, but also the accumulation of many lifetimes, so when we meet in this life, we probably have past life fate, and the fate is complicated and we are unknowable.

Jiang Xun elaborated that the Dream of the Red Chamber | love affair in the world, and it is an incomprehensible phenomenon for ordinary people

We have to "return" all kinds of different things, parents may have to return children's things, children may have to return parents' things, teachers may have to return students' things, husbands want to return wives' things, and wives may return husbands' things. If there is a philosophy of "return" in the human world, many incomprehensible, absurd, and ironic phenomena will be understood and transcended. I think "Dream of the Red Chamber" is talking about such a worldly love affair, and this love affair is an inexplicable phenomenon for ordinary people.

Jiang Xun is a famous writer, poet, painter and aesthetician. Born in Xi'an in 1947, he settled in Taipei in 1951 and studied at the Department of History of the Chinese Culture University, the Institute of Art of the Chinese Culture University and the University of Paris. In 1976, he became the editor-in-chief of Lion Art, and taught at National Taiwan University and Tamkang University. In 1984, he founded the Fine Arts Department of Tokai University and served as the head of the department, and in 1996, he became the president of United Literature. He retired from teaching in 2000 and specialized in writing and painting.

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