The green trees hang on the periphery and the moss is thick and dust-free
Zheng Wuchang (1894-1952), known as Chang, was a talented calligraphy and painting artist, activist, art educator, art historian, calligraphy and painting collector and poet during the Republic of China period. He is good at landscapes and flowers, especially willow trees and cabbage. He is also good at poetry and calligraphy.
Zheng Wuchang has been involved in many fields, the wide network of art circles, and the great influence of achievements, which is extremely rare in the history of modern culture and art, and has the reputation of "the big man of the maritime painting circle of the Republic of China". His "Complete History of Chinese Painting Studies", which took five years to complete, was the first general history of painting studies, and was praised by the sage Cai Yuanpei as a masterpiece of great achievements since the history of Chinese painting.
Sail Shadow of the Creek
The painting circle is often said to be "difficult to paint a tree and draw a willow", but Zheng Wuchang is very good at painting willows. The scenery of a large number of willow trees in the landscape has become a major feature of Zheng Wuchang's landscape. He once inscribed: "It is difficult to paint a tree and a willow, and the art garden is hanging as a warning." In fact, when painting willows, do not paint willows, self-stemming branches, self-branches and leaves, write at will, there is no ink obstacle. If a thousand threads are thin but not weak, dense but not chaotic, beautiful and not vulgar, it is in talent, not a unique skill. ”
Shuicun Mountain Guo Wine Flag Wind
Zheng Wuchang painted willow first dry, after the branches, willow silk from the top of the painting, from top to bottom, dense layers, front and back left and right, each to their own state, spring, summer, autumn and winter, wind and rain and snow, all have their faces, willow silk in addition to the use of ink line, and then with flower blue to add supplement, increase the texture and level of willow silk, and then use flower blue baking dyeing, all convey the gods. It is called "Zheng Yangliu" by friends in the painting industry.
The sound of the reclusive pine is heavy cliffs and clouds
The sky is green and cloudless
Green mountains and light water
Autumn water boating
Rushing through the clouds, sideways peaks.
Why should he look like Huang Yue, and his heart will fight with the creation.
Yunfeng wins when the lotus seat
Pine Cliff said
Water falls from the sky
Ruixue is full of people Fishing alone in the cold river
Lion Peak Waterfall
Heavy cliffs and waterfalls
Lake Mountain Autumn Ji
Into the Summer Creek Mountain suddenly rainy and sunny, thick shade and high green city.
Look for the deep step of the wood door, full of the sound of cicadas and water.
Plain sailing
Pine Cliff Waterfall
West Wind Wild Bridge
I don't know how many miles into the cloud peak of Xiangji Temple
Uneven chest, climbing and watching the waterfall fly.
The waterfall fell from the sky, and the rest of the foam wet my clothes.
Looking down at the cliff, galloping and threatening.
It will be the river and the sea, I don't know when it will return.
Ink dripping with emptiness, why do you need to dye the South Palace,
There are dragons and snakes in the chest, and thousands of mountains and mountains are raining and wind.
Zheng Wuchang is good at using ink green ink ochre to express the thick and vast scenery, but the clarity and moisture of the color is also the goal he pursues. In his lifetime, he especially admired Huang Gongwang and Wu Li, and once inscribed on a landscape that imitated the Wu calendar: "It is difficult to write about the thick landscape, and it is even more difficult to be thick." Yushan (Wu Li) pen pen pen pen pen, and a kind of vast color on the paper, can be described as a clear and thick fun, to see the foothills thick and unclear, stone valley clear but not thick is out of the ground also. ”
Zheng Wuchang humbly drew nourishment from the ancients, but advocated "teaching the ancient law and establishing my own law", "being open-minded and self-like and self-reliant in the ancients, integrating the ancient brushwork and becoming a family of its own". He inscribed on this landscape: "Ink is dripping with emptiness, why do you need to dye the Nangong, there are dragons and snakes in your chest, and there are thousands of mountains and mountains with rain and wind." ”
Writing about the rain is high in fami, heavy and dense things are too much work.
Who can be empty and tired, splashing ink without a trace.
The sky is broken, and the willows are in late autumn.
How many moods and how many things, the world is difficult to reward.
Six nine pro old learn to blow
Danlin obliquely illuminated Ruoye Creek, and the leaf was shocked to see the geese array low.
There is no autumn and late, and I am worried about who will send Jin Jiangxi.
Mingyue Qing talks
A pint of devotion is indescribable
Moonfall Frightened Birds Forest deep smoke
Danya Cuishu leads to the green water and green mountains to put fishing boats
The wind was rushing, and the tall apes roared, and the white bird of Nagisa Qingsha flew back.
Boundless wood leaves are shining, and the Yangtze River is rolling in endlessly.
Wanli Is often a guest in the autumn and has been sick for more than a hundred years.
Hardship hated the frost sideburns, and poured out the newly stopped cloudy wine glass.
Contentment
White cloud mangrove
The willows along the creek are green, and the swallow warblers are oblique after the rain.
Wind and river township spring is the best, and the heart is in the wild man's home.
The mountains are high and the water is deep, and the things are still and the sky is wide.
The ghostly people are happy, and the non-immortals are Buddhas.
Yun Shan Chu Ji
A teacher is not as good as a teacher is to a thing; a teacher is to a thing, not a teacher to a heart. The so-called teacher in the heart, that is, to talk about painting theory, not to talk about physics, that is, not to paint, that is, to lose physics. ——Zheng Wuchang
This is a proposition of Mr. Zheng Wuchang. Only by teaching the ancient law and establishing my own law is not confined by the ancients, the painting should "go deep into physics, carefully observe the state of matter, take the shape and use the potential, and sketch and speculate." Mr. Zheng Wuchang's heirloom works are all composed of poems and paintings, and the titles are closely combined with the meaning of the painting, or lyrical feelings, or clear painting theory, or xiao yi ethics, which makes the viewer stunned.