Since the 20th century, the title of "Master of Sinology" is a bit rampant, and a little bit of fame for cultural people will be called "Guoxue Master" by various people, in fact, the hat of "Guoxue Master" is really not something that anyone can wear.
"Guoxue" is the abbreviation of Chinese scholarship, "master" refers to the honorific title of people who have deep attainments in learning or art, and "guoxue master" refers to the outstanding person whose knowledge is outstanding within the scope of "guoxue" research. At the same time, the "master of traditional Chinese studies" cannot only look at his learning, but also look at his morality, that is, his character and literary qualities, whether his literary character and his character are unified, that is, whether they belong to the stream of "moral articles" that integrate human character and literary products. In modern times, Zhang Taiyan, Liang Qichao, Wang Guowei, and Hu Shi are recognized as masters of traditional Chinese studies, and good at books is their basic skill, but the title of the book must be covered up by scholarship. Today we will only talk about calligraphy, let's enjoy the works of the above four masters of traditional Chinese studies.
Zhang Taiyan
Zhang Taiyan (1869-1936), originally known as Xuecheng, was a member of the character Mei Shu (in honor of the Han Dynasty' resignation of the family). His calligraphy is especially good at seal writing, not simply pursuing the interest of font shapes, but paying attention to the six methods of character combination, the pen has a source, and the simple and ancient elegance is praised.
Liang Qichao
Liang Qichao (1873~1929) studied Tang Kai Ouyang Yuan in his early years, and later studied from Kang Youwei, the Inscription of the Six Dynasties of The Han Dynasty and the Book of The Han Dynasty. His calligraphic concept of taking the Northern Tablet was deeply influenced by Kang Youwei. Liang Qichao's calligraphy belongs to the scholar type, but it is not the same as some scholar-type calligraphers who are known for their grass. His achievements in literature, history, and philosophy are too high, and Liang Qichao has a fairly high attainment in the North Monument and a very high achievement in the creation of Lishu.
Kingdom Dimension
Wang Guowei (1877-1927), zi Boyu, Jing'an, Guantang, Yongguan, Han, Haining Yanguan Town, Zhejiang. Late Qing Dynasty Talent. Wang Guowei's calligraphy can be used in all kinds, and the profound achievements are his small letters and writings. Its small Kai takes the Fa Zhong Xuan, the Second King, and the Duke of Yan Lu, with a high starting point and a correct number of roads. He attaches importance to structure, uses a pen, pays attention to the coordination of a word, a line of words and a page of words, not to be weird, not to win by surprise. His writings also came from the Second King and Yan Lugong, and inhaled the breath of the Song people, rigorous and exquisite, the lines were full of changes, and the characters were dynamic. His inkblots are basically manuscripts, rulers, notes, notes, etc., the amplitude is not more than a ruler, the font type is only one centimeter in size, the structure is rigorous, the rules are dense and appropriate, the pen is vigorous, the article is read, the sonorous and powerful, when the calligraphy is read, it is pleasing to the eye.
Hu shi
Hu Shi (1891-1962), Han Chinese, from Jixi, Anhui. Hu Shi calligraphy is a typical scholar's calligraphy, scholars' calligraphy is characterized by elegance, subtlety, timelessness, fluency, no carving, artificiality, impetuousness and jianghu qi, scholar calligraphy rarely pays attention to the simple tempering of lines, but pays more attention to the inner charm and overall expressiveness. Among the calligraphic handwriting left by Hu Shi, its expression is mostly letters and sketches, and there are few hall-style masterpieces, and there are few so-called calligraphy creations for socializing or interpersonal communication. Judging from the handwriting of Hu Shi's manuscript, it is difficult to see the origin of Hu Shi's calligraphy and the genre to which he belongs, but on the whole, Hu Shi obviously has a deep foundation in calligraphy, especially his practice of Wei Jin Xiaokai and Tang Kai, and he can transform it.