Literature Magazine, No. 2, 2022
Discussion with the editorial board of the "Literature"
Mr. Wang Guowei's "Bamboo Book Chronicle" studies Pingyi Chen Li
Abstract: The Bamboo Book Chronicle is a Chronicle of the Tong Dynasty written in the late Warring States period and compiled by the Wei people, with an extremely important historical value from the Xia Shang to the 20th year of the Wei Xiang King (-299). The original book was unearthed in the early years of the Western Jin Dynasty, and after many sorts, there have been many different collations. In the process of transmission in later generations, its books are either hidden or explicit; Previous references, the text is also quite similar. After the Qing Dynasty, scholars began to suspect that the hereditary Bamboo Book Chronicle was no longer the original book of Kizuka, but was forged by the Ming dynasty. In the Qing Dynasty, Zhu You began to compile the text of the Bamboo Book Chronicle from the ancient books, compiled as the "Kizuka Chronicle Cunzhen", in order to distinguish it from the ancestral book, which was called the "Ancient Book "Bamboo Book Chronicle"" by later generations, and the hereditary version was called the "Present Bamboo Book Chronicle". In 1917, Mr. Wang Guowei proofread zhushu and published the "Ancient Bamboo Book Chronicle School". At the same time, in order to prove that the ancestral book is a forgery book, he also wrote the "Bamboo Book Chronicle Of the Present Book". Mr. Wang Guowei's research on the "Bamboo Book Chronicle" has been regarded as a typical case of ancient books for a long time, and it still has a great influence to this day. Reorganizing the collation and circulation of the Bamboo Book Chronicle and discussing Mr. Wang Guowei's research is a rather philological work.
Keywords: Present "Bamboo Book Chronicle" Ancient Book "Bamboo Book Chronicle" Kingdom Wei Ancient Book Identification Falsification Philology
《Ancient Bamboo Book Chronicle Edition Proofreading Of the Present Bamboo Book Chronicle》
Literary Literature Studies
Zhou Bangyan's "Re-entry of the Table of The Capital Of The Book" is an annual examination of Gui Owl
Abstract: Zhou Bangyan's "Re-entering the Table of The Capital Of Fen" is not only a representative work of his four or six texts, but also one of the most important materials for studying Zhou Bangyan's life. Since the beginning of the Kingdom Wei Dynasty, scholars have believed that Wang Mingqing's "Records of the Rest of the Sayings" is untrue, and this text is dated to the Yuan Fu period of the Zhezong Dynasty. Through the careful reading of the text of the "Table of The Re-entry of the Fendu Fu" and its mutual verification with other historical materials of the Song Dynasty, it can be proved that Wang Mingqing's account of this text is basically true. Zhou Bangyan's re-entry into the Capital Fu occurred after Emperor Huizong's reign and his meeting with Emperor Huizong on June 18, 1977. This also provides important evidence for examining the historical facts of the Zhou Bangyan Party attached to Cai Jing and the time when the Da ShengFu was raised.
Keywords: Zhou Bangyan 《汴都富》 蔡京 王維 Party strife
Jiangyin's "Genealogy of ge" contains a compilation of the Southern Song Dynasty Hong Xingzu and Ge Shengzhong's brothers
——On the time of the compilation of the Danyang Collection, Wang Yan, Wang Zhaopeng
Abstract: The Jiangyin Ge clan of the Song Dynasty was a literary family with a great reputation. Ge Shengzhong, Cizhong, and hezhong brothers were all good at poetry. Ge Shengzhong's "Danyang Collection", the Song engraving is lost, and the Siku Guanchen has compiled twenty-four volumes from the "Yongle Canon", and there are many scattered works. Hong Xingzu's preface, "The Solution to the Problem of the Records of the Zhizhai Book", is quoted with fragments, and then it is obscured. Republic of China Jiayin (1949) Jiangyin Shanghu Caotang published the "Ge Clan Genealogy" contains Hong Xingzu's "Wenkang Ge Gong Danyang Collection Sequence". What is said in the preface is not only in line with Ge Shengzhong's actions, but also with Hong Xingzu's experience, and there is no doubt that it is credible. According to this text, it can be known that ge Shengzhong's eighty volumes of the Danyang Collection were compiled and first inscribed in the seventeenth year of Shaoxing (1149). The Anony text can provide new material for the study of the biography of Hong Xingzu and the edition of Ge Shengzhong's anthology, and can also add an important posthumous text to the Quan Song Wen. When Ge Shengzhong was serving as The Shaoqing of Taichang, he was instructed to compile the "Continuation of the Taichang Inge Ceremony", the original book Jiuyi, the "Genealogy of Ge Shi" contains the self-preface of his book, from which the purpose, scale, and style of the book can be known. The Genealogy of Ge Shi also contains two anthony texts, Ge Hezhong and Ge Lijing, which can supplement the two authors of the Quan Song Wen.
Keywords: Quan Song Wen Hong Xingzu Ge Shengzhong Ge Hezhong Ge Lijing Danyang Collection
"Wenkang Gegong Danyang Collection Sequence"
Zhu Xichu ci three books of the testament of the face of the examination of Guan Renjie
Abstract: The article takes Zhu Xi's three books of Chu Ci, namely "Notes on the Collection of Chu Ci", "Dialectics of Chu Ci", and "Later Words of Chu Ci" as the research objects, while revealing the appearance of the last draft of the three books of Chu Ci, argues the writing process of Zhu Xi, and tries to answer some problems in the last draft of the three books of Chu Ci. The article mainly contains the following contents: First, it examines the early edition and explains the evolution of the last manuscript of the three books of Chu Ci into the appearance of the present biography. Second, combing through the many details preserved in the unfinished manuscript of the Chu Ci Hou Yu reveals the disorder of Zhu Xi's writing process. Third, the examination concluded that the "Anti-Departure" attached to the "Notes on the Collection of Chu Ci", which had been deleted from the present biography, was an unfinished draft. Fourth, it is further argued that although the "Notes on the Collected Works of Chu Ci" has formed a first draft, it has not been finally completed. Fifth, it is argued that before Zhu Xi's death, the first draft of the "Notes on the Collection of Chu Ci" was revised, which led to the problem of duplication of the "Notes on the Collection of Chu Ci" and the "Later Words of Chu Ci".
Keywords: Zhu Xi "Notes on the Collection of Chu Ci" "Chu Ci Hou Yu" "Anti-Departure" Compilation Process
The value of the literature in "Wenhuitang Rhymes" is outlined
- Ni Boyang, a Ming Dynasty version of the "Interpretation of the Rhyme of the Word Forest"
Abstract: The shusheng part of Hu Wenhuan's "Wenhuitang Rhymes" (including "entering the sound to make three sounds") is completely copied from the "Cilin Rhyme Interpretation", preserving the textual appearance of the Ming version of the "Cilin Rhyme Interpretation". From Hu Wenhuan's preface, it can be seen that the "Interpretation of The Rhyme of Cilin" is a song rhyme that circulated in the Jiangsu and Zhejiang regions in the middle and late Ming Dynasty and had a certain influence, which can be used to resolve the dispute over the nature of the book. Comparing the "Wenhuitang Lexicon" with the "Cilin Rhyme Interpretation" in the present existence can help to sort out the origin streams. Judging from the uncommented style of the "Wenhuitang Rhymes", the annotations of the existing "Cilin Rhymes" may have been influenced by the ming Dynasty rhyme writing style and added by later generations. "Wenhuitang Rhymes" and "Zilin Rhyme Interpretation" are similar in name, but in the eyes of Qing Dynasty lexicographers, they have very different statuses, reflecting the compilation concept of Qing Dynasty rhymes "abandoning songs" and "congregation from Song". The "Interpretation of The Rhyme of the Word Forest" was replaced by the "Rhyme of the Word Forest", which also showed a further turn of the Qing people's rhyme "from Ya".
Keywords: "Cilin Rhyme Interpretation" "Wenhuitang Rhyme" Word Rhyme View Word Rhyme Song Rhyme
The compilation of the "Genealogy of The King's Word" began and ended with Wang Linfu
Abstract: There are great differences between the "King Ding Lexicon" and the "Poetry of the Dynasties" in the use of the literature base and the academic views held, the "Poetry of the Dynasties" is not the base of the "King's Poetry Spectrum", and the expansion of the "King's Dictionary" has little to do with the compilation of the "Poetry of the Past Dynasties". The Compilation of the Genealogy of the King's Words began in the spring of the 48th year of the Kangxi Dynasty, and the division of guanlou was at the core of the construction of his research theory. Unlike the other twelve other personnel selected by the Kangxi 44th Southern Tour, Lou Yu published two large-scale lexicons, "The Initial Compilation of Cihu" and "Qunya Collection", and was recommended by Sun Zhimi to be included in the compilation, and was a professional with rich experience in the compilation of lexicons. The documentary base of the "King Ding Lexicon", the study of word music, the study of word rhyme, the study of the tonality of words, and the characteristics of the annotation palace tune, mutual proofreading of scores, and refutation of the "Lexicon" that have always been praised by scholars are very closely related to Lou Yu. Lou Yu studied under Zhu Yizun, Sun Zhimi, and Shen Haori, and it can be said that there are deep Zhejiang school origins behind the compilation of the "Genealogy of The King's Words".
Keywords: "King's Dictionary" "Imperial Selection of Dynasties Poetry" Lou Yu Lexicon
The Manuscript of Mr. Wu Meicun's Collected Poems examines Chen Teng
Abstract: Cheng Muheng's notes "Collected Poems of Mr. Wu Meicun" were written in the Qianlong Dynasty, implying the current affairs of the Ming and Qing Dynasties, and even after Yang Xuexun deleted and revised the supplementary notes, it can only be circulated in the form of manuscripts. The Cheng Notes Yang Notes, which are of interest to scholars, are the Huang Pi Martyrs Li Ju Ben and the Huang Yongnian Treasure Treasure Library, which are relatively unfamiliar to the Zheng Shiyue Retreat Xuan Ben collected by the Peking University Library. The retreat was originally zhang Ertian's old collection, inscribed by Deng Zhicheng. Examining the inscriptions and languages of the various books, and then comparing the similarities and differences of the texts, we can sort out the source of the Cheng notes. The Huixuan Ben is copied from Gu Wenyao's Rupu Ben, which is actually the ancestor of the ShiLi Ju Ben; The Huixuan Ben and the Baoyun Lou Ben belong to the same branch, and the textual differences between the two present different faces before and after Yang Zhu's revision. The font and language of the manuscript vividly reflect the details of the Qianjia period when the scholars copied, read, and compiled books, and also helped the academic circles to deeply understand the cultural phenomena such as the "copying of books by the Scholar's Office" in the Qing Dynasty.
Keywords: Wu Weiye Cheng Muheng Gu Wenyao Zheng Shiyu "Collected Poems of Mr. Wu Meicun"
Jiaxing Houxue and zhu Yizun's poetry reproduction Chen Canbin
Abstract: There are sixteen kinds of Zhu Yizun poems that can be examined in the Qing Dynasty, and the group of commentators is mainly Jiaxing Fu scholars (Tongli Houxue). The compilation and engraving of poems are mainly influenced and promoted by social customs, scholars' interests, the regionality of texts, and the symbolism of the notes. The three most widely circulated annotated books of Jiang Haoran, Yang Qian, and Sun Yincha, as well as the newly discovered Li Fusun Commentaries, are constantly updated in the accumulation of literature, and their progressive relationship can point out the direction for future annotations, and their openness indicates the cyclical process of reproduction. "Poetic annotation reproduction" is a common phenomenon in the history of literature, and although its mechanism, strategy, and process are different, they can all expand the influence of the anthology and become an important part of the classicization of writers.
Keywords: Zhu Yizun Poetry annotation Jiaxing poetry annotation reproduction
New to see Hu Delin's "Bi Yi Zhai Poetry Banknote" manuscript examination Li Xinchang
Abstract: Yuan Ming and Hu Delin jointly compiled the "Bi Zhen Zhai Poetry Cun", and his manuscript "Bi Zhen Zhai Poetry Banknote" is now in the Tianjin Library. The combination of Hu Delin and Yuan Mei's cousin Yuan Jie prompted the poets of the Yuan family to absorb cultural resources from their in-laws and start the family poetry creation activities. The annotations of Yuan Ming, Hu Delin, Qian Shixi, Li Wenyuan and others contained in the "Bi Yi Zhai Poetry Notes" and their related literature groups present the process of converting the drafts of the Qing Dynasty in the middle——— of the Qing Dynasty ——— selected and supplemented ——— the final drafts as clues. Hu Delin was inspired by Zhang Geng, and was deeply influenced by the poetics of the Sexual Spirit School, and the debate between Yuan Ming and Qian Shixi on the overlapping rhymes and sub-rhyme poems contained in the manuscript of the "Bi Zhen Zhai Poetry Banknote" reflected the poetic differences between the Sexual Spirit School and the Xiushui School. Yuan Ming, who is both the compiler and the publisher of the Bi Zhen Zhai Poetry, has the highest authority over the deletion of texts, and the Xiushui style in Hu Delin's poetry has been weakened, the interest of the Sexual Spiritual Sect has been enhanced, and the identity of Hu Delin's Sexual Spiritual Poet has been presented.
Keywords: Yuan Mei Hu Delin Sexual Spiritualism Textual Genesis
"Bi Zhen Zhai Poetry Banknote"
Manuscript Reading and Inscription Annotation: The Text of Pan Zhongrui's Collection of Words Condenses Ren Ke
Abstract: Pan Zhongrui, a late representative of the Wuzhong School of The Qing Dynasty, left a wealth of lexical literature. Among them, the seven-volume manuscript of "Hundred Inferior People's Room Word Draft" stored in the National Library not only preserves the original appearance of Pan's early lexical creation, but also shows the traces of the reading and modification of the word composition. The reader of "Word Grass" was numerous, and at least ten readers left comments. These comments mostly focus on the complexity and simplicity of word order, the elegance of words, and the stability of word rhythm. On the basis of combining personal preferences and comments, Pan Shi selected the lyrics of the manuscript, modified the text, and finally formed the text of the engraved "Xiang Zen Words". Reading the manuscript and engraving of Pan's collection of words in pairs can not only clarify the process of condensing the text of his collection of words, but also get a glimpse of the lexical style of the Wuzhong lexicon in the Xian dynasty.
Keywords: "Hundred Inferior Room Words" "Fragrant Zen Words" Manuscript Reading Comments
"Hundreds of Words and Grasses in the Room of People"
Preservation of ancient books
The dispersal and combination of the Song carved "Classic Interpretations" Lin Shitian Zhao Hongya
Abstract: The Song carved Song yuan revision of the "Classic Interpretation" was originally collected by the Qing Palace Tianlu Linlang, and in the middle of the 20th century, it was divided into three batches after the Changchun Puppet Manchu Imperial Palace was dispersed, and after experiencing various disasters, it was transferred to Changchun, Shenyang, Beiping, Tianjin and other places. After the peaceful liberation of Peiping, the Communist Party of China established the Beiping Municipal Military Control Commission, and while taking over the cultural and museum units, it protected and rescued ancient books and documents, including the "Classic Interpretations" and the "Zhao Cheng Jinzang", so that the remnants of the "Classic Interpretations" scattered in the hands of The Beiping Library, the Shenyang Museum, and Zhou Shuhan were combined into a complete bibi, and the Palace Museum was allocated to properly collect them, and finally entered the Beijing Library. On the basis of combing through relevant documents, archives, rulers, and inscriptions, this article restores the beginning and end of the diaspora of the "Classic Interpretations" and the original commission of allocation and donation, and reveals the concept of ancient book protection embodied in it.
Keywords: "Classic Interpretation" Beiping City Military Control Commission Ancient Book Protection Zhao Wanli Zhou Shuhan
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