Painter Cai Maoyou explored the source of the in-depth exploration system for the creation of ink peony, and then put forward the main theory of ink creation with constructive significance of "ink thousand layers". This concept is not a general word meaning explanation in a simple sense, but a condensation of the essence after the painter's profound understanding and understanding of ink creation, and this solution is undoubtedly pioneering. For example: the painter's "Purple Yan Red Place", painting a peony, laid out on the left side of the picture, the petals stand tall and upright towards the right wind, the branches are luxuriant, the leaves are written in the calligraphy of the skimming brushwork, the ink color is thick, the thickness is thick, the thickness is thick, the calm is strong, there is a sense of space and volume, the peony flower bushes fly over a butterfly, spreading its wings up and down, full of movement, the painter uses ink shades to show the state of the flowers and leaves leaning over the back, with a fine pen. The whole peony petals are blended with ink and color to show the overlapping feeling of the petals, and the ink is thousands of layers, fresh and fresh.
Admiring this work, the painter painted a branch of fruit leaves on the top, the leaves were drawn with large brushstrokes, the ink rhyme was smooth, the freehand brushwork was full of fun, the dry straight, the back of the leaves and the brittle stems of the knots were well portrayed, especially the dense and low-hanging leaves vividly expressed the state of the wind flying leaves. Birds stop under the branches to focus on searching, the look is vivid, and the picture is elegant and comfortable. The composition of the whole work is full, dividing the picture with black and white ink color, and the whole painting is rounded and powerful with the pen, combined with dyeing, and used both to write and write, showing the painter's flower and bird paintings rewriting rhyme, meaning that they do not seek shape-like style, and are deeply charmed by the wild interest of natural flowers and birds.
Painters often use calligraphy to write flowers and birds with a brush, use thick and light ink to divide the yin and yang of branches and leaves to the back, take thick ink as the face, light ink as the back, the color is bright, the layers are clear, and the pen strength is thick and strong. This picture of "Free Joy" uses the peach that symbolizes longevity and longevity as a metaphor, expressing the chest of the painter. In the picture, the lines are rigorous, the peach branches are curved and curved, stretching upwards, and there is a kind of xiao sparse and relaxed atmosphere. The peach is full and hung heavily under the picture, echoing the birds that rest on the branches, and they are all in harmony with each other. The whole work is brightly colored, the ink color is calm, and the scenery is full of maturity and harvest.