During the Tang Dynasty, Zen Buddhism was vigorously developed, and poets often used Zen as poetry. A flower and a grass, a pavilion and a pavilion, it seems ordinary, but in fact, it has its own Zen meaning. The fallen leaves hover and land on the ground, as if to express a kind of reluctance; the residual flowers drift away with the wind, which also shows a sense of attachment.
The breeze blows away the dust; the drizzle drifts and washes the dirt. When the moon is empty, the mind sees the nature; the mizu ferry, the wise person realizes. Zen is a practice and self-adjustment, where you can relax physically and mentally when you are tired, and you can forget when your troubles are constant. The following is shared by Wang Bo Changyou ancient temple, inscribed a Zen poem, the pen is smooth, really worthy of the early Tang Dynasty talent.
Tour The Temple of Sanjue
Chu Tang: Wang Bo
The apricot pavilion is covered with green bricks, and the carving table controls the purple cen.
Yeqi Mountain Road is narrow, and the flower accumulation wild altar is deep.
Rakurochi Zen Shadow, Matsumon listening to Sanskrit.
Shun Xin accompanies Miao, and extends the reward of polyester annoyance.
Wang Bo was one of the four masters of the early Tang Dynasty, he was young and promising, and when he was a teenager, he wrote many excellent poems, which were deeply appreciated by the princes and ministers at that time, and once became a guest of honor in the Pei King's Palace, but later he was dismissed from his post because of a text. The poet then came to the land of Bashu and traveled to the mountains and rivers while writing literature, and this poem was written during this period.
Sanjue Temple is located in Jintang County, Sichuan Province, Sanjue Mountain is dangerous, rugged and winding, not only has a lot of strange peaks and strange stones, but also has three ancient temples, collectively known as Sanjue Temple. The poet worked tirelessly and admired the name, and along the way, the mountains and pines were towering, which made people feel highly interested.
The first link shows the vista, the poet looks up from the foot of the mountain to the ancient buildings in the mountain temple, the steep bluestone road, hidden in the pine forest, next to a pavilion exquisitely chiseled. The author uses a "shawl" character to show that the mountain road is like a winding silk belt, extending along the mountain.
There are also some relatively small peaks around the temple, because of the wind and rain for many years, the color has turned purple red. A "control" word is also very subtle, and those buildings are like vigilant guards, tirelessly guarding and controlling the peaks.
Next, the scenery along the road is depicted, the mountain is full of fallen leaves, the path becomes more narrow, the flowers are flying, and the altar made of earth and stone looks very deep. Because of "Ye Qi", the mountain road is narrow; because of the "flower accumulation", the wild altar is deep. The author's pen and ink are delicate, and paying attention to refining words gives people a very intuitive feeling.
There are a lot of fallen leaves and residual flowers in the mountain forest, indicating that it is late autumn, and usually no one cleans it, the leaves have become fertilizer, the flowers are also self-destructive, everything is at will, the poet does not say that Zen is strong, but it shows Zen fun, and also lays the groundwork for the later text.
The poet finally came to the top of the mountain, and several ancient temples stood majestically, not only incense, but also melodious bells. The neck link turns on what the writer saw and heard in the temple, "Luo Lu Qi Zen Shadow, Matsumon listens to Sanskrit sounds." The female lotus hung like a mask, as if it were the habitat of Zen shadows; the ancient pine in front of the Zen temple was green and tall, and standing under the tree could clearly hear the chanting of the sutra.
Zen shadow is a kind of imagination of the poet, and Zen is a kind of personal understanding, which cannot be said. The author feels that it is everywhere, as if it can also stay in the lotus. Although the poet did not take refuge in Buddhism, he was also full of yearning for the Zen realm in such a holy place.
The ending goes with the flow, and the water comes naturally. 遽忻 refers to the joy in the heart; Miao, refers to Yayou. The poet lingers, full of interest, and the worries in his heart are unconsciously swept away.
The whole poem is strong and strong, the pen is smooth, and it is full of Zen. The author describes the scenery and forest objects in the mountains from far and near, delicately and realistically shows the leaves and wildflowers on the mountain road, and expresses his reverence for the Zen realm with words such as "Zen shadow and Sanskrit sound". And the ending of the "Extended Reward and Purification" shows that the poet is worth the trip, conveying a sense of piety and also expressing a joy!