Text/Yang is not remorseful
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During the Chinese New Year, "This Killer Is Not Calm" as the only comedy film in the Spring Festival file stood out with the trend of dark horses and achieved remarkable box office performance.
The film is about a third-rate actor pretending to be a killer, tricked into running to a port town where gangsters gather to make a movie, which leads to a series of comical misunderstandings.
The big star Milan was hunted down by the gang because of the stall, and as long as the top killer Carl was found, the gang let her go. Milan did not know Carl at all, and she thought of a way: to deceive the dragon set actor Wei Chenggong, saying that he was making a movie and letting him play the male protagonist, the killer Carl. Wei Chenggong believed it to be true. Entering the drama too deeply, he really thought that he was filming, so he entered the real gang as a killer. Caught in one danger after another, and miraculously turning the danger into a disaster... "Identity dislocation" and "fake drama really do" have created many laughs.
I watched the movie with my family. As a teacher in a writing class, whether I watch a TV series or a movie, I always have the habit of treating it as a story and dissecting it from the perspective of a writer.
After watching "This Killer Is Not Too Calm", I think there are 5 ways to write from it:
01
Rub hot spots to rub traffic. When we heard the name of the movie "This Killer Is Not Cool", we were particularly impressed by it, because we all think of the classic movie "This Killer Is Not Too Cold".
The name of the movie is very important, its role is to attract the attention of the audience, so that people have the desire to buy tickets to watch. Just as we write an article to take the title, we must attract the attention of editors and readers, so that they have a little desire to read.
The name of the movie is rubbing the traffic of classic movies, which effectively attracts people's attention. This is the same as when we write articles to rub hot events to increase the click-through rate.
02
The event line serves the emotional line. We can look back at the classic blockbusters we have seen, and as ordinary viewers, we may only see the plot. However, if you think about it carefully, you will find that movies are often based on the emotional line of male number one and female number one.
With the development and change of the event, the male number one and the female number one went from acquaintance, mutual understanding, and feelings, and finally came together, the whole drama ended.
This movie is also like this, the female number one Milan played by Ma Li, at first, only used the male number one Wei Played by Wei Xiang to succeed, after a series of small events, the two developed feelings.
Many students began to write stories, always rejecting such trivial themes as marriage and love. In fact, emotion is the soul of literary and artistic works. Whether it is a film and television drama or a new media story, in the final analysis, the change of the event line is to promote the change of the emotional line of the protagonist. The result of this is to present a plot of twists and turns, ups and downs, attracting people to read and watch, so as to meet a spiritual need.
The writing method shared by the review class is what I often say to the babies: as a beginner writer, we can closely follow the contradictions of the protagonist's personality to describe!
The process of the protagonist's personality contradiction is actually the process of the protagonist's emotional change.
03
Promote the development of the main line through specific small materials, and impress people through details. In the movie, the first emotional change between Milan and Wei Chenggong is the bowl of noodles that Wei Chenggong cooked for her at night; next, when Wei Chenggong's parents visited the class and invited Milan to dinner, they learned that Wei Chenggong was not the parents' son, and Milan was touched by his kindness... Until the end, Wei successfully killed back to save Milan, and the whole plot was actually driven forward by a specific small material.
This is like when we write new media stories, we need to impress editors and readers through specific small materials and detailed descriptions, and promote the protagonists to set contradictions and move forward.
The film moves the audience through the costumes of the actors and the tone and movement of the speech, and other details, touching the audience's emotions and making people laugh or cry. Just as we write new media stories, we also need language, action, demeanor, and so on to describe the full plot in detail.
04
Warm points and cool points are the soul of literary and artistic works. In the movie, Wei Chenggong's mother tells Milan that their own son died in an accident, and the father who is worried about blindness cannot accept this fact, wei Chenggong pretends to be their son and has been taking care of them... As soon as the camera turns, Wei Chenggong and his father are playing after drinking, like a biological father and son, the mother is in tears, Milan is in tears, and I am in tears.
Whether it is a movie or a story, as long as there is one or two plots that touch people's tears, the work is a little more successful.
At the end of the movie, the traitors around Harvey are pulled out, and the bad guys get the punishment they deserve, which makes the audience feel very happy. This is like when we write new media stories, negative people are best to end up miserable, so that the story promotes positive energy, has a positive guidance for readers, and also touches the readers' cool points.
It is very important for the work to have touching content, to promote positive energy, and to make people feel cool!
05
Through the stimulating effect, the sense of high quality of literary and artistic works is reflected. In the movie, although Wei Chenggong did not praise talent and talent, he was obsessed with film performance. In order to experience the psychological activities of the characters, he is completely immersed in the characters to speculate. He watched almost all the classic movies, and even taught himself Italian for ten years in order to understand Italian movies.
The film tells the story of a "killer" and the story of a small person counterattacking. It doesn't matter if we don't have talent or talent in a certain field, as long as we work hard enough, as long as we stick to it, we will definitely gain something, and even achieve unexpected success.
In the film, in the end, a director took a fancy to Wei Chenggong and let him star in male number one, and the director's favorite was that he was a blank piece of paper in terms of performance. In reality, Wei Xiang because of his image and other reasons, his play path is relatively narrow, has been playing a supporting role, this movie is his first time to play a leading role. Wei Xiang and this film can be said to be a mutual fulfillment.
A person in a certain field, even if limited in many ways, seems as if there is no opportunity and space for development. However, as long as you work hard and persevere enough, you will usher in your own success.
At the end of the movie, a line of subtitles appears: success, only one more time than unsuccessful!
This also tells the audience that this is an inspirational story of a group performance that runs the dragon set and eventually counterattacks into the protagonist.
This is similar to the way we write a story, and at the end we must use golden sentences to condense and sublimate the theme and improve the sense of seniority of the story.
We're all small writers, and we may not be able to write decent work yet. However, as long as we work hard enough and persevere, we will surely usher in our own success!
About the author
Yang is not sorry, Tang Xiao commented on the improvement class lecturer.