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Mr. Lu Weifei is a famous contemporary Chinese flower and bird painter, calligrapher and outstanding art educator. He began to learn painting from his youth, and for decades he changed from the early Haipai painting style of qingjian and bright, work without stagnation, and glamorous and vulgar, until the "change of law" in his later years, and then returned to the old age without losing its elegance, and the refining did not lose its thick Zhejiang style. His works have had a great influence on Zhejiang and even Chinese art, especially on the teaching of Chinese painting at the Chinese Academy of Fine Arts.

The most basic skill of Chinese painters is calligraphy. Mr. Pan Tianshou taught: "Every morning when you study yourself, don't forget that you have to practice calligraphy for an hour." "It is better not to paint for three days than not to practice words for one day." Sincerely, I began to post after the sixties, so that the art of calligraphy in my later years was somewhat accomplished. With books into the painting, vigorous and free. Draw into the book, the gesture is endless.
Most of the outstanding painters of flowers and birds in capital letters are calligraphers, so the paintings in capital letters are written, not depicted. A stroke falls, can not be changed, thick and dry ink rhyme color changes, all by hard work, from a thousand strokes of failure, only to get a stroke of two successes, and then through continuous proficiency to consolidate, so in just a few tens of minutes to complete a creation, I do not know how many years of work, or even decades of work, the deeper the skill, the greater the achievement, must not be lucky.
Capital painting is not easy to come, the image is opened, the god has been lost, or it is useless. Instead of reading paintings, it is better to read paintings than to experience the inner spirit, pen and ink rhyme, on the basis of part-time writing, harmonious observation of natural objects, coupled with calligraphy and literature and other cultivation, the use of the seal of the big grass, self-creation.
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Fine art cannot be separated from the shape, and the shape comes from sketching. Mr. Huang Binhong said: "The trade-off is up to people, and the trade-off is not up to people." He also said, "The mountain that the painting must be like will be strange, and the mountain that is too obscure will be strange." When "not similar" is the best. Hun Nantian said: "Paintings must be familiar in the middle, and words must be familiar with foreign students." Only when we realize this can we understand it.
Painting theory, painting theory, and painting method are valuable experiences summed up in words, and are cultural relics obtained by successive generations of painters through practice, repeated research, and constant denial of the results obtained. Development will never be stopped and a new one will be started. Western paintings are shaped and can be seen by the naked eye. Chinese painting is the crystallization of the final literary art, which is condensed by the essence of history, philosophy, religion, calligraphy and dance, music, boxing, qigong and other colorful artistic disciplines. It cannot be ignored or ignored.
Karma proficiency in diligence is a famous saying throughout the ages, and only by practicing diligently and meticulously can we "practice skillfully" and attain the realm of craftsmanship and wonderful creation of nature.
Painting should be "take, give, borrow, change", change is the creation of art, fickle, old and doc, not only in skill, but also in skill, "wisdom and excellence, both hands and hands", gradually into the realm. Shu a few in one breath, thick Huazi. Encourage those who have aspirations.
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