A few days ago, the China Intangible Cultural Heritage Museum of the Art Museum of China was inaugurated and the opening ceremony of the "Treasures of China - Chinese Intangible Cultural Heritage and Arts and Crafts Exhibition" was held in Beijing. One of the sections of the exhibition, "Shenzhou Yingchun – Chinese Woodblock New Year Paintings", is curated by Tai Gaodi, the non-hereditary inheritor of our Baoji.
It is reported that the China Intangible Cultural Heritage Museum of the Art Museum of China is a national key cultural facility decided to be built during the "Thirteenth Five-Year Plan" period, and a national cultural temple that displays the outstanding intangible cultural heritage and arts and crafts works of the Chinese nation.
When displaying China's intangible cultural heritage and arts and crafts works, the "Shenzhou Yingchun - Chinese Woodblock New Year Paintings" section is particularly eye-catching, and one of its curators is Tai Gaodi, an associate researcher of the China Academy of Arts, as the daughter of Tai Liping, a master of Chinese arts and crafts in Baoji, she grew up learning from her father the 500-year woodblock new year painting making technique, with a solid theoretical and practical foundation.
Tai Gaodi demonstrated fengxiang nianhua printing techniques on the spot
Tai Gaodi told reporters that the curation of Chinese woodblock prints, from the historical origin, subject matter, production techniques and other angles to show the mainland's traditional woodblock new year paintings, because The Fengxiang woodblock prints are an important carrier for displaying the folklore of Xifu, especially in the New Year's Festival, can express people's desire for a better life, so the exhibition added a link to show the fengxiang new year painting printing skills for the audience, by Tai Gaodi personally demonstrated the ink line printing of the Wenmen god "Blessings of Heavenly Officials" in the Fengxiang new year paintings, and the smooth lines of the Fengxiang new year paintings. The vivid image and exquisite printing attracted a large number of visitors. The audience said that from the form to the content, the Fengxiang woodblock prints have both visual impact and a heavy sense of history, which is unforgettable.
It is understood that the later Fengxiang woodblock prints will also be displayed in important festivals such as the Qingming Festival and the Dragon Boat Festival, and will integrate the aesthetics of modern people to re-innovate and re-inherit.
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Baoji Daily all-media reporter Wei Wei
Editor: Yao Ting
Review: Hai Xin
Final Judge: Han Zhengqiang