Wang Wei: Ph.D., currently an associate professor of the Academy of Fine Arts of Tsinghua University, a master's supervisor, a doctoral supervisor, a postdoctoral supervisor, a special postgraduate thesis review expert of the Ministry of Education, a distinguished professor, master tutor and doctoral supervisor of Greux University in Thailand, a special researcher of the Academy of Calligraphy and Painting of the Central Research Museum of Literature and History, a researcher of wu Guanzhong Art Research Center, a researcher of Zhang Tong Art Research Center, a special expert tutor of the Academy of Fine Arts of Capital Normal University, a distinguished professor of Yunnan University, a master tutor, and a vice president of China Huaxia Academy of Painting He is a director of Beijing Dongcheng Artists Association, the director of the Youth Art Committee of Beijing Dongcheng Artists Association, a member of China Artists Association, a member of China Gongbi Painting Society, and a member of China Science Writers Association. Graduated from the Central Academy of Fine Arts with a master's degree. He graduated from the Academy of Fine Arts of Tsinghua University with a doctorate degree in art.
His works have been selected for major art exhibitions in China and won many awards, and his works have been collected by art museums, museums and individuals at home and abroad. A large number of works have been exhibited in Europe, America, Japan and South Korea, and many monographs and albums have been published, and many academic papers have been published in professional core journals.
Representative works:
"September Liangshan Wind", "September Daliangshan", "Qin Shi Huang Unified China", "The Magnificent Beauty of Black Clothes", "Damei Liangshan" series, "Butuo Documentary" series, "Heavenly People" series, "Snow Customs" series, "Southern Yunnan Customs" series, "Magnificent And Magnificent Townships" series, "The Most Beautiful Grassland" series, "Colorful Nationalities", "Thematic Art Creation" series, etc.
Academic Claims:
Chinese painting uses traditional techniques to cultivate brush and ink, first of all, to purify the rational pen and ink language, and absorb the beneficial components of Western art and folk art, inject modern Oriental cultural concepts, use their own expression language to pay attention to the living conditions of contemporary and contemporary people, create in a free state, and construct an innovative system of Chinese painting in a modern context.
Text/ Feng Yuan:
(Art educator, cultural scholar, vice chairman of the China Federation of Literary and Art Circles, deputy director of the Central Research Museum of Literature and History, honorary chairman of the China Artists Association, honorary dean of the Academy of Fine Arts of Tsinghua University, doctoral supervisor)
Wang Wei was my first PhD student at Tsinghua University. Before his doctorate, he was already an associate professor at a university, and his fine art works have won many awards in national exhibitions, and he is a member of the China Artists Association and a young backbone of contemporary Chinese ink figure painting.
He has a good personality, pure and honest, simple and intelligent, modest and confident, he has a good reputation and performance in his circle of friends, but he does not show off, always maintains a natural and peaceful mentality, and strives to pursue the continuous improvement of art.
He has received strict basic training in academic painting, strong basic skills, good understanding, coupled with many years of sketching, sketching, sketching, and the diligent practice of creation, he has a solid realistic modeling ability, and his characters are healthy and sunny, without morbidity and contrived components, which is inseparable from his pure and simple character and the experience of the subtle life of the characters in the work.
The rhythm, tension and rhythm of the lines in his works are all full of atmospheric and upright atmosphere, and behind the pen and ink, the intuitive image is transformed into an image form with life characteristics. He has the ability to organize large-scale large-scale creations of large scenes and multiple figures, and is a prolific young painter, who also painted a large number of sketches and creations during his doctoral studies, and won many awards. His artistic talent and attainments are more prominent among his peers.
He not only achieved great success in painting, but also achieved some success in vocal music and recitation, and was a versatile young painter. His achievements have been affirmed by many peers and teachers, and he embodies the spirit of self-consciousness, diligence and hard work of a new generation of newcomers, and is happy for him.
Text/Yong Wang :
(Researcher of China Academy of Arts, doctoral supervisor, famous art theorist, editor-in-chief of Chinese Calligraphy and Painting Magazine)
Wang Wei is talented, diligent and learnery, simple and generous, and versatile. He is also good at Chinese painting of flowers, birds, landscapes and figures, as well as penmanship and freehand, especially ink figure painting. Following the tradition of new Chinese realist art creation, in terms of pen and ink techniques and character modeling, he inherited the realistic sketching style of the "Xu Jiang System" of the Central Academy of Fine Arts and Zhou Sicong, and also absorbed the structural sketch pen and ink of "New Zhejiang School Figure Painting" Fang Zengxian and Feng Yuan, and at the same time, according to his unique emotional experience of the characters, he strived to create his own personalized pen and ink modeling language.
He depicts ethnic minority figures, not deliberately drawing elaborately on strange costumes, but focusing on capturing the peaceful faces, expectant eyes, and simple expressions of joy and sorrow of the characters, breaking through the common painting mode and producing an aesthetic effect of conveying the gods. Out of a high sense of cultural mission and social responsibility, Wang Wei has been enthusiastically engaged in thematic creation, these huge works are grand, there are many characters, each character is shaped like a god, and the group portrait combination is vivid and orderly, showing the painter's extraordinary realistic modeling and artistic conception ability, which is warmly received in the society and plays the dual functions of aesthetics and education in the new era.
Text/Zhang Dare
(Ph.D., Professor, School of Fine Arts, Tsinghua University, Doctoral Supervisor)
Wang Wei gradually shifted from the external reality of the expression object to the excavation and expression of the inner spirit of the characters. The college's solid modeling training allows Wang Wei to easily and accurately grasp the external characteristics of the characters, but he pays more attention to the excavation and performance of the spiritual world of the characters. Wang Wei's Chinese paintings belong to the category of new Chinese paintings that have integrated East and West since the 20th century, inheriting the tradition of realistic figure painting pioneered by Xu Beihong.
He pays great attention to the portrayal of the expressions and eyes of the characters, and through the eye contact between the characters and the audience in the painting, Wang Wei's works have a deep meaning that appeals to the soul, which is in line with Gu Kaizhi's thesis that "the portrayal of the gods is in the middle of being blocked". His ink as a whole is relatively light, paying attention to the picture composition effect formed by the contrast of ink color thick and light dry and wet, and the work exudes a fresh breath, which also coincides with its calm and calm temperament.
Wang Wei's works will eventually transcend the obsession with the theme of ethnic minorities themselves and move towards a deeper spiritual realm.