I don't comment on Jiang Kun's cross-talk, but I dare not agree with some of Jiang Kun's remarks! I remember that in the 1970s and 1980s, the propaganda and literary circles had a crush on Teresa Teng

I don't comment on Jiang Kun's cross-talk, but I dare not agree with some of Jiang Kun's remarks!

I remember that in the 1970s and 1980s, the propaganda and literary circles had a big criticism of Teresa Teng's mesmerizing voice, and later Li Guyi's "Velvet Flower" was almost killed, as well as the "Shepherd Girl" of the Shaolin Temple... Wait, how helpless, boring and ridiculous it is to think about it now!

To this day, some people have begun to do similar things in the cross-talk industry, I don't understand? From the verse "Guan Guan Ju Dove, in the River Continent." Ladies and gentlemen. To Teresa Teng's songs, I really can't see any positive energy, let alone bring any inspiration, inspiration or edutainment! Why do ordinary people like it? Teresa Teng's songs just sound relaxed and comfortable, Guo Degang's cross-talk sounds make people laugh, that's all, is it necessary to be so tall? What positive energy does Chen Peisi's sketch "protagonist supporting role" and "eating noodles" have? Ordinary people are not so tall and ambitious! Ordinary people are tired for a day of life, want to relax their mood, simple, no connotation, superficial, even vulgar smile is enough, the society will be stable. But why can't some people who take the state wages, have enough to eat and have nothing to do, and want to show that they are very capable, why can't they do something good in maintaining social stability and stability? The so-called anti-three customs are themselves a manifestation of kitsch, aren't they? Please leave a message in the comment area.